Saaz Aggarwal | |
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Born | October 5, 1961 |
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Saaz Aggarwal (born 1961) is a Pune-based Indian-English writer, biographer, oral historian, independent researcher, and artist. Best known for her extensive efforts in documenting the culture, heritage, and Partition experiences of the Sindhi diaspora, her writing and art also prominently feature themes of satire and parody. [1] [2]
Saaz was born in Bombay (now Mumbai) in 1961 and grew up in the Nilgiris, where her father worked as a tea planter. She attended boarding school from the age of five, [3] spending her final six years at The Lawrence School, Lovedale. [4] Saaz pursued a Bachelor of Science in mathematics at Jai Hind College, Mumbai, followed by an Master of Science in mathematics at Mumbai University in 1982.
Saaz's upbringing was shaped by her multicultural heritage, which was uncommon for the time. Her father belonged to the Chitrapur Saraswat Brahmin community, while her mother was Sindhi, both from families with multiple generations of formal education. [5] [6]
Despite her multicultural upbringing and the influence of many languages, English became her primary language of expression. This linguistic identity became a focal point during the Jaipur Literature Festival in January 2023, where she was initially invited to join a panel on Sindhi literature. After explaining her inability to contribute in Sindhi, the panel was restructured to focus on "Mother Tongue," allowing her to share her perspectives on language loss and identity. [7] [8]
From December 1982 to March 1986, Saaz taught undergraduate Mathematics at Ruparel College, Mumbai, and took a career break when she had a baby in 1986. [9] [10] Her transition to writing professionally began after becoming a single parent in 1989. She began contributing articles to various Mumbai publications, and in December 1990, was appointed Features Editor at The Times of India , where she launched Ascent, a human resources supplement.
In 1993, after marrying Ajay Aggarwal, Saaz moved to Pune. For the next few years, she was Pune correspondent for Femina and contributed regular columns and articles to local and national publications, including Maharashtra Herald , Indian Express, Sunday Mid-Day , Verve, and Outlook. From 1998 to 2006, Saaz worked as Head of Human Resources and Quality at Seacom, an Information Technology company co-founded with her husband, eventually selling Seacom to Zensar in 2006. [11] In 2006, Saaz began writing weekly book reviews for the Sunday Mid-Day, covering a variety of genres and interviewing authors including at the Jaipur Literature Festival.
Beginning in 2006, Saaz started helping individuals and corporations document their histories. Notable works include:
In November 2005, Saaz held her first solo art exhibition, Bombay Clichés, at the Bajaj Art Gallery in Mumbai. The exhibition showcased satirical and quirky depictions of urban India in a Madhubani folk style. [14]
From January 26, 2017, Saaz became a regular participant in Pune's annual Art Mandai, an initiative conceived and managed by artist and academic Gauri Gandhi. This event brought together artists and vegetable vendors in a traditional market setting. [15]
In 2010, Saaz founded Black-and-White Fountain, a publishing imprint, and released The Songbird on My Shoulder, [16] a collection of her humour and parody writings.
In November 2012, she published Sindh: Stories from a Vanished Homeland, evolving from an oral history project inspired by conversations with her mother about life in Sindh before, during and after Partition. The book, later published by Oxford University Press (Pakistan) as Sindh: Stories from a Lost Homeland, received acclaim for its documentation of Sindhi history and culture and is recognized as a classic in Sindh studies. [17] [18] [19]
Her contributions to documenting and preserving Sindhi heritage include:
Tamora Pierce is an American writer of fantasy fiction for teenagers, known best for stories featuring young heroines. She made a name for herself with her first book series, The Song of the Lioness (1983–1988), which followed the main character Alanna through the trials and triumphs of training as a knight.
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Sindhi is an Indo-Aryan language spoken by about 30 million people in the Pakistani province of Sindh, where it has official status. It is also spoken by a further 1.7 million people in India, where it is a scheduled language, without any state-level official status. The main writing system is the Perso-Arabic script, which accounts for the majority of the Sindhi literature and is the only one currently used in Pakistan. In India, both the Perso-Arabic script and Devanagari are used.
Sindhis are an Indo-Aryan ethnolinguistic group, originating from and native to the Sindh region of Pakistan, who share a common Sindhi culture, history and language. The historical homeland of Sindhis is bordered by southeastern Balochistan; the Bahawalpur region of Punjab; the Marwar and Jaisalmer regions of Rajasthan; and the Kutch region of Gujarat.
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The Sindhudesh Movement is a separatist movement, based in Sindh, Pakistan, seeking to create a homeland for Sindhis by establishing an ethnic state called Sindhudesh, which would be either autonomous within Pakistan or independent from it.
Umar Marvi is a traditional Sindhi folktale dating back to the 14th century, and first penned by Shah Abdul Karim Bulri in the 16th century. It follows the story of a village girl Marvi, who resists the overtures of a powerful local ruler and the temptation to live in the palace as a queen, preferring to be in a simple rural environment with her own village folk.
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Sindhi Hindus are Sindhis who follow Hinduism. They are spread across modern-day Sindh, Pakistan and India. After the partition of India in 1947, many Sindhi Hindus were among those who fled from Pakistan to the dominion of India, in what was a wholesale exchange of Hindu and Muslim populations in some areas. Some later emigrated from the Indian subcontinent and settled in other parts of the world.
Bhai Pratap, was an Indian businessman, philanthropist and freedom fighter, best remembered as the founder of the city of Gandhidham-Adipur to resettle refugees from Sindh after the partition of India and the creation of Pakistan in August 1947.
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Kirat Choithram Babani AKA Kirat Babani, was a writer, journalist and progressive activist of Sindhi language and nation. He had written several books and articles, remained editor in newspapers and magazines, won multiple awards from Government and non-governmental organizations. He died on 7 May 2015 in Mumbai, India.
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Mai Allah Wassai was a renowned Sindhi singer celebrated for her contributions to folk and light classical music in Sindh, Pakistan.
Kalyan Bulchand Advani was an Indian poet, critic, and scholar of Sindhi literature. He compiled an edition of the Shah Jo Risalo in 1958 and translated Kalidas's work Shakuntala in Sindhi. He was awarded the Sahitya Akademi Award by the Government of India in 1968.
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Sindhis in Sri Lanka refer to Sindhis that settled in Sri Lanka and are its citizens, they form part of Sindhi diaspora in South Asia.
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