Retelling, in media studies and literary studies, is the production of a derivative work that is substantially based on an earlier work but that presents the story differently. [1] [2]
Retelling, in literature, refashions a story in a way that makes it similar but not identical with its predecessor. [1] [2] [3] [4]
Some retellings involve only minor changes. Others are more substantial: a retold story can change genre, style, narrative point of view, or medium. Thus, for example, a written story can be retold through illustrations or from an antagonist's or side character's point of view. [4] [3] Retold stories are often shaped by metanarrative (major aspects of culture) relevant to the culture and time of the retelling. [3]
Some retellings have simplified the story's material. Others have altered it to make it more appealing and relevant to a changing audience (for example, by focusing on previously nonexistent or marginal female characters that reflect a feminist perspective, as in Disney retellings such as Maleficent ). [4] [3] Some retold stories have been parodies of the original material. [3]
A well retold story can hold conviction for readers. [1] [5] A number of stories have been substantially reshaped through retellings that have led to major and enduring changes. For example, in recent decades the tale of Robin Hood has given increased importance to the character Maid Marian, who did not appear at all in early versions; and, in a similar time frame, the story of Aladdin has changed to include the motif of three wishes. [3]
The concept of the retelling of stories has been discussed by literary scholars since as early as the 10th century. [2]
Retelling is common with works that are seen as "traditional" or "classic" – that is, with stories of major cultural importance such as myths and legends (e.g., Greek myths, Sanskrit epics, Arthurian legends) – with modern classics (such as works by Shakespeare), and with religious texts such as the Bible. [2] [5] [6] [7] [3] It is also common with children's literature, fairy tales, and folklore stories. [3] [6] Fan fiction is often based on the retelling of stories. [8]
Retelling is also a tool used to transform children's literature into fantasy literature, removing fairy-tale elements but leaving magic and other supernatural aspects. [5] Many works of urban fantasy are retellings of classic myths, legends, or fairy tales in a modern setting. [5]
Examples of retellings include:
The concept of literary retelling is similar to that of remaking (or reimagining, or rebooting) in the film, movie, and video-game industries. It has been suggested that the concept of remaking focuses on technological advances in the latter industries, while retelling refers to culturally-driven changes in plot. [9] [4] The retelling of stories can also involve the simpler concept of abridgement, and in this context is used in education studies. [10]
The Brothers Grimm, Jacob (1785–1863) and Wilhelm (1786–1859), were German academics who together collected and published folklore. The brothers are among the best-known storytellers of folktales, popularizing stories such as "Cinderella", "The Frog Prince", "Hansel and Gretel", "Town Musicians of Bremen", "Little Red Riding Hood", "Rapunzel", "Rumpelstiltskin", "Sleeping Beauty", and "Snow White". Their first collection of folktales, Children's and Household Tales, was first published in 1812.
A fairy tale is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends and explicit moral tales, including beast fables. Prevalent elements include dragons, dwarfs, elves, fairies, giants, gnomes, goblins, griffins, merfolk, monsters, monarchy, pixies, talking animals, trolls, unicorns, witches, wizards, magic, and enchantments.
Aladdin is a Middle-Eastern folk tale. It is one of the best-known tales associated with One Thousand and One Nights, despite not being part of the original text; it was added by the Frenchman Antoine Galland, based on a folk tale that he heard from the Syrian storyteller Hanna Diyab.
A narrative, story, or tale is any account of a series of related events or experiences, whether non-fictional or fictional. Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb narrare, which is derived from the adjective gnarus. The formal and literary process of constructing a narrative—narration—is one of the four traditional rhetorical modes of discourse, along with argumentation, description, and exposition. This is a somewhat distinct usage from narration in the narrower sense of a commentary used to convey a story. Many additional narrative techniques, particularly literary ones, are used to build and enhance any given story.
Historical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements into a more "realistic" narrative. There is much crossover with other subgenres of fantasy; those classed as Arthurian, Celtic, or Dark Ages could just as easily be placed in historical fantasy. Stories fitting this classification generally take place prior to the 20th century.
Romantic fantasy or romantasy is a subgenre of fantasy fiction combining fantasy and romance, describing a fantasy story using many of the elements and conventions of the chivalric romance genre. One of the key features of romantic fantasy involves the focus on relationships, social, political, and romantic.
Terri Windling is an American editor, artist, essayist, and the author of books for both children and adults. She has won nine World Fantasy Awards, the Mythopoeic Fantasy Award, and the Bram Stoker Award, and her collection The Armless Maiden appeared on the short-list for the James Tiptree, Jr. Award.
Fairytale fantasy is a subgenre of fantasy. It is distinguished from other subgenres of fantasy by the works' heavy use of motifs, and often plots, from fairy tales or folklore.
"The Wild Swans" is a literary fairy tale by Hans Christian Andersen about a princess who rescues her 11 brothers from a spell cast by an evil queen. The tale was first published on 2 October 1838 in Andersen's Fairy Tales Told for Children. New Collection. First Booklet by C. A. Reitzel in Copenhagen, Denmark. It has been adapted to various media including ballet, television, and film.
Sarah Trimmer was an English writer and critic of 18th-century British children's literature, as well as an educational reformer. Her periodical, The Guardian of Education, helped to define the emerging genre by seriously reviewing children's literature for the first time; it also provided the first history of children's literature, establishing a canon of the early landmarks of the genre that scholars still use today. Trimmer's most popular children's book, Fabulous Histories, inspired numerous children's animal stories and remained in print for over a century.
Mythic fiction is literature that draws from the tropes, themes, and symbolism of myth, legend, folklore, and fairy tales. It is usually set in the real world and deals with realistic issues, but a mythic atmosphere prevails; however, not all mythic fiction is fantasy, and the fantastic component is not always blatant. Mythic fiction ranges from retellings of fairy tales to stories based on myths to those loosely inspired by myth and legend, using their motifs to create new stories.
Kate Forsyth is an Australian author. She is best known for her historical novel Bitter Greens, which interweaves a retelling of the Rapunzel fairy tale with the true life story of the woman who first told the tale, the 17th century French writer Charlotte-Rose de Caumont de La Force.
Gustaf Adolf Tenggren was a Swedish illustrator and animator. He is known for his Arthur Rackham-influenced fairy-tale style and use of silhouetted figures with caricatured faces. Tenggren was a chief illustrator for The Walt Disney Company in the late 1930s, in what has been called the Golden Age of American animation, when animated feature films such as Snow White and the Seven Dwarfs, Fantasia, Bambi and Pinocchio were produced.
Elements of the supernatural and the fantastic were an element of literature from its beginning, though the idea of a distinct genre, in the modern sense, is less than two centuries old.
The Guardian of Education was the first successful periodical dedicated to reviewing children's literature in Britain. It was edited by 18th-century educationalist, children's author, and Sunday school advocate Sarah Trimmer and was published from June 1802 until September 1806 by J. Hatchard and F. C. and J. Rivington. The journal offered child-rearing advice and assessments of contemporary educational theories, and Trimmer even proffered her own educational theory after evaluating the major works of the day.
Fantasy is a genre of speculative fiction which involves themes of the supernatural, magic, and imaginary worlds and creatures.
Fairy tale parody is a genre of fiction that parodies traditional fairy tales. The parodies are often created as new literary stories, movies, or television shows.
In fairy tales, a true love's kiss is a motif and commonly used trope whereby a kiss from a "true love" possesses magical powers and holds significant importance.
Dakshin: South Indian Myths and Fables Retold is a collection of 15 folktales from South India. Authored by Nitin Kushalappa and illustrated by Pari Satarkar and Isha Nagar, It was published by Puffin India in 2023. The book features tales of sorcerers, gods, goddesses, fairies, animals, village folk, hunters, kings, and queens. The folk tales are based on diverse sources, drawn from books, songs sung at local temples, verses from regional languages, retellings of popular folklore, movies, and even comic books. This work of fiction is primarily meant for children and young adults.