A permanent ensemble of actors and designers, SITI Company was known for their rigorous approach to training and a physical acting style.[1] Their performances were often new interpretations of classics, or original works devised by company members and collaborators, including playwright Charles L. Mee, who became a member of the company, and dramaturg Jocelyn Clarke.[2] These pieces were often about twentieth century artists, and they frequently collaborated with artists in other fields.[1]
History
In the 1980s, Suzuki's work and training practices were gaining some prominence in the United States. Suzuki's works had begun to be presented in the U.S., attracting some American actors to Japan to study with the Suzuki Company of Toga (SCOT). In 1988, Bogart joined a delegation of American theater directors organized by Peter Zeisler of Theatre Communications Group that visited Suzuki and SCOT in the village of Toga, Japan.[3]
After Bogart departed Trinity Repertory Company in 1990, she began planning what would become SITI with Suzuki.[3] In a founding manifesto, Bogart and Suzuki wrote that the purpose of the Institute would be "to foster and develop new work for the theater and to be a cultural center where new approaches to theater for the next century are developed and put into practice." SITI's "guiding principle" was stated as "the growth of individual artists and the development of a new approach to world theater."[4]
The Institute expanded from its summer season in Saratoga to encompass a year-round program based in New York City and became known as the SITI Company.[7] The company believed that contemporary American theater must incorporate artists from around the world and learn from a cross-cultural exchange of dance, music, art, and performance experiences.
Over their history, the company created and performed more than forty shows.[2] Many of these were original works, made by the performers writers, designers, and directors working together in a collaborative process, though a handful were stagings of existing works for regional theater and opera companies. Several original shows were made in collaboration with artists and companies in other disciplines, such as American Document (2010) with the Martha Graham Dance Company.[8] Other notable collaborators include visual artist Ann Hamilton, the Bill T. Jones/Arnie Zane Dance Company, composer Julia Wolfe and Bang on a Can All-Stars, and choreographer Elizabeth Streb.[2][9][10][5]
In October 2020, SITI announced they would "transition" away from being a producing organization, a process they began in 2017, after their final productions in 2022, though they planned to continue offering classes.[7] At the end of 2022, SITI Company ceased both production and training activity.[11][12]
In addition to Bogart, who was co-artistic director alongside Leon Ingulsrud and Ellen Lauren, other members included playwright Charles Mee, scenic designer Neil Patel, and Tony Award-winning sound designer Darron L. West. Actors Jefferson Mays and KJ Sanchez were former members.[13]
Training
SITI is noted for combining the Viewpoints process of Anne Bogart with the Suzuki Method of Actor Training of Tadashi Suzuki. Both techniques are alternatives to the Stanislavski-based Method training which has dominated American stage and screen for generations.[citation needed] In SITI classes, company members who were not teaching would train alongside students.[14]
The company convened an annual four-week workshop at Skidmore College, from 1992 until 2020, enrolling 60 students annually. In response to the COVID-19 pandemic, the workshops were held virtually, including the final summer intensive in 2022. SITI also held workshops in New York City, and short-term residencies and workshops while on tour.[2]
In 2013, SITI Company launched a year-round conservatory program, which also offered training in Alexander technique, dramaturgy, and scene study.[14]
Productions
Most productions directed by Anne Bogart, except where otherwise noted. Sourced from the SITI Company Digital Archive[5]
123Cummings, Scott T. (August 29, 2017). "Trans-Pacific Partnership". American Theatre. No.September 2017. Theatre Communications Group. Retrieved December 1, 2025.
12Cohen, Stephanie (December 11, 2014). "14 Theatrical Plans to Change the World". American Theatre. No.January 2015. Theatre Communications Group. Retrieved December 1, 2025.
Further reading
Cummings, Scott T. Remaking American Theater: Charles Mee, Anne Bogart and the SITI Company. 2006. Cambridge University Press. ISBN978-0521818209
SITI Company, SITI Company: This Is Not AHandbook. 2023. ISBN9798218495794
Herrington, Joan, Christopher J. Staley, Motohashi Tetsuya, and Melissa Flower-Gladney. Special section on SITI Company. TDR: The Drama Review. September 2024. Vol. 68, Issue 3. Cambridge University Press. ISSN1531-4715
External links
Archives at
Location
Lawrence and Lee Theatre Research Institute, Ohio State University Libraries
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