Richard Bell | |
---|---|
Born | Charleville, Queensland, Australia | December 13, 1953
Nationality | Australian |
Known for | Painting, contemporary Indigenous Australian art |
Awards | National Aboriginal & Torres Strait Islander Art Award |
Richard Bell (born 13 December 1953 [1] ) is an Aboriginal Australian artist and political activist. He is one of the founders of proppaNOW, a Brisbane-based Aboriginal art collective.
Born in 1953 [2] in Charleville, Queensland, [3] Bell is a Kamilaroi man. [4]
He engaged in political activism in Redfern, Sydney, in the 1970s, in causes such as Aboriginal self-determination. His art continues to reflect this. [2]
Bell works in many media: paintings, video art, installations, text art and performance art. His subjects are largely based on various Indigenous rights issues: the effect of colonialism on Aboriginal people in Australia, which has rendered their history invisible; identity; and the complex issues surrounding the production of Aboriginal art. [2]
In 2003, Bell co-founded the Indigenous art collective proppaNOW, with Jennifer Herd, Vernon Ah Kee, Fiona Foley and others. [5] [4] In the same year, his work came to the attention of the wider public for Scientia E Metaphysica (Bell's Theorem).
In 2006, the Queensland art critic Rex Butler profiled his work for Australian Art Collector magazine. [6]
Bell caused controversy in April 2011 after revealing that he had selected the winner of the prestigious Sir John Sulman Prize through the toss of a coin. [7]
In 2011 Bell was interviewed in a digital story and oral history for the State Library of Queensland's James C Sourris AM Collection. [8] In the interview Bell talks to art historian Rex Butler about the development of his artistic practice, about winning the NATSIAA award, and the artist group proppaNOW. [9]
In March 2012, Bell won a court case against a person who had issued a take-down notice in 2011, for "unjustifiable threats of copyright infringement", and was awarded A$147,000 in damages, setting "an important precedent". [10]
In 2013 he presented the eight-episode TV series Colour Theory on National Indigenous Television. [11]
His self-portrait was a finalist of the 2015 Archibald Prize. [3] Bell created a new series of paintings and an installation for display at documenta 15, a major exhibition in Germany, in 2022. [2]
Bell came to the attention of the wider community after his 240×540 cm painting Scientia E Metaphysica (Bell's Theorem) won the 2003 Telstra National Aboriginal & Torres Strait Islander Art Award (NATSIAA). It prominently featured the text "Aboriginal art. It's a white thing". In his manifesto accompanying the work, Bell pointed out inequities that had existed in the Aboriginal art industry for a long time. [5] [2] [12]
Bell's work Pay the Rent, aka Embassy, [13] [14] a replica of the Aboriginal Tent Embassy, was first displayed in Melbourne in 2013.
In 2022, Pay the Rent debuted at Kassel for Documenta fifteen . [15] Bell says that the work "represents a number calculating how much money the Australian Government owes Aboriginal people — and that's just for the rent of the place".
The interior of the Embassy tent functions as a display space, in which videos and other archival materials are shown, and for hosting public talks and performances, and informal conversations.
The work has travelled across the world, addressing local differences in race and politics through talks and screenings. [16]
Pay the Rent has since been erected at Performa 15 in New York City and at the 2019 Venice Biennale in 2019.
In mid-2022, the work was installed on Friedrichsplatz, in front of Fridericianum, a museum in Kassel, Germany, as part of the international quinquennial exhibition Documenta fifteen . [2] [14] [17]
Pay the Rent / Embassy was displayed in Adelaide on the forecourt of the Art Gallery of South Australia, as part of Tarnanthi, on 22–23 October 2022. It was accompanied by film screenings and talks, as part of the Adelaide Film Festival's new visual arts programme. [18]
In May to June 2023 the installation appeared at London's Tate Modern museum, [2] installed in the infamous Turbine Hall. [19]
In June 2024, Pay the Rent, [15] and Embassy, [16] were presented at the RISING: festival in Melbourne. The canvass Embassy tent was erected in Melbourne's Federation Square as part of 'The Blak Infinite' program surrounded by painted protest signs reminiscent of the original. The tent hosted screenings of Bell's films, Bell’s Theorem (2022) and No Tin Shack (2022), as well the documentary film Ningla A-Na . [16] Pay the Rent was exhibited at the State Library Victoria. [15]
Bell's work has been included in many significant group exhibitions, including:
Solo exhibitions include:
Bell's Archibald Prize entry, Me, is in the University of Queensland's art museum. Other works are held in many collections, including: [3]
The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
Fiona Foley is a contemporary Indigenous Australian artist from K'gari, Queensland. Foley is known for her activity as an academic, cultural and community leader and for co-founding the Boomalli Aboriginal Artists Co-operative.
Emily Kame Kngwarreye was an Aboriginal Australian artist from the Utopia community in the Northern Territory. After only starting painting as a septuagenarian, Kngwarreye became one of the most prominent and successful artists in the history of Indigenous Australian art. She was a founding member of the Utopia Women's Batik Group and is known for her precise and detailed works.
Gordon Hookey is an Australian aboriginal artist from the Waanyi people. He has a Bachelor of Fine Arts (1992) and lives in Brisbane, Australia. He is primarily known as a painter but his practice also involves sculpture, installation, drawing, photography, and to a lesser extent, animation.
Kevin John Gilbert was an Aboriginal Australian author, activist, artist, poet, playwright and printmaker. A Wiradjuri man, Gilbert was born on the banks of the Lachlan River in New South Wales. Gilbert was the first Aboriginal playwright and printmaker. He was an active human rights defender and was involved in the establishment of the Aboriginal Tent Embassy in 1972 as well as various protests to advocate for Aboriginal Australian sovereignty.
Ellen José (1951 – 2 June 2017) was an Australian Indigenous artist, photographer and anarchist. She was a Torres Strait Islander descendant from Murray, Darnley and Horn Islands who lived in Melbourne with husband and fellow anarchist Joseph Toscano.
Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.
Cairns Indigenous Art Fair is an arts and cultural event in the northern Australian city of Cairns, that showcases art by Contemporary Indigenous Australian artists. Established in 2009, the art fair is the opening event of the Cairns Festival.
Art Collector, previously known as Australian Art Collector, is a quarterly Australian art magazine that was first published in July 1997. The magazine primarily covers Australian contemporary and Indigenous Australian art, and also features artists from New Zealand and internationally. It is based in Sydney, New South Wales, Australia and is published in English. The magazine is known for its in-depth articles about artists, gallerists, and art collectors, as well as news of upcoming exhibitions in Australia and New Zealand. It is available in both print and online formats.
proppaNOW is an arts collective for Indigenous Australian artists in Queensland. Aiming to counter cultural stereotypes and give a voice to urban artists, the collective has mounted several exhibitions around the country. The collective was founded by Richard Bell, Jennifer Herd and Vernon Ah Kee in 2003 and formalised in 2004.
Destiny Deacon HonFRPS was an Australian photographer, broadcaster, political activist and media artist. She exhibited photographs and films across Australia and also internationally, focusing on politics and exposing the disparagement around Indigenous Australian cultures. She was credited with introducing the term "Blak" to refer to Indigenous Australians' contemporary art, culture and history.
Tony Albert is a contemporary Australian artist working in a wide range of mediums including painting, photography and mixed media. His work engages with political, historical and cultural Aboriginal and Australian history, and his fascination with kitsch “Aboriginalia".
Judy Watson is an Australian Waanyi multi-media artist who works in print-making, painting, video and installation. Her work often examines Indigenous Australian histories, and she has received a number of high-profile commissions for public spaces.
Jennifer Herd is an Australian Indigenous artist with family ties to the Mbar-barrum people of North Queensland. She is a founding member of the ProppaNOW artist collective, and taught at the Queensland College of Art in Brisbane, where she convened both the Bachelor of Fine Art and Contemporary Australian Indigenous Art. In 2003 she won the Queensland College of Art Graduate Students prize, the Theiss Art Prize, for her Masters of Visual Arts.
Tjapartji Kanytjuri Bates (c.1933–2015), also spelt Taparti, was an Australian Aboriginal artist based in Warakurna, Wanarn, and Warburton communities in the Gibson Desert. She was of the Ngaanyatjarra people. Known to be active from 1991, her work incorporates media of paint, canvas, glass and felt, and is particularly centred around interpretations of Tjukurrpa from her mother and father.
Megan Cope is an Australian Aboriginal artist from the Quandamooka people of Stradbroke Island/Minjerribah. She is known for her sculptural installations, video art and paintings, in which she explores themes such as identity and colonialism. Cope is a member of the contemporary Indigenous art collective ProppaNOW in Brisbane.
Vernon Ah Kee is a contemporary Australian artist, political activist and founding member of ProppaNOW. Based primarily in Brisbane, Queensland, Ah Kee is an Aboriginal Australian man with ties to the Kuku Yalandji, Waanji, Yidinji and Gugu Yimithirr peoples in Queensland. His art practice typically focuses on his Aboriginal Australian identity and place within a modern Australian framework, and is concerned with themes of skin, skin colour, race, privilege and racism. Ah Kee has exhibited his art at numerous galleries across Australia, including the Art Gallery of New South Wales (AGNSW) and the Museum of Contemporary Art Australia, and has also exhibited internationally, most notably representing Australia at the 2009 Venice Biennale and the 2015 Istanbul Biennial.
Maree Clarke is an Australian multidisciplinary artist and curator from Victoria, renowned for her work in reviving south-eastern Aboriginal Australian art practices.
Narputta Nangala Jugadai (1933–2010) was an Aboriginal Australian artist born at Karrkurutinytja, who later lived at Haasts Bluff (Ikuntji) in the Northern Territory. Her language group was Pintupi/Pitjantjatjara, and her Dreaming was "Snake", "Jangala, Two Men" and "Two Women". She was a senior artist in her community at Ikuntji and prominent among the Ikuntji Women's Centre painters. She was the wife of the painter, Timmy Tjungurrayi Jugadai, and mother of Daisy Jugadai Napaltjarri and Molly Jugadai Napaltjarri.
Michael Cook is an Aboriginal Australian photographic artist of Bidjara heritage, whose work is held in major Australian galleries. He strives to promote understanding of Indigenous Australian culture and history in his work, and is the winner of two Deadly Awards.