Reptilians (Starfucker album)

Last updated
Reptilians
Starfucker reptilians.jpg
Studio album by
Starfucker
ReleasedMarch 8, 2011
Genre
Length40:06
Label Polyvinyl Records
Producer
  • Josh Hodges
  • Jacob Portrait
Starfucker chronology
Jupiter
(2009)		Reptilians
(2011)		 Miracle Mile
(2013)
Singles from Reptilians
  1. "Julius"
    Released: September 14, 2010
  2. "Bury Us Alive"
    Released: January 6, 2011

Reptilians is the third studio album by the American electronic indie rock band Starfucker. Departing from the light feel of their previous work, Jupiter (2009), the twelve-track Reptilians includes lyrics by Joshua Hodges about death and the end of the world, while musically not sounding depressing. One of the ways these theories are supported is using samples of British-American philosopher Alan Watts in some of the tracks.

Contents

Finished in November 2010 and released on March 8, 2011 by Polyvinyl Records, two singles were issued from Reptilians, which was "Julius" in late 2010 and "Bury Us Alive" in January 2011. Upon its release, the album earned mostly positive reviews from music critics, with praise going towards the band's development from their previous records and re-listening value. On the American Billboard Top Heatseekers chart, it entered at number 26.

Production and composition

Josh Hodges discussed coming up with Reptilians as the title of the album:

"Sometimes I get sucked into the rabbit hole of watching conspiracy videos all night. One of the theories is that there's an alien race that are called Reptilians that control the human race and like to make them their slaves. It's pretty wild. That's where the name came from. And the album is loosely about the end of the world and death so it seemed to be fitting. We had some other ideas – and I always like to have a song that is the title track -- and that song was already called "Reptilians" so we just thought it was perfect." [1]

Reptilians was produced and engineered by Hodges and Jake Portrait. [2] Hodges wrote a half or more of the material on tour with his laptop, and the rest in his bedroom. On tour, he wrote his songs with a MIDI keyboard and added live instruments when he got home. He also used an old analog drum machine in the process. [1] Production of the record ended on November 18, 2010. [3]

Ryan Biornstad said the group wanted to depart from the light feel of their previous album Jupiter , because "we're at a point now where we're getting older and touring a lot, and we're staying true to what we feel is our sound, and it's growing, and it's evolving, and we're not interested in making an album that's just like the first one. We're making it as an evolution." [4] Hodges' lyrics of the songs from Reptilians mainly deal with death and the end of the world, inspired by his grandmother's passing, but musically, the tracks sound "not the slightest bit depressing", as explained in a press release by Polyvinyl Records. Starfucker believed death is responsible for giving meaning to life, which is expressed in the record using snippets of British-American philosopher Alan Watts talking about the band's same beliefs about death, "vibrant crescendos, explosive drum beats, and layered synth melodies that drive a theatrical live show where dance party meets Roxy Music." [5] Krystina Nellis of Drowned in Sound that said by the second half of the record's fourth track, "Mystery Cloud", these philosophies became "basically a more morbid version of" "Everybody's Free (To Wear Sunscreen)" by Baz Luhrmann. [6]

Tracks

The original issue of Reptilians has twelve tracks: "Born" (3:24), "Julius" (3:48), "Bury Us Alive" (3:10), "Mystery Cloud" (4:26), "Death as a Fetish" (4:15), "Astoria" (2:43), "Reptilians" (2:48), "The White of Noon" (4:25), "Hungry Ghost" (2:09), "Mona Vegas" (3:39), "Millions" (2:35) and "Quality Time" (2:58). musicOMH compared the titles of the songs to the latest horror stories by Stephen King. [7] The first half of the album is faster-tempo'd, [8] opening with the "rhythmic rock-like anthem" [7] "Born", a track that is introduced with "chattering voices and tinny guitars, quickly overwhelmed by a shuddering wash of electronics." [9] "Processed beats, flickering synths and warming harmonized vocals" are also present. [10] "Julius" follows, and has "chime-y bells" and warbled bass included in its instrumentation. [11] [10] The 1980s-synthpop-style [12] "twinkling tunnel" of "Bury Us Alive" is arranged with "Blaring MIDI'd-to-death horns", [13] "dance beats" and "reverberated keyboards". [12] It lyrically "drills the idea that death isn’t something to be feared, but to be viewed as a release." [8] "Mystery Cloud", according to The Aquarian Weekly critic Roz Smith, "sounds like something out of Mario Kart 64 ", and ends with Alan Watts talking "about how death can be used for creativity." [8] "Death As A Fetish" is lyrically similar to "Bury Us Alive", as it also talks about how death shouldn't be feared. [8]

The second half of Reptilians becomes toned down and more mid-tempo. [8] [13] "Astoria" is an instrumental, which Hodges said comes from how he fantasizes "about leaving everything and being a hermit and having a calm little life in a place like [a house in a coastal town].' [1] The song has its bassline taken from the song "Blue Monday" by English rock band New Order. [11] "Reptilians" opens with an acoustic guitar before it "moves into a realm filled with explosive drum hits, synths and a bass line". [12] The "swirling chill-pop" [6] “The White of Noon” has a "spaced-out synth" loop and a "tamed distorted guitar effect in the middle". [10] The psychedelic [11] "Hungry Ghosts", another swirling chill-pop song, [6] features "hazy rhythms". [11] Having a "midnight 80’s feel", [10] "Mona Vegas" was described by Smith as "a lonely version of a love song." [8] The jaunty [10] "Millions" is a punchy, upbeat song [7] with Nintendo-style synths. [10] Opening with bleeps, a bass line then comes in before a synth line plays in the hook. [14] "Quality Time" closes Reptilians, and is another song that opens with a snippet from Alan Watts, before going into "a head banging techno style dance track." [7] Drowned in Sound's Krystina Nellis noted the backing track similar to an Atari game. [6]

Release and artwork

The cover art for Reptilians was illustrated and designed one of the group's friends, Sohale Kevin Darouian. [2] [1] Hodges said that he asked Darouian to make the artwork similar to "an old '70s sci-fi book cover or something. I didn't give him too much direction besides that." [1] The unrefined demos of Reptilians were released on April 21, 2012 under the title Heaven's Youth, the original planned title for Reptilians, with a re-working of the artwork. [15]

On March 8, 2021, in celebration of the album's 10-year anniversary, Reptilians was re-released as a remastered deluxe reissue. The 10-Year Anniversary Edition included digitally-enhanced versions of the album's original twelve songs, the two bonus tracks found on the previous Deluxe Edition, and two newly-added bonus tracks from the same time period (one of which being Helium Muffin, previously released as a b-side with the Julius single). The remasters were completed by Mile Nolte at Eureka Mastering, and Darouian returned to provide a revamped version of his artwork for the album cover. [16]

Singles

On September 14, 2010, Polyvinyl Records released "Julius" as the lead single from Reptilians, with "Helium Muffin" being its b-side. The release was first announced on August 25, 2010. [17] "Bury Us Alive" was the second single off the record, coming out on January 6, 2011. [18]

Critical response

Professional ratings
Aggregate scores
SourceRating
Metacritic 71/100 [19]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [20]
The A.V. Club A [21]
Beats per Minute 61% [10]
Drowned in Sound 6/10 [6]
Filter 73% [22]
musicOMH Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [7]
Pitchfork 6.5/10 [13]
Popmatters 6/10 [9]
Spin 7/10 [23]
Under the Radar Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [11]

Reptilians earned mixed to positive critical reviews upon release. Based on twelve critics, the album holds an aggregate score of 71 out of 100 on Metacritic, indicating "Generally favorable reviews". [19] It earned an A grade from The A.V. Club 's Marc Hawthrone, who described it as equally "important, fun, and urgent," concluding that "it’s hard to think of a better combination of attributes for a pop record." [21] Another A-grade review came from Roz Smith of The Aquarian Weekly, saying that "The way the beats clash with the lyrics throughout this piece is ironic yet enjoyable." [8] Jason Lymangrover of Allmusic awarded the record three-and-a-half stars out of five, writing that "There aren’t any weak points, and it drifts along dreamily, from one understated jam to the next." [20] Spin writer Marc Hogan called it Starfucker's best studio effort so far, scoring it a seven out of ten, [23] while Larry Fitzmaurice, in a 6.5-out-of-ten review for Pitchfork , found it a "pretty good album." [13] Lily Moayeri, rating it six stars out of ten, opened her review for Under the Radar with, "There is a whole class of synth-obsessed electro/dance/pop groups that sound like they had MGMT's Benjamin Goldwasser and Andrew VanWyngarden as their professors in rock star college. Newest graduate from this school is Starfucker. The Portland, Oregon-based band's second album, Reptilians, indicates it graduated with high honors." [11] In an article for Drowned in Sound, Krystina Nellis gave a verdict that there was more positives than negatives on the album, calling it "a fun album with some great songs you can both dance to and listen to and, in its first three tracks, some excellent pop singles." [6]

More varied reviews were focused on the group's lack of maturity, originally and lack of value for repeated listens. musicOMH, in their three-star review, called it "a good listen but not something that will be anyone's favourite album." [7] Dylan Nelson, a PopLocal Features Editor for Popmatters, awarded it a six out of ten, finding it "quite promising" but also disliking how "noisy and overwrought" it was. [9] Giving it a percentage of 61, Beats per Minute author Ray Finlayson said that "I know the band can write damn good songs and they have proven that before and prove it here, but until they address the main problems ... or really venture out into something different... I think history will keep repeating itself for these guys." [10] Kenny S. McGuane of Filter dismissed the record, writing that "With no standout tracks, Reptilians just becomes 40 minutes of innocuous, digital background music that’s been done before." [22]

Track listing

All lyrics are written by Joshua Hodges; all music is composed by Starfucker

No.TitleLength
1."Born"3:23
2."Julius"3:48
3."Bury Us Alive"3:10
4."Mystery Cloud"4:25
5."Death As a Fetish"4:14
6."Astoria"2:42
7."Reptilians"2:48
8."The White of Noon"4:25
9."Hungry Ghost"2:09
10."Mona Vegas"3:38
11."Millions"2:34
12."Quality Time"2:57
Total length:40:06

Deluxe Edition bonus tracks

No.TitleLength
13."Slow Dance"3:44
14."Recess Time"2:21
Total length:46:11

10-Year Anniversary Edition bonus tracks

No.TitleLength
15."Helium Muffin"4:57
16."The Wisdom of Insecurity"2:57
Total length:54:20

Credits

Credits are adapted from Allmusic. [2]

Charts

Chart (2011)Peak
position
US Heatseekers Albums (Billboard) [24] 26

Related Research Articles

of Montreal American indie pop band

Of Montreal is an American indie pop band from Athens, Georgia. It was founded by frontperson Kevin Barnes in 1996, named after a failed romance between Barnes and a woman "of Montreal". The band is identified as part of the Elephant 6 collective. Throughout its existence, of Montreal's musical style has evolved considerably and drawn inspiration from 1960s psychedelic pop acts.

Saturday Looks Good to Me is an American experimental indie pop band that formed in 1999. The group is led by singer-songwriter, producer, and multi-instrumentalist Fred Thomas. Albums by the group are known for soundscapes which hearken back to Detroit soul.

Polyvinyl Record Co. is an American independent record label headquartered in Champaign, Illinois. The label also has satellite offices in New York, Austin, and the Bay Area. Polyvinyl has put out over 400 releases to date.

Sexton Blake is a rock band based in Portland, Oregon. They are signed to the independent record label, Expunged Records and their name derives from the British television series Sexton Blake.

<span class="mw-page-title-main">Strfkr</span> American rock band

Strfkr, stylized in all caps, is an indie rock band from Portland, Oregon. It began in 2007 as a solo project of Joshua Hodges.

<span class="mw-page-title-main">Japandroids</span> Canadian rock band

Japandroids are a Canadian rock band from Vancouver, British Columbia, consisting of Brian King and David Prowse.

<span class="mw-page-title-main">The Word Alive</span> American metalcore band

The Word Alive is an American metalcore band formed in Phoenix, Arizona, in 2008. The band was signed to Fearless Records since their formation. In 2022, they changed their label and signed to Thriller Records. The band currently consists of vocalist Tyler Smith, guitarists Zack Hansen and Jose DelRio, and drummer Daniel Nelson. The group has had several line-up changes throughout their career, with Hansen as the only remaining founding member. Their second EP, Empire reached No. 15 on the Top Heatseekers, meeting a great amount of positive acclaim upon its release in 2009. The following year, the group recorded and released their debut studio album, Deceiver on August 31, 2010, which reached No. 97 on the Billboard 200 and 15 on Independent Albums.

<i>Deceiver</i> (The Word Alive album) 2010 studio album by The Word Alive

Deceiver is the debut studio album by American metalcore band The Word Alive. It was released on August 31, 2010, through Fearless Records. The title derives from a passage of lyrics within the chorus of the song "The Wretched".

<i>Cinderellas Eyes</i> 2011 studio album by Nicola Roberts

Cinderella's Eyes is the debut studio album by English recording artist Nicola Roberts. It was released on 23 September 2011 by Polydor Records. As a member of the British girl group Girls Aloud, Roberts drew inspiration from her time with the group. Her experience with Girls Aloud's formation found her being labelled "ugly" by the media, and the constant negative attention and subsequent personal problems resulted in her struggling with her confidence. She started recording for the album in 2010 and co-wrote all of the original tracks on the album, working closely with producers Dimitri Tikovoï, Maya von Doll and Diplo on the album, as well as Canadian electropop band Dragonette. The concept of the album derived from fairy tales, focusing mostly upon "Cinderella" after titling the album Cinderella's Eyes. The album artwork features Roberts next to a collection of vintage artefacts wearing a modern interpretation of the Cinderella glass slipper, co-produced by shoe designer Atalanta Weller.

<i>Hurry Up, Were Dreaming</i> 2011 studio album by M83

Hurry Up, We're Dreaming is the sixth studio album by French electronic music band M83. The album was released on 18 October 2011, by Naïve Records in France and by Mute Records in the United States. The album was the last M83 album with keyboardist Morgan Kibby and the band's first full double album.

<i>Voyage</i> (The Sound of Arrows album) 2011 studio album by The Sound of Arrows

Voyage is the debut studio album by Swedish synth-pop duo The Sound of Arrows, released in the United Kingdom on 7 November 2011. It was preceded by the release of the singles "Nova" on 25 April 2011 and "Magic" on 1 August 2011.

<span class="mw-page-title-main">Satellite (Rise Against song)</span> 2011 single by Rise Against

"Satellite" is a song by American punk rock band Rise Against, featured on their sixth studio album Endgame (2011). Written by lead vocalist Tim McIlrath, "Satellite" is a melodic hardcore song expressing the idea that the band stood by their social and political beliefs, and that they would not conform to mainstream media. The song first premiered on March 4, 2011 in a webisode series detailing the recording process of Endgame, but was not released as the album's third single until November 1, 2011. The song impacted radio on the same day.

<i>Bankrupt!</i> 2013 studio album by Phoenix

Bankrupt! is the fifth studio album by French indie pop band Phoenix. The album was released on 19 April 2013 by Loyauté, Glassnote Records and Atlantic Records. It is the band's follow up to Wolfgang Amadeus Phoenix, which was released four years earlier in 2009. The album was produced by the band with Philippe Zdar and was recorded in a span of two years at Studios d'Herbécourt and Motorbass Studios in Paris, France, and at Oscilloscope Laboratories in New York City, United States. The album received generally favorable reviews from music critics upon release. It debuted at number 3 on the French Albums Chart, number 4 on the Billboard 200, and number 14 on the UK Albums Chart.

<i>Miracle Mile</i> (Strfkr album) 2013 studio album by Strfkr

Miracle Mile is the fourth studio album by American indie rock band Strfkr, released on February 19, 2013, by Polyvinyl Records.

<i>Starfucker</i> (Starfucker album) 2008 studio album by Starfucker

Starfucker is the debut studio album by the Portland-based indie rock band Starfucker, released on September 23, 2008 through Badman Recording Co.

<i>Jupiter</i> (Starfucker album) 2009 studio album by Starfucker

Jupiter is the second studio album by the Portland-based indie rock band Starfucker. It was originally released as a mini-LP on May 5, 2009, through Badman Recording Co., and was re-released on January 10, 2012, as a full album with three new tracks as well as updated artwork and mixes of the previously-existing tracks.

<span class="mw-page-title-main">Swimming With Dolphins (band)</span>

Swimming With Dolphins is an American electronica band from Minneapolis, Minnesota. The band formed in 2008 by Austin Tofte and Owl City frontman Adam Young. The name of the band was derived, according to Tofte, from "some old Jacques Cousteau documentaries from the 80s". The group is fronted by Tofte, while Young performed synths and programming for the act and additionally served as the producer of the group.

"Nostalgic" is a song by American recording artist Kelly Clarkson from her seventh studio album, Piece by Piece (2015). Produced by former DC Talk member Jason Halbert, the song was written by artists who also have been members of various rock bands: Semi Precious Weapons lead singer Justin Tranter, former Cobra Starship lead guitarist Ryland Blackinton, Young Love lead singer Dan Keyes, and Oliver duo member Vaughn Oliver. A synth electro rock song, it sings of remembering nostalgia of a failed relationship, which was mainly based on Tranter's and Keyes's real life experiences. The record mainly features synthesizer sounds that were prominently popular during the 1980s as well as string arrangements by Joseph Trapanese and guitars by Tim Pierce. Upon the release of Piece by Piece, "Nostalgic" has received a very positive response from music critics, who lauded the track as one of the album's highlights and complimented the 1980s nostalgia evoked from the song.

<i>Future Past Life</i> 2020 studio album by STRFKR

Future Past Life is the sixth studio album by the Portland-based indie rock band STRFKR, released on April 10, 2020, through Polyvinyl Records.

<i>Starfucker</i> (Slayyyter album) 2023 studio album by Slayyyter

Starfucker is the second studio album by American singer Slayyyter. It was released on September 22, 2023, through Fader Label. An '80s-influenced electronic pop record, Starfucker explores a "dramatized" and satirical view of Hollywood, focusing on the culture of drugs, vanity, and celebrity. A deluxe edition of the album was released on December 1, 2023.

References

  1. 1 2 3 4 5 Lake, Dave (December 22, 2011). "Tell Me About That Album: Reptilians by Starfucker". Seattle Weekly . Sound Publishing. Archived from the original on January 9, 2012. Retrieved September 19, 2014.
  2. 1 2 3 "Reptilians – Starfucker / STRKFR Credits". Allmusic . Rovi Corporation . Retrieved September 19, 2014.
  3. ↑ "OMJAY It's been a while since we've made an..." Old Wave News. November 18, 2010. Retrieved September 19, 2014.
  4. ↑ Morgenstern, Hans (April 17, 2011). "Exclusive interview with Starfucker (Part 1 of 2): Philosophy and rock 'n' roll". Independent Ethos. Retrieved September 19, 2014.
  5. ↑ "STRFKR: Reptilians". Polyvinyl Records . Retrieved September 19, 2014.
  6. 1 2 3 4 5 6 Nellis, Krystina (April 6, 2011). "Album Review: Starfucker – Reptilians". Drowned in Sound . Silentway. Archived from the original on April 9, 2011. Retrieved September 19, 2014.
  7. 1 2 3 4 5 6 "Starfucker – Reptilians". musicOMH . March 28, 2011. Retrieved September 19, 2014.
  8. 1 2 3 4 5 6 7 Smith, Roz (February 16, 2011). "Starfucker: Reptilians". The Aquarian Weekly . Arts Weekly, Inc. Retrieved September 21, 2014.
  9. 1 2 3 Nelson, Dylan (April 11, 2011). "Starfucker: Reptilians". Popmatters . Retrieved September 19, 2014.
  10. 1 2 3 4 5 6 7 8 Finlayson, Ray (February 3, 2011). "Album Reviews: Starfucker – Reptilians". Beats per Minute . Retrieved September 19, 2014.
  11. 1 2 3 4 5 6 Moayeri, Lily (March 24, 2011). "Starfucker: Reptilians (Polyvinyl)". Under the Radar . Under the Radar. Retrieved September 19, 2014.
  12. 1 2 3 Watson, Eli (April 2011). "STRFKR – Reptilians album review". MVRemix. Retrieved September 21, 2014.
  13. 1 2 3 4 Fitzmaurice, Larry (April 13, 2011). "Starfucker: Reptilians". Pitchfork Media . Retrieved September 19, 2014.
  14. ↑ May, Jake (March 1, 2011). "Starfucker – Reptilians". The 405. Retrieved September 21, 2014.
  15. ↑ "STRFKR: Heaven's Youth (Reptilians Demos)". Polyvinyl Records.
  16. ↑ "Reptilians (10-Year Anniversary Edition)". Polyvinyl Records.
  17. ↑ Young, Alex (August 25, 2010). "Starfucker signs with Polyvinyl, readies new single". Consequence of Sound . Retrieved September 28, 2014.
  18. ↑ Grishkoff, Jason (January 6, 2011). "Starfucker – Bury Us Alive". Indie Shuffle. Retrieved September 28, 2014.
  19. 1 2 "Reptilians – Starfucker". Metacritic . CBS Interactive . Retrieved September 19, 2014.
  20. 1 2 Lymangrover, Jason. "Reptilians – Starfucker / STRFKR". Allmusic. Rovi Corporation. Retrieved September 19, 2014.
  21. 1 2 Hawthorne, Marc (March 8, 2011). "Starfucker: Reptilians". The A.V. Club . The Onion . Retrieved September 19, 2014.
  22. 1 2 S. McGuane, Kenny (March 9, 2011). "Starfucker: Reptilians – Polyvinyl". Filter . Retrieved September 19, 2014.
  23. 1 2 Hogan, Marc (March 8, 2011). "Starfucker, 'Reptilians' (Polyvinyl)". Spin . SpinMedia . Retrieved September 19, 2014.
  24. ↑ "STRFKR Chart History (Heatseekers Albums)". Billboard. Retrieved September 19, 2014.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.