"Rhythm and Blue Jean Baby" | ||||
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Single by Lynsey de Paul | ||||
B-side | "Into My Music" | |||
Released | July 1975 | |||
Studio | Lynsey Music Ltd. | |||
Genre | Pop | |||
Length | 3:18 | |||
Label | Jet Records | |||
Songwriter(s) | Lynsey de Paul | |||
Producer(s) | Lynsey de Paul | |||
Lynsey de Paul singles chronology | ||||
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"Rhythm and Blue Jean Baby" is a song that was written and produced by Lynsey de Paul, and released in July 1975 [1] as her third single on the newly designed yellow Jet Record label in the UK, as a follow-up to the hit single "My Man and Me". [2] [3] It was released on Polydor in Belgium, France and Germany (with different picture sleeves in each country); backed with another de Paul composition "Into My Music". [4] [5] The release of the single was also announced in the American music industry magazine Cashbox . [6] [7] The song as well as the lyrics and credits are listed on the Italian music resource "Rockol". [8]
De Paul performed the song live on BBC TV's Top of the Pops on 17 July 1975, with the show being presented by Dave Lee Travis. [9] [10] It was the tenth song on episode 596 of the show. [11] This episode was thought to have been lost from the BBC archives, but was tracked down in 2013 and found to be in the private collection of record producer and songwriter Ian Levine, [12] along with performances by Elton John, Marc Bolan and T. Rex, Barry White, Diana Ross and various Pan's People appearances. [13] [14] It was the 10th song of this episode, being preceded by David Essex and being followed by Typically Tropical. [15] [10] This version of the song suffered from part of the backing music being omitted. De Paul also performed the song, sat on a motorcycle, rather than at her more usual piano on the Bay City Rollers show Shang a Lang on 7 July 1975. [16] Another TV performance of the song was on "Rock on with 45". [17] De Paul also performed the song as a special international guest on German TV's Die aktuelle Schaubude, [18] where she played it on a gold painted upright piano.
Although originally a non-album single, it was released for the first time on CD on the de Paul album, Greatest Hits, [19] [20] and has since appeared on a number of CD albums such as Best of the Seventies. [21] More recently, it appeared in a remastered form with an additional backing track, giving it a fuller sound, on Into My Music Anthology 1975-1979, where also the B-side "Into My Music" was included as an album track for the first time. [20] [22] Both songs also recently appeared on the MP3 album, Singles Collection 1974-1979. [23]
The single received favourable reviews, including from DJ and music journalist James Hamilton [24] who, in his first column for Record Mirror , wrote "With a bass line not unlike ‘Bend Me Shape Me’ and some sexy stop/starts, Lynsey makes straight happy pop noises that sound fine to me". [25] [26] It was reported to be a dance floor hit according to a reaction report. [27] Deborah Thomas, music critic at the Daily Mirror wrote "de Paul will captivate her adoring fans with this light, pacey rocker. [28] It was also a Radio Luxembourg "Hot Shot" single as well as a BBC Radio London "Favoured Play" and play listed by BRMB (now Free Radio Birmingham). [29]
The song reached no. 16 on the Poporama Swedish chart, [30] [31] and it reached no. 30 and spent two weeks on Capital London Radio's "Capital Countdown chart" (where it was wrongly listed as "Rhythm And Blue Jeans Baby") on 12 July 1975 (now Capital FM). [32] [33] It was also included on the "Disco Top Ten" as a breaker published in the British music industry paper Record Mirror . [34] The song was playlisted on Radio London, BRMB and it was a Radio Luxembourg Hot Shot in June 1975, [29] [35] while still being played on radio stations such as Radio Mi Amigo a year later in 1976. [36]
"Rhythm and Blue Jean Baby" was used as backing music for Karlie Kloss at the Sonia Rykiel Spring/Summer 2008 Fashion Show in Paris, France. [37] It still receives radio play, for example in 2018 on the German programme, "Musik á la Carte". [38]
Lynsey de Paul was an English singer-songwriter and producer. After initially writing hits for others, she had her own chart hits in the UK and Europe in the 1970s, starting with UK top 10 single "Sugar Me", and became the first British female artist to achieve a number one with a self-written song. She represented the UK in the 1977 Eurovision Song Contest, coming second and scoring another chart-topping hit in Switzerland, and had a successful career as a two-time Ivor Novello Award-winning composer, record producer, actress and television celebrity.
Thunderthighs were a British backing vocal group, who released records in their own right.
"Rock Bottom" was the British entry in the Eurovision Song Contest 1977, performed in English by Lynsey de Paul and Mike Moran. It was also written and produced by de Paul and Moran and released on the Polydor record label. Originally it was written for the group Blue Mink; and submitted unbeknown to de Paul and Moran as an entry for A Song For Europe by the publishers; when it was selected, de Paul agreed to perform the song if Moran would join her. On 9 March 1977, "Rock Bottom" was selected to represent the UK at the A Song for Europe 1977 event held at the New London Theatre, presented by Terry Wogan.
Taste Me...Don't Waste Me is the third album by the English singer-songwriter Lynsey de Paul but the second album of completely new material and de Paul also was the producer for all of the songs. It was released in the UK in November 1974 and was the first album on Don Arden's then new label, Jet Records, and initially distributed by Polydor, although Island Records was soon contracted by Arden to take over distribution and this confusion may have negatively affected sales. Releases in all other countries, such as Spain, Germany, Australia, Japan and South America, were on the Polydor label in early 1975. The album was generally well received by music critics from leading magazines of the day. AllMusic journalist Craig Harris stated that "one of the first successful female singer-songwriters in England, de Paul has had an illustrious career" and lists this as one of her best albums. The Sunday Sun reviewed the album and wrote "Lynsey de Paul has shown her fine smoochy new album "Taste Me Don’t Waste Me" that she consistent song-writing talent". It was also de Paul's personal favourite album and she wrote on her music store website some years later "The Taste Me... Don't Waste Me album was a romantic collection of songs that I wrote and recorded as a relaxing, late night album", echoing earlier comments to the music press. The LP was listed as one of the best album releases of 1975 by journalist Judith Simons. It has stood the test of time in that it is listed as one of the top albums released in 1974 by online site "Best ever albums", as well as one of the top 1000 albums released in the 1970s.
"Ooh I Do" is the fifth single released by Lynsey de Paul on 17 May 1974 and her only single released on the Warner Bros. label, after moving there from MAM Records. Co-written by de Paul and Barry Blue, this Phil Spector-ish song with a nod to the style of the Roy Wood/Wizzard sound, conveys the angst about parents not believing in a teenage love affair represented a change of style for de Paul, who also produced the recording. De Paul performed the song on TV shows in Spain and Germany, however, her only UK performance was for Top of the Pops, but this was never shown because of industrial action at the BBC. De Paul re-recorded the song for this episode and this version was released on the BBC Transcription Services album, Top Of The Pops-495, which also featured an interview conducted by Brian Matthews.
"My Man and Me" is a song written, recorded and produced by the British female singer-songwriter Lynsey de Paul for her second album, Taste Me... Don't Waste Me, and released as a single backed with de Paul's smoochy version of "Dancing on a Saturday Night" on 21 February 1975.
Tigers and Fireflies is an album recorded in 1978 and released by Lynsey de Paul in April 1979 on the Polydor record label in the UK, Europe, Japan, Hong Kong, Singapore, Malaysia and South America. It was launched at a special event at the Mayfair Club in London, with de Paul looking similar to the 1940s film star Veronica Lake. The album was recorded at Long View Farm Studios with additional recording at Mediasound Studios, New York and produced by Rupert Holmes. In his 1986 biography, Justin de Villeneuve, de Paul's manager at the time wrote "I gave Rupert Holmes a call in New York. He agreed to see me if I flew to America. Polydor, with the prospect of the involvement with Holmes, agreed to up the budget". The collaboration between de Paul and Holmes on Tigers and Fireflies was mentioned on the Ray Shasho Show, when Shasho interviewed Holmes on his BBS radio show on 7 August 2018. The story behind the recording of the album was also discussed in the book Dervish Dust: The Life and Words of James Coburn. Speaking to Music Week about the album, Jim Cook said "Throw away all of your preconceived ideas about Lynsey de Paul" and the Scottish press reported "Nifty production by Rupert Holmes has the petit blonde back on form Not a weak song on the album".
"If I Don't Get You The Next One Will" is a song written, recorded and produced by Lynsey de Paul and released in April 1976 in the UK as her seventh and final single on Jet Records. The B-side of the single was another de Paul song and fan favourite "Season to Season". A longer version of the song was recorded as a track for the 1976 album Take Your Time, but the album was shelved as part of a dispute between de Paul and Arden, and when it was finally released on CD in 1990 in Japan as Before You Go Tonight, the single version was included. This humorous and tongue in cheek song relates many of de Paul's negative dating experiences. One well known muse for the song was former boyfriend, Ringo Starr, who missed a dinner date with de Paul. De Paul herself described the song as being about revenge, after Starr missed a dinner appointment with her because he fell asleep in his office. Stylistically, it was quite a departure from previous releases, with prominent use of synthesiser and a sparse arrangement that received positive reviews. At the time, the Record Mirror wrote "Cleverly constructed song with Lynsey's voice playing leap-frog over itself. Uptempo rhythm that winds itself all over the place, following the intricate vocal patterns" with the Hammersmith & Shepherds Bush Gazette also praising the single.
"School Love" is a song written by Lynsey de Paul and Barry Blue, which was recorded by Blue and released as his third single on Bell Records in 1974. It reached No. 11 on the UK Singles Chart, No. 3 on the Danish charts, No. 9 on the Rhodesian charts No. 24 on the Australian GoSet chart and No. 31 in the Australian Kent Music Report chart, making it Blue's last international hit, although he would go on to have another two UK hit singles later that year. It also reached No. 4 on the Radio Northsea Toppers 20 on 15 March 1974 and No. 5 on the Hessische Rundfunk Hitparade International chart.
Surprise is the first album released by Lynsey de Paul on the MAM record label in 1973. In Australia, the album name was changed to Sugar Me, after de Paul's first hit single. All of the songs on the album were written or co-written by de Paul, who was accompanied by some of the UK's leading session musicians including Terry Cox, Ralph McTell, Ray Cooper, Jeff Daly, John Gustafson, Chris Rae, Danny Thompson, Gary Boyle, Barry de Souza, Dick Katz, Robert Kirby, Francis Monkman, John Richardson and violinist Johnny Van Derrick. The album front cover is a portrait photo of de Paul photographed by Clive Arrowsmith, and a gatefold sleeve with illustrations provided by de Paul, a nod to her previous career of designing album sleeves and song lyrics.
"Sugar Me" is a song written by Lynsey de Paul and Barry Green. The first version of this song to be released was recorded by de Paul as her first single on MAM Records in 1972. It was produced by Gordon Mills and the B-side was de Paul's version of "Storm in a Teacup", a song she had co-written and had been a hit for the Fortunes earlier that year.
"Papa Do" is a song written by Lynsey de Paul and Barry Blue, who are credited as Rubin and Green. The song was released as a single performed by Barry Green in February 1972 backed with "Boomerang" on the Decca label and had a modicum of chart success in Spain, France and Sweden. It received a number of favourable reviews, including one from the BBC DJ Alan Freeman on his Sunday radio show Pick of the Pops. The Dutch group, Cardinal Point, recorded a version which was similar in style to that recorded by Green, as a track on their self-named album, and the Greek group, The Daltons, also released a version of the song as a single. The song was re-titled "Mama Do" and the text slightly modified for de Paul's own jazzed up version, that served as the opening track for her debut album, Surprise, which was released in 1973. In January 1974, Decca Records re-released the single to capitalize on Barry Blue's chart success and it again received positive reviews.
"You Give Me Those Feelings" is a song written by Lynsey de Paul, and produced by de Paul and Jon Kelly. It was released as a non-album single, with the B-side "Beautiful" also composed by de Paul, on Polydor in August 1977, as the follow-up to the European hit single "Rock Bottom". The German and French releases of the single both had picture sleeves. The romantic song makes clever use of vocal overdubbing and has a false ending making the shorter version more radio friendly that the whole song, which clocks in at over four minutes. The song was well received by the press, with the Daily Mirror writing "Lynsey de Paul has written a slow, beautiful song, ideally suited to her voice" and the record was play listed by a number of British radio stations. It also was popular in some European countries, and is listed as one of the songs of 1977 in a German music database "Musik des Jahres 1977".
"Hollywood Romance" is a song written by Lynsey de Paul and David Jordan. It was released as a single on Polydor Records on 20 October 1978 in a picture sleeve, almost six years to the day after the release of their last hit collaboration "Getting a Drag", and it was play-listed on BBC Radio 1. The record label for this single was unusual in that it was printed in silver instead of the usual Polydor red label. The release was announced in a full page advert "Hollywood Romance - a new single from a very special lady" published in Music Week. In Japan, it was released in February 1979 in the same picture sleeve cover with the title in Japanese added, plus the lyrics were included on the back cover. It was listed as a major release in Hong Kong. It was also released as a track on the 1978 BBC transcription album Servicio Latinoamericano de la BBC vol. 44 together with "Don't Take Love for Granted" by Lulu and "Got to Get You into My Life" by Earth, Wind and Fire.
"I Gotcha Now" is a song written by Lynsey de Paul and released as a single by Zakatek on the Bell Records label on 2 March 1973. The release of the single received interest from the British music press. The song features a pounding piano, fuzz guitar and "I Am the Walrus"-esque strings. De Paul's own demo of the song, with the title "Got You Here Now" and recorded at Orange Studios, London, by David Humphries in early 1973 resurfaced in 2022 and features a xylophone in place of the piano break in the middle of the song. The B-side is also a de Paul song, "So Good To You", and both songs were recorded at 10cc's Strawberry Studios with Eric Stewart, the lead guitarist and singer of The Mindbenders and later a member of 10cc, being the co-engineer. De Paul recorded her own version of "So Good To You" and released it in October 1973 as the flip side to her single "Won't Somebody Dance with Me". In Japan, this was the A-side of the release. Both songs were however, originally written by de Paul for Zakatek, after she co-discovered him together with the actor Dudley Moore, her boyfriend at the time. However, some years later de Paul revealed that she had offered "I Gotcha Now" to Slade. Lenny Zakatek discussed recording the song in an interview given to Black Music & Jazz Review.
Into My Music - Anthology 1975-1979 is a digitally remastered double album, featuring songs written and performed by Lynsey de Paul, that was released on 18 March 2013 on Cherry Red's RPM Retrodisc label. All recordings have been remastered by de Paul and Simon Murphy from original tape sources and co-produced by de Paul and Mark Stratford. The album is packaged with photographs and memorabilia from de Paul's personal archive and text by Michael Robson.
Love Bomb is the fourth album released in 1975 by the British singer-songwriter Lynsey de Paul, and her second album released on Jet Records in the UK and Polydor in Germany, Australia and Japan. In the US and Canada, it was released in January 1976 on Mercury Records. The album was recorded at the Marquee Studios, London, England, produced by de Paul and arranged by Tony Hymas, with Terry Cox playing drums, John Dean percussion, Chris Rea guitar and Frank McDonald bass. The striking sleeve cover photo of de Paul in U.S. military style clothing was taken by Brian Aris.
"Hot Shot" is a song written by Barry Blue and Lynsey de Paul, that was released as a single on 2 September 1974 on the Bell Record label by Barry Blue. It was Blue's last chart entry with an original song, reaching no. 23 on the UK Singles Chart. Despite this, it is considered as one of Blue's best songs. The song was also his biggest hit in Sweden where it reached no. 1 on the Poporama singles chart, and in Zimbabwe where it peaked at no. 3. "Hot Shot" also reached no. 8 on the Hessischer Rundfunk Hitparade, and spent three weeks on the Dutch Tipparade in 1975.
"All Night" is a song written by Lynsey de Paul and Ron Roker. De Paul released her version of the song on 27 April 1973 as her third single released on MAM Records, with arrangements by Martyn Ford and John Bell and produced by de Paul. The song is listed in the U.S. Library of Congress Catalog of Copyright Entries and in the "The Directory of American 45 R.p.m. Records" It features an uncredited male vocal. A slinky, sexy song, it compares a love relationship to that of the spider and a fly. The single is backed by the more socially aware song "Blind Leading the Blind", composed and produced by de Paul. The song was an unusual release since neither the A-side or the B-side featured as tracks on her debut album. Surprise had been released a little more than a month earlier - presumably it was not included since "All Night" has a very different style than the tracks on Surprise.
"Sugar Shuffle" is a song written by Lynsey de Paul and Barry Blue. It first appeared as the lead-in track on de Paul's album Love Bomb as an ethereal, chilled and dreamy song about nightlife and dating. AllMusic rated "Sugar Shuffle" as one of de Paul's song highlights. Musician and music critic Bob Stanley wrote in The Guardian, "Sugar Shuffle is an especially gorgeous, woozy mid-70s confection, fit to sit at the table with Liverpool Express’s You Are My Love".