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Robin Scott | |
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| Birth name | Robin Edmond Scott |
| Born | 1 April 1947 Croydon, Surrey, England |
| Genres | Rock, pub rock, punk rock, new wave |
| Occupation(s) | Musician |
| Instrument(s) | Vocals, guitar |
| Years active | 1968–present |
| Labels | Stiff, Radar, BMG/Metro |
| Website | www.robinscott.uk |
Robin Edmond Scott (born 1 April 1947) [1] is an English singer and founder of the music project M. His career encompasses six decades.
Scott was born in Croydon, Surrey, where he attended Croydon Art College and met Malcolm McLaren in the late 1960s. [2] Scott befriended McLaren and fashion guru Vivienne Westwood with whom he was to collaborate ten years later. He declined their offer to be involved in SEX, the Chelsea clothes shop which McLaren and Westwood launched, preferring to make his career in music.
While at college he had displayed a talent for writing topical songs which he performed on radio and television. This led to his debut album, for which he was backed by Mighty Baby. [3] Woman From the Warm Grass was released on a small independent record label called Head Records. [3]
Scott began performing his own songs and accompanying himself on guitar. He spent a period playing folk music clubs as a solo musician, sharing bills with emerging artists such as David Bowie, John Martyn and Ralph McTell. He also recorded a session for the BBC, one of the tracks from which was included on the CD reissue of the album in 2001. [3]
In early 1970, Scott conceived a multimedia project, The Voice, which was aired on BBC Radio 3. He left Britain to travel both around Europe and North America. When he returned, he made demos with members of the progressive rock band Camel, songwriter Terry Britten and music publisher Ronnie Scott. In 1972, he won the Search for a Star national talent contest, and was offered a recording contract by EMI, but turned down the deal because the label would not support his backing band.
In 1973, he performed in bands with Pete Thomas (later of Elvis Costello and the Attractions), and Paul "Bassman" Riley, and also wrote a musical called Heartaches & Teardrops, a play with original songs which has parallels to The Rocky Horror Show , and the True Love and Romance comic strip genre.
Scott then started working with Roogalator, a well regarded and original R&B band. He produced their debut single, "Cincinnati Fatbac" (one of the first releases on Stiff Records) followed by "Love & the Single Girl" on Virgin. Virgin failed to pick up option to release the band's first album so Scott produced Roogalator's debut LP Play It By Ear for release on Do It Records which he co-founded in 1978 with Max and Ian Tregoning. Scott also recorded "Cry Myself to Sleep" under the alias of Comic Romance, for release on Do It.
In 1978, Scott worked as producer for Barclay Records in Paris, France where he lived with his girlfriend Brigitte Vinchon (alias Brigit Novik), after producing and filming with director Julien Temple and all female punk quartet The Slits. [2] In 1979 Do It released early recordings by Adam and the Ants. [2]
While still in Paris he recorded early versions of "Moderne Man" and "Satisfy Your Lust", tracks which would ultimately appear on the first M album.
Using a group of session musicians he called "M", he also produced and recorded "Pop Muzik". It became a top 40 hit in the UK and popular again in 1989 when it was remixed and re-released. Among the other musicians who played on the track were his brother Julian Scott (on bass), [4] then-unknown keyboardist Wally Badarou, [4] Canadian programmer John Lewis and backing vocalist Brigit Novik. When it was released in the UK in early 1979, it became a hit, reaching No. 2 on the UK Singles Chart and No. 1 in the US, [2] after which MCA Records, the label which had released the single, requested he record an album.
New York • London • Paris • Munich was recorded in Montreux, Switzerland, at Queen's Mountain Studios, and using their regular engineer, David Richards as well as Julian Scott, Wally Badarou (who would later work with Stevie Winwood, among others) and Brigit Novik. Additional musicians on the LP included drummer Phil Gould (later of Level 42), [2] Gary Barnacle on saxophone and flute, [2] and (at the time) local Montreux resident David Bowie, who did occasional handclaps.[ citation needed ] Released in the UK at the end of 1979 and on Sire Records in the US, the album sold well.
"Moonlight and Muzak" was released in late 1979 as the third single from the album, peaking at No. 33 in the UK. [5] [6] MCA executives were unhappy with this change of direction, but with a hit behind him, Scott felt it was relevant to be heard at this point. The track was written as a result of his experiences in the U.S. where he came into contact with the music company called the Muzak Organisation. He described it as "a very weird experience. There were all these white collar workers conscientiously putting together music with the precision of chemists. Way before Brian Eno was doing it, these guys were doing it for real. They were pre-occupied with the pace of workers in factories, and how to maximise their efficiency."[ citation needed ]
The song was a UK Top 40 hit, and then "That's the Way the Money Goes" became another charting hit inside of a year. A 45-minute film incorporating videos and concert performances to date came as a result of a quick globe-trotting world tour in the wake of the hit.
In late 1980, the follow-up album called The Official Secrets Act was released, containing the songs "Keep It to Yourself" and the title track, and was inspired, albeit tongue-in-cheek, by the overwhelming worldwide paranoia of the time. It was recorded in the UK and Dublin, with contributions from Bill Whelan (the man behind Riverdance , who at the time worked as an arranger). Among the musicians on the album were Phil Gould on drums again, who also introduced his friend and subsequent Level 42 colleague Mark King. King at the time played guitar as much as bass; these recordings took place prior to his discovery of his trademark sound. In 1981, Scott co-produced rising star Ryuichi Sakamoto, [4] along with fellow members of the Yellow Magic Orchestra (who also participated on subsequent albums Left Handed Dream and The Arrangement), as did King Crimson/David Bowie guitarist Adrian Belew, while Scott and Brigit Novik supplied vocals and co-wrote four tracks.
In 1982, a third M album, Famous Last Words, was released. It featured producer Wally Badarou also playing keyboards, Julian Scott on bass, Brigit Novik on backing vocals, a young Thomas Dolby on synthesizers & computer programming, Yellow Magic Orchestra drummer Yukihiro Takahashi, guitarist from Gang of Four Andy Gill, bassist Tony Levin (King Crimson), and Mark King (Level 42) on bass. [7] MCA declined release of the album in the UK, and it was only released in France, Italy and the US (where M was not even signed).
Subsequently, the label and M parted company. At this point some role reversing took place and Scott produced the M single "Danube" for the Stiff label, featuring Brigit Novik on vocals, followed by "The Wedding Dance" presenting Novik as an artist in her own right.
As a development of the ethnic references on The Official Secrets Act and the Stiff releases, Scott found a new musical direction, producing an EP of African acts in Kenya. This led to the album Jive Shikisha! (credited to Robin Scott & Shikisha), recorded in Kenya and the UK between 1983 and 1984, with musicians from several different African states. The album featured a female vocal trio from South Africa, Shikisha (hence the album title), Wally Badarou and Julian Scott.
Most of this world music was originally suppressed, but was remastered and released in 1998. The resurgence of interest in Scott and the history of "Pop Muzik" follows U2's use of the Steve Osborne remix opening their PopMart tour. Remixes have come from all sides, from Marcus' "Pop Muzic 2001" in 2002, and by Junior Vasquez and the Dub Pistols in 2003.
In 2003 a collection of Scott's artwork was shown at the Ensign Gallery in London. [8] and a compilation including both retrospective studio recording and period demos was released with title of Life Class featuring artwork from the exhibition.
Scott appeared in the Countdown Spectacular two-concert series in Australia between late August and early September 2007, where he performed "Pop Muzik" live for the first time. In 2009, an album featuring the original 1979 mix and thirteen remixes of "Pop Muzik" was issued by Union Square. [2]
In August 2017, Scott released the album Emotional DNA in digital format. [9] On 23 June 2023[ needs update ], Scott will release the first new single by M in 41 years, a track called "Break the Silence". [10] [11]
| Year | Title | UK | US | AUS | CAN | GER | FRA | NED | BEL | NZ | SAF | Status |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1979 | "Pop Muzik" | 2 | 1 | 1 | 1 | 1 | 3 | 3 | 3 | 3 | 1 | US Gold, UK Silver |
| 1979 | "Moonlight and Muzak" | 33 | - | 37 | - | - | - | 12 | - | 40 | 5 | - |
| 1980 | "That's the Way the Money Goes" | 45 | - | - | - | - | - | - | - | - | - | - |
| 1980 | "Official Secrets" | 64 | - | - | - | - | - | - | - | - | - | - |
| 1980 | "Join the Party" / "Working for the Corporation" | - | - | - | - | - | - | - | - | - | - | - |
| 1981 | "Keep It to Yourself" | - | - | - | - | - | - | - | - | - | - | - |
| 1982 | "Danube" / "Neutron" | - | - | - | - | - | - | - | - | - | - | - |
| 1989 | "Pop '89" | 15 | - | - | - | - | - | - | - | - | - | - |
Ryuichi Sakamoto was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.
Yellow Magic Orchestra was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono, Yukihiro Takahashi and Ryuichi Sakamoto. The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.
Level 42 are an English jazz-funk band formed on the Isle of Wight in 1979. They had a number of UK and worldwide hits during the 1980s and 1990s.
Haruomi Hosono, sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop music outside of Japan. He also inspired genres such as city pop and Shibuya-kei, and as leader of Yellow Magic Orchestra, contributed to the development and pioneering of numerous electronic genres.
Aztec Camera were a Scottish pop/new wave band founded by Roddy Frame, the group's singer, songwriter and only consistent member. Established in 1980, Aztec Camera released a total of six studio albums: High Land, Hard Rain (1983), Knife (1984), Love (1987), Stray (1990), Dreamland (1993) and Frestonia (1995). The band garnered popular success for the songs "Oblivious", "Somewhere in My Heart" and "Good Morning Britain".
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M is an English new wave and synth-pop music project from London, England, led by English musician Robin Scott. M is most known for the 1979 hit "Pop Muzik", which reached number two in the UK Singles Chart in May 1979, and number one in the U.S. Billboard Hot 100 chart on 3 November 1979. Musicians who contributed to M at one time or another included Wally Badarou, Mark King, Phil Gould and Gary Barnacle of Level 42.
New York–London–Paris–Munich is M's first album, released in 1979, the title being taken from a line in the verse of the March 1979 hit single "Pop Muzik", an extended version of which is featured on the album. The album features future Level 42 members Phil Gould on drums, Wally Badarou on keyboards and Gary Barnacle on saxophone and flute.
The Official Secrets Act is M's second album, released in 1980 on Sire Records. The track "Official Secrets" was released as a single and charted in the UK at No. 64 in November 1980. The follow-up single was "Keep It To Yourself". The track "Maniac" featured Level 42 members Phil Gould on drums and Mark King on bass.
Philip Gabriel Gould is a British drummer, songwriter and singer from the Isle of Wight in southern England. He founded the band Level 42 with Mark King.
Everything and Nothing is a compilation album by David Sylvian. Released in October 2000, the album contains previously released and unreleased, re-recorded, and alternate versions of tracks from Sylvian's twenty years with Virgin Records. The record peaked at no.57 in the UK albums chart.
Dead Bees on a Cake is the fifth studio album by British singer-songwriter David Sylvian, released in March 1999 on Virgin Records. It was his first solo album in 12 years since Secrets of the Beehive. The album peaked at no. 31 in the UK Albums Chart at release and contained his last UK Top 40 single to date in "I Surrender".
"Pop Muzik" is a 1979 song by M, a project by English musician Robin Scott, from the debut album New York • London • Paris • Munich. The single, first released in the UK in early 1979, was bolstered by a music video that was well received by critics. The clip featured Scott as a DJ singing into a microphone from behind an exaggerated turntable setup, at times flanked by two female models who sang and danced in a robotic manner. The video also featured Brigit Novik, Scott's wife at the time, who provided the backup vocals for the track.
Hector Zazou was a prolific French composer and record producer who worked with, produced, and collaborated with an international array of recording artists. He worked on his own and other artists' albums, including Sandy Dillon, Mimi Goese, Barbara Gogan, Sevara Nazarkhan, Carlos Núñez, Italian group PGR, Anne Grete Preus, Laurence Revey, and Sainkho since 1976.
Waliou Jacques Daniel Isheola "Wally" Badarou is a French musician. Born in France with ancestry from Benin, West Africa, Badarou is known for his close association with the English group Level 42, and for his prolific work as a session musician with a wide variety of performers from around the world.
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True Colours is the fifth studio album by the English jazz-funk band Level 42, released on 5 October 1984 by Polydor Records. Beyond the band's native United Kingdom, the album was released in 10-plus other countries, including Japan, Germany and the United States of America. The album peaked at #14 in the UK Albums Chart.
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