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A redowa ( /ˈrɛdəwə,-və/ ) [1] is a dance of Czech origin with turning, leaping waltz steps that was popular in European ballrooms.
The name comes from the Czech name rejdovák, derived from rej ("whirl").[ dubious – discuss ] [2] Originally a folk dance, it first appeared into the salons in Prague in 1829 and fell out of fashion by 1840, though in the meantime it had spread beyond Bohemia. [2]
Thomas Hillgrove [3] states that the redowa was introduced to London ballrooms in 1846. [4] Like other popular ballroom dances of the mid-nineteenth century, including the polka, it was danced in Paris prior to its appearance in London.
Like most dances currently described as waltzes, the redowa is danced in 3
4 time, with the couple performing a full rotation every six beats.
A basic redowa step contains one long reaching step and two small leap-steps. The long reaching step can be danced on either the 1 or the 2 of each bar of music, depending on what feels best with the tune that is playing.
Cellarius (1849) [5] describes a three-part redowa consisting of a pursuit part ("la poursuite"), followed by the style of waltz commonly described as the redowa, and ending with a particular type of valse à deux temps. During the "pursuit" the partners hold each other hands facing each other and moving up and down at will and doing the "balance" forward and back, with lady following the cavalier.
Dancers generally start in closed (waltz) position with the outside hands pointing line of direction. (This description is for the case when the "reach" step is on count two.) To begin a redowa, the leader will take a small leap step (count 1) around in front of his/her partner with the left foot so that the leader is backing, then take a long scooping or gliding step (count 2) straight back with the right (pointing right toe, bending the knee of the left leg, keeping the torso upright), followed by another small leap step (count 3) with the left to complete a 180-degree turn clockwise. The second half of the six-count pattern begins with a small leaping step (count 4) along the line of dance, so the leader faces forward on the line of dance. The left leg now reaches straight forward (count 5; pointing left toe, bending right knee, etc.), directly under the partner's right leg, which is extended back. A small leap (count 6) onto the right foot completes the pattern, completing the second half (180 degree) turn in preparation for the next six count pattern.
The follow is the opposite portion of the lead's sequence. The follower's movement on the first three beats are essentially the same movements the leader makes on the second set of three beats, and vice versa.
Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television.
The waltz, meaning "to roll or revolve") is a ballroom and folk dance, in triple, performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries.
Dance moves or dance steps are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection.
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band music. The dance is similar in its look to waltz, although the rhythm is in a 4
4 time signature instead of 3
4. Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today.
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina, Finland, France, Italy, Norway ("reinlender"), Portugal and Brazil, Spain, Sweden, Denmark, Mexico, and the United States, among other nations. The schottische is considered by The Oxford Companion to Music to be a kind of slower polka, with continental-European origin.
Soviet ballroom dance was a category of ballroom dance competitions in the former Soviet Union. Competitions in Ballroom dancing in the USSR were held in three dance categories: Standard dances, Latin dances, and Soviet dances.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
Because ballet became formalized in France, a significant part of ballet terminology is in the French language".
The Big Apple is both a partner dance and a circle dance that originated in the Afro-American community of the United States in the beginning of the 20th century.
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Castle Walk is a dance originated and made famous by Vernon and Irene Castle. The moniker was coined from the Castle's signature dance step styling, and their touring stage show of 1913 lead with this as their signature. The Castle Walk became popular through its introduction into the Tango. "Castle Walk" is also a popular American song composed for Vernon and Irene Castle by James Reese Europe (1880–1919) and Ford Thompson Dabney (1883–1958). It was first recorded in 1914, commissioned by the Castles to accompany and provide music for their social dancing programs, having been one of these resulting pieces. Though many dance accompaniments of the time are syncopated rhythms, Castle Walk in particular carries syncopation in half-measure.
The cha-cha-cha, is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance.
The country/western two-step, often called the Texas two-step or simply the two-step, is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found in country music]. One-two, one-two, slide-shuffle. The two-step is related to the polka, the Texas waltz, and the jitterbug.
The Texas two-step is the same step known to ballroom dancers as the international fox-trot. Except for the one-step, which is just that, most Texas dances are variations of a two-step, also called a half-step, which is simply a step-close-step. The Texas two-step is generally done with two long steps and a step-close-step to two-four time. Speeded up, it's a shuffle or double shuffle, but still a two-step.
Zydeco as a dance style has its roots in a form of folk dance that corresponds to the heavily syncopated zydeco music, originated in the beginning of the 20th century among the Francophone Creole peoples of Acadiana. It is a partner dance that has been primarily danced socially and sometimes in performances.
Valse à deux temps, waltz à deux temps, also Valse à deux pas or Valse Russe was a waltz of Russian origin introduced in France in the mid-19th century.
Bachata is a style of social dance from the Dominican Republic which is now danced all over the world. It is connected with bachata music.
In dance and gymnastics, a turn is a rotation of the body about the vertical axis. It is usually a complete rotation of the body, although quarter (90°) and half (180°) turns are possible for some types of turns. Multiple, consecutive turns are typically named according to the number of 360° rotations.
Figures of Argentine tango are elements of Argentine tango.
The Collegiate Shag is a partner dance done primarily to uptempo swing and pre-swing jazz music. It belongs to the swing family of American vernacular dances that arose in the 1920s and 30s. It is believed that the dance originated within the African American community of the Carolinas in the 1920s, later spreading across the United States during the 1930s. The shag is still danced today by swing dance enthusiasts worldwide.