S.O.B. (film)

S.O.B.
Theatrical release poster by John Alvin
Directed by	Blake Edwards
Written by	Blake Edwards
Produced by	Blake Edwards Tony Adams
Starring	Julie Andrews William Holden Richard Mulligan Robert Preston Robert Vaughn Larry Hagman Robert Webber
Cinematography	Harry Stradling Jr.
Edited by	Ralph E. Winters
Music by	Henry Mancini
Production company	Lorimar Productions
Distributed by	Paramount Pictures
Release date	July 1, 1981 (1981-07-01)
Running time	122 minutes
Country	United States
Language	English
Budget	$12 million [1]
Box office	$14.8 million [2]

S.O.B. is a 1981 American satirical black comedy film written and directed by Blake Edwards, starring Julie Andrews, Richard Mulligan, Robert Preston, Larry Hagman, Robert Vaughn, Robert Webber, Loretta Swit, Shelley Winters, and William Holden in his final film role. ^{[3] [4] [5] [6]} The film was produced by Lorimar and was released by Paramount Pictures on July 1, 1981.

Plot

The satirical plot follows film industry denizens and Hollywood society, all preoccupied with making a movie. After an elaborate song-and-dance sequence set to "Polly Wolly Doodle", we learn successful film producer Felix Farmer has just suffered the first major flop of his career, resulting in the loss of millions of dollars to his movie studio and his own sanity.

Felix makes multiple suicide attempts, each one a failure. He is rescued by beachgoers after his carbon monoxide-filled car accidentally slips into gear, crashes through the garage and into the Pacific Ocean. His attempt to hang himself in an upstairs bedroom fails when he crashes through the floor, injuring a gossip columnist standing in the room below. While Felix is variously catatonic or heavily sedated, his friends and hangers-on occupy his Malibu beach house, which leads to a party, which degenerates into an orgy. Felix then tries to asphyxiate himself in his kitchen oven but he is again thwarted by two randy party guests with other things on their mind. Felix next attempts to shoot himself, but is distracted by a young woman wearing only a pair of panties. This experience gives Felix a sudden, intense epiphany: His film's failure was due to its lack of sex.

Thoroughly convinced that an erotic version of Night Wind will be a resounding success, Felix persuades the studio executives to sell him the film outright. He then attempts to convince his estranged wife Sally Miles, the star of Night Wind and an Oscar-winning actress with a squeaky-clean image, to perform in the revised film — now a softcore pornographic musical where she would appear topless. Despite Sally's objections, Felix liquidates most of their financial holdings to buy the existing footage and to finance further production. The studio executives believe Felix is deranged and are initially keen to unload the film and recoup their investment. However, when Sally goes through with the topless scene and the revised Night Wind seems a likely success, they plot to regain control. Since half of Felix's assets legally belong to Sally, they persuade her to sign a distribution deal that also gives the studio the right to edit the film. Hysterical and brandishing a water pistol, Felix attempts to steal the film negatives from the studio's color lab vault but he is shot and killed by the police, after holding the lab's manager hostage.

Felix's tragic death creates a crisis for his cronies, film director Tim Culley, press agent Ben Coogan, and studio physician Dr. Irving Finegarten; the trio decide to save their friend from the lavish but hypocritical Hollywood funeral and give Felix a proper sendoff. They steal his body from the funeral home, substituting the corpse of a largely forgotten character actor who died on the beach at the beginning of the film. After toasting their fallen comrade, the three give Felix a Viking funeral in a burning dinghy, while the actor in Felix's coffin gets an elaborate Hollywood sendoff. The epilogue reveals that Felix was right: His revamped Night Wind was a box-office smash for the studio and Sally won another Academy Award for her performance.

Cast

• Julie Andrews as Sally Miles, the star of Night Wind and the wife of film producer Felix Farmer
• William Holden as Tim Culley, the director of Night Wind and Felix's best friend
• Richard Mulligan as Felix Farmer, the producer of Night Wind and the husband of Sally Miles
• Robert Preston as Dr. Irving Finegarten, Felix and Sally's physician
• Robert Webber as Ben Coogan, Sally's press agent
• Robert Vaughn as David Blackman, the president of Capitol Studios
• Larry Hagman as Dick Benson, a Capitol studios executive and Blackman's right-hand man
• Marisa Berenson as Mavis, an actress and mistress to David Blackman
• Stuart Margolin as Gary Murdock, Sally's personal secretary and an aspiring producer
• Loretta Swit as Polly Reed, a Hollywood gossip columnist
• Craig Stevens as Willard Pratt, Polly Reed's henpecked husband
• Shelley Winters as Eva Brown, Sally's agent
• Robert Loggia as Herb Maskowitz, Sally's lawyer
• Jennifer Edwards as Lila, a young hitchhiker picked up by Culley
• Rosanna Arquette as Babs, Lila's friend, also picked up by Culley
• John Lawlor as the Capitol Studios Manager
• John Pleshette as the Capitol Studios Vice-president
• Ken Swofford as Harold P. Harrigan, a studio security guard
• Hamilton Camp as Lipschitz, an executive at Capitol Color Lab, where the negative of Night Wind is stored.
• Paul Stewart as Harry Sandler, Felix's agent
• Benson Fong as Felix and Sally's personal chef
• Larry Storch as Professor Krishna Mansa Kesari, Sally Miles' spiritual guru, who officiates at Felix's funeral.
• Mimi Davis as Joyce Benson, Dick's wife and Sandler's daughter
• David Young as Sam Marshall, a popular young actor
• Byron Kane as the Funeral Director
• Virginia Gregg as the Funeral Director's Wife
• Herb Tanney as Burgess Webster (as Stiffe Tanney)
• Joe Penny as Officer Buchwald, a police officer called to the Farmer residence
• Erica Yohn as Agnes, the costume designer of Night Wind
• Colleen Brennan as Tammy Taylor (as Katherine MacMurray)
• Charles Lampkin as Felix and Sally's Butler
• Bert Rosario as the Mexican Gardener
• Gene Nelson as Clive Lytell

Title

"S.O.B." (in the film) stands for "Standard Operational Bullshit" and refers to misinformation being the norm. ^[1] The abbreviation means "sexually oriented business" (if pertaining to strip clubs) and more generally "son of a bitch" (a ruthless person).^{[ citation needed ]}

A Spanish dub of the film keeps the abbreviation S.O.B., claiming that it stands for "Sois honrados Bandidos" (You Are Honest Crooks). The Argentine title for the movie was changed to Se acabó el mundo (The World is Ended), having no relation to the original title.^{[ citation needed ]}

Three years later, when Edwards had his name removed from the writing credits of 1984's City Heat , he was billed under the pseudonym Sam O. Brown. (S.O.B.)^{[ citation needed ]}

Influences

When writing the screenplay, Edwards drew upon several of his own experiences as a film maker. The character of Felix Farmer is a person not unlike Edwards, while actress Sally Miles bears certain similarities to real-life wife Julie Andrews (who plays her).^{[ citation needed ]}

The story of S.O.B. parallels the experiences of Edwards and Andrews in their infamous, but Academy Award-nominated, failure, Darling Lili . Intended to reveal Andrews' heretofore unseen wicked and sexy side, that film had a troubled shoot, went significantly over budget, and was subjected to postproduction studio interference. The early 1970s brought more bad news for Edwards; he made two films for Metro-Goldwyn-Mayer, Wild Rovers , a Western with William Holden and Ryan O'Neil and The Carey Treatment with James Coburn. Once again, studio interference occurred during postproduction of both films, which were edited without any input from Edwards. Both movies opened to negative reviews and poor business. Hit hard financially and personally by these events, Edwards moved to Europe to work independently, away from the meddling and restrictions of the Hollywood studios. The plan worked, leading to several successful projects, including three very profitable Pink Panther sequels starring Peter Sellers.

In S.O.B., Andrews's character agrees (with some pharmaceutical persuasion) to "show my boobies" in a scene in the film-within-the-film. ^{[7] [8]} For this scene, comedian Johnny Carson thanked Andrews on the Academy Awards for "showing us that the hills were still alive," alluding to a famous line from The Sound of Music opening sequence. ^[9]

Production

S.O.B. had been in development by Edwards since 1976. ^[10] In 1979, the film was set for preproduction at Orion Pictures with distribution by Warner Bros., Edwards's third film with Orion after 10 and The Ferret, which was due to star Dudley Moore. ^[10] In July 1979, Orion put the film into turnaround. ^[1] Later that year, Edwards signed a deal with Lorimar through United Artists set to distribute. ^[1] In January 1980, Variety announced that Cloris Leachman and David Callan had been named among the cast members, but neither ultimately appeared in the film; Variety also reported that Joel Grey had turned down a role in S.O.B. In 1981, Lorimar's distribution agreement with UA ended and Lorimar began distributing their films through Paramount Pictures. Paramount released S.O.B. in July, 1981, though much animosity still existed between Edwards and Paramount over the Darling Lili debacle. ^[1]

Filming of S.O.B. took place between March and July 1980 in Los Angeles, Malibu, and Santa Monica on a budget of $12 million. ^[1]

Reception

Critical response

S.O.B. was released in July 1981, with critical opinion of the film sharply divided. Remarkably, the screenplay was nominated for both a Writers Guild of America Award for Best Comedy Written Directly for the Screen, and a Razzie Award for Worst Screenplay. It was also nominated for a Razzie for Worst Director and a Golden Globe Award for Best Motion Picture – Comedy/Musical.^{[ citation needed ]}

S.O.B. currently holds an 81% approval rating on Rotten Tomatoes from 26 reviews, with an average rating of 6.90/10. The website's critical consensus reads, "A sustained blast of unbridled vitriol from writer-director Blake Edwards, S.O.B. is one of the blackest – and most consistently funny – Hollywood satires ever put to film." ^[11]

Vincent Canby, writing for The New York Times , described S.O.B. as "a nasty, biased, self-serving movie that also happens to be hilarious most of the time...It's difficult to remember a film as mean-spirited as S.O.B. that also was so consistently funny." Roger Ebert and Gene Siskel, then hosts of the PBS film review program Sneak Previews , both gave S.O.B. a positive review. ^[12]

Box office

The film grossed $3,116,078 over the five-day 4th of July holiday weekend and went on to gross $14.8 million in the United States and Canada. ^[2] The Village Voice dubbed the film a box-office flop. ^[1]

Television version

Broadcast television prints of S.O.B. contain alternate takes and edits of several scenes originally containing sex and nudity, such as the party and orgy scenes and Night Wind's erotica dream sequence where Julie Andrews exposes her breasts. The television version contains a scene where Robert Vaughn, as studio head David Blackman, receives a phone call while in bed with his mistress, and is simply seen naked from the waist up. In the original theatrical print, he is wearing a bustier and nylon stockings.^{[ citation needed ]}

Home media

The original video release was made by CBS Video Enterprises in 1982, on both VHS and CED Videodisc, and was later reissued on VHS by CBS/Fox Video in the mid-1980s. Warner Bros. bought ancillary rights in 1989 with their purchase of Lorimar, and the film was released on Laserdisc through Warner Home Video in 1990. ^[13] Warner released a DVD edition in 2002 and reissued in 2012. ^[14] In 2017 Warner Archive released the film on Blu-ray. ^[15]

References

Notes

1. ^ Each page is not identified.

Citations

1. S.O.B. at the AFI Catalog of Feature Films
2. S.O.B. at Box Office Mojo
3. Capua 2009, p. 180.
4. "S.O.B." Turner Classic Movies . Atlanta: Turner Broadcasting System (Time Warner). Retrieved December 7, 2016.
5. New York Magazine staff 1981, p. 62.
6. Ginibre, Jean-Louis; Lithgow, John; Cady, Barbara (2005). Ladies or Gentlemen: A Pictorial History of Male Cross-Dressing in the Movies. New York City: Filipacchi Publishing. ISBN   9781933231044.
7. "Nude scenes on the big screen". New York Daily News . New York City . Retrieved December 20, 2010.
8. Rooney 2002, p. 129.
9. "Oscar's greatest sound bites". Entertainment Weekly . March 12, 2010. Retrieved August 11, 2023.
10. "Blake Edwards 3d One For Orion Co". Variety . May 23, 1979. p. 7.
11. "S.O.B." Rotten Tomatoes . United States: Fandango . Retrieved January 14, 2022.
12. Canby, Vincent (July 1, 1981). "Blake Edward's 'S.O.B.,' A Farce". The New York Times . New York City . Retrieved December 7, 2016.
13. CBS Video UPC 245437110940
14. "S.O.B." Warner Home Video . Burbank, California: Warner Bros. June 4, 2002. ASIN   B000063K2P . Retrieved December 7, 2016.
15. https://www.blu-ray.com/movies/SOB-Blu-ray/101876/

Sources

• New York Magazine staff (July 20, 1981). "Julie Andrews in 'S.O.B.'". New York . New York City. p. 62. Retrieved December 7, 2016.
• Paietta, Ann Catherine; Kauppila, Jean L. (1999). Health Professionals on Screen. Mishawaka, Indiana: Better World Books. p. 271. ISBN   978-0810836365.
• Rooney, Andy (2002). Common Nonsense (1st ed.). New York City: PublicAffairs. p.  129. ISBN   978-1586481445.
• Capua, Michelangelo (2009). William Holden: A Biography. New York City: McFarland & Company. p. 180. ISBN   978-0786444403.
• Greenman, Robert (2000). Words That Make a Difference: And How to Use Them in a Masterly Way. New York City: Levenger Press. p. 323. ISBN   978-1929154050.

External links

• S.O.B. at the AFI Catalog of Feature Films
• S.O.B. at IMDb