| Saint Anna's Church | |
|---|---|
Dutch: Sint-Annakerk | |
 Saint Anna's Church in 2013 | |
 | |
| Location | Sint-Anna-Pede, Dilbeek |
| Country | Belgium |
| Denomination | Roman Catholic |
| History | |
| Founded | c. 1250 |
| Architecture | |
| Style | Romanesque, Gothic |
Saint Anna's Church (Dutch : Sint-Annakerk) is a Roman Catholic church in Sint-Anna-Pede, in the municipality of Dilbeek, Belgium, built around 1250. It is depicted in the painting The Blind Leading the Blind by Pieter Breughel the Elder.
Saint Anna's Church was built around 1250. Founded by the Beguine convent of Brussels. It is mentioned in apud Pede juxta nova capella ("at Pede near the new chapel"). [1]
The nave of the church was erected in the 16th century. In the 17th century, the church was renovated in a Gothic style, with the addition of a rib vault.
The church and surroundings were protected in 1948.
Saint Anna's Church is built in sandstone, combined with layers of bricks. It has both Romanesque and Gothic architectural characteristics. The church furniture includes a wooden pulpit with an image of the Good Shepherd (18th century), statues of Saint Joseph (18th century) and a wooden statue of Saint Anna with her daughter Maria (17th century).
The church is situated in the middle of a former cemetery and is surrounded by a copse of trees.
Saint Anna's Church is depicted in the painting The Blind Leading the Blind by Pieter Breughel the Elder. The painting shows six blind men walking past the Pedebeek stream. The first one has already fallen and is lying in the stream. The second one tries to keep his balance, but starts to fall anyway. In his fall, he drags the third one with him. The last three have yet to fall.
According to a local legend, the painter lived at the time in the small castle that is also represented in the painting. [2]
Pieter Brueghelthe Younger was a Flemish painter known for numerous copies after his father Pieter Bruegel the Elder's work, as well as original compositions and Bruegelian pastiches. The large output of his studio, which produced for the local and export market, contributed to the international spread of his father's imagery.
Jan Brueghelthe Younger was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he largely painted the same subjects as his father in a style which was similar to that of his father. He gradually was able to break away from his father's style by developing a broader, more painterly, and less structured manner of painting. He regularly collaborated with leading Flemish painters of his time.
Dilbeek is a municipality in the province of Flemish Brabant, in the Flemish region of Belgium. The municipality comprises the villages of Dilbeek proper, Groot-Bijgaarden, Itterbeek, Schepdaal, Sint-Martens-Bodegem, and Sint-Ulriks-Kapelle. Dilbeek is located just outside the Brussels-Capital Region in the Pajottenland, hence the local name Poort van het Pajottenland.
The Pajottenland is a distinct region within the Flemish Brabant province and the south-western part of the Brussels Region of Belgium. The region is located west-southwest of Brussels. The Pajottenland is predominantly farmland, with occasional gently rolling hills, and lies mostly between the rivers Dender and Zenne / Senne. The area has historically provided food and drink for the citizens of Brussels, especially Lambic beers, which are only produced here and in the Zenne valley where Brussels is.
The Cathedral of St. Michael and St. Gudula, usually shortened to the Cathedral of St. Gudula or St. Gudula by locals, is a medieval Roman Catholic cathedral in central Brussels, Belgium. It is dedicated to Saint Michael and Saint Gudula, the patron saints of the City of Brussels, and is considered to be one of the finest examples of Brabantine Gothic architecture.
Saint Peter's Church is a Roman Catholic church in Leuven, Belgium, built in the 15th century in the Brabantine Gothic style. The church has a cruciform floor plan and a low bell tower that has never been completed. It is 93 metres (305 ft) long. It is located on the city's Grote Markt, opposite the Town Hall. In 1999, the belfry and bell tower of the church was inscribed on the UNESCO World Heritage List as part of the Belfries of Belgium and France site, in recognition of the civil importance and architecture of the belfries in the region.
The Blind Leading the Blind, Blind, or The Parable of the Blind is a painting by the Netherlandish Renaissance artist Pieter Bruegel the Elder, completed in 1568. Executed in distemper on linen canvas, it measures 86 cm × 154 cm. It depicts the Biblical parable of the blind leading the blind from the Gospel of Matthew 15:14, and is in the collection of the Museo di Capodimonte in Naples, Italy.
Saint Michael's Church is a Roman Catholic church in Ghent, Belgium, built in a late Gothic style. It is known for its rich interior decoration.
Saint Bavo's Cathedral, also known as Sint-Baafs Cathedral, is a Roman Catholic cathedral in Ghent, Belgium. The 89-metre-tall (292 ft) Gothic building is the seat of the Diocese of Ghent and is named for Saint Bavo of Ghent. It contains the well-known Ghent Altarpiece, also called the Adoration of the Mystic Lamb.
Itterbeek is a historical village in the province of Flemish Brabant, Belgium, and since 1977 a submunicipality of Dilbeek.
Schepdaal is a village and deelgemeente of Dilbeek in Flanders, Belgium.
The watermill at Sint-Gertrudis-Pede (Pedemolen) in the municipality of Dilbeek is the only working watermill in the Pajottenland, and is protected as a monument since 1975
Sint-Anna-Pede is a village in Itterbeek, Belgium, which is a deelgemeente of Dilbeek. It gets its name from the Pedebeek, the stream that flows through the village.
St. Andrew’s Church is a Catholic church in Antwerp built in the 16th century. Its exterior is mainly characterised by a late-Gothic style while its interior is predominantly executed in Baroque style. It is the parish church of the Parish of St. Andrew’s. During the nineteenth century the St. Andrew's Parish was known as the parish of misery as it was by then mainly populated by poor people.
St. Paul's Church is a Roman Catholic church located at the Veemarkt in Antwerp, Belgium. Its exterior is mainly Gothic with a Baroque tower while the interior is characterised by its rich Baroque decoration. It holds paintings by Antwerp's leading artists Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens as well as abundant sculpture and church furniture crafted by leading Antwerp sculptors such as Artus Quellinus the Elder, Pieter Verbrugghen I, Jan Pieter van Baurscheit de Elder, Jan Claudius de Cock and Andries Colyns de Nole. Of particular note is the Calvary outside the Church which is made up of 63 life-size statues and nine reliefs executed in a popular and theatrical style.
The St. Peter in Chains Church is a church in Neo-Gothic style with a rich Baroque interior located at the Market Square in Beringen, Belgium. It is the parish church of Beringen centre and the decanal church of the deanery of Beringen. The chancel, nave and transept are protected since 1949 and the neo-Gothic parts since 1993.
The St. Walburga Church is a 17th-century Roman-Catholic church in Bruges built by the Jesuits in a Baroque style. It is now a parish church and contains many valuable art objects.
Several oil-on-oak-panel versions of The Massacre of the Innocents were painted by 16th-century Netherlandish painters Pieter Bruegel the Elder and his son Pieter Brueghel the Younger. The work translates the Biblical account of the Massacre of the Innocents into a winter scene in the Southern Netherlands in the prelude to the Dutch Revolt against Spanish rule, also known as the Eighty Years' War.
Saint Quentin's Church is a Roman Catholic church located at the Naamsestraat in Leuven, Belgium. Its exterior is mainly Gothic with a Baroque entrance portal. The interior contains Baroque choir stalls and altars. The church is named after the Saint Quentin, who is regarded in the Catholic faith as a protector against a wide range of contagious diseases.
Willem Ignatius Kerricx was a Flemish sculptor, painter, draftsman, architect, engineer, playwright and author active in Antwerp in the first half of the 18th century. His sculptural works comprise mostly sculptured church furniture, individual sculptures, mainly statues of saints for churches and a few funerary monuments. His sculptural style is typical for the late Flemish Baroque while he shows a preference for Classicism in his architectural projects. He took over the large family sculpture workshop in Antwerp. As a painter he created both history paintings for churches and still lifes. He was also employed as an architect and engineer, mainly on reconstruction projects. In his youth, he composed a number of comedies and tragedies for the Antwerp theatre.
Municipality of Dilbeek | ||
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| Deelgemeente |  | |
| Villages | ||
| Monuments | ||
| Churches | ||
