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The Saint Clement and Sisinnius inscription (Italian : Iscrizione di San Clemente e Sisinnio), written around the end of the 11th century AD, is located in the subterranean chapel of the Basilica of San Clemente al Laterano in Rome. It is the very first known example of the Italian language used in a work of art. [1]
The inscription consists of the dialogue of the characters depicted on the fresco. In a scene taken from the Passio Sancti Clementis ("Martyrdom of Saint Clement"), a certain Sisinnius (implied to be a corrupt master or boss) is instructing his servants to drag Saint Clement off to prison, unaware that the latter has escaped and that what they are dragging along is really a stone column.
The dialogue is as follows:
Or in English:
This is an early example of dialogue written next to the characters who speak it, a phenomenon that would later become common in comics. [2]
Sisinnius and his workmen speak in an early form of Romanesco, whilst Saint Clement expresses himself in Medieval Latin. This juxtaposition of the 'rude' vernacular with the 'holy' liturgical language is deliberate and meant to reflect the different moral standings of the characters involved. A rough modern equivalent might be the master speaking in a rustic New York accent, while the saint speaks in King James English.
Nevertheless, St. Clement's dialogue contains a number of mistakes, which was common for the time. Duritiam, the accusative, is written instead of the ablative duritia; the form vestris is a mistake for vestri, likely by contamination with the ending of the preceding cordis; and finally, the letter h (which was already oft-unpronounced from Early Vulgar Latin) is missing from trahere.
The expression falite is composed of fa 'do.IMP', li 'him.DAT' and te 'you.ACC', an order that follows the so-called Tobler-Mussafia Law.
The name Carvoncelle, ultimately derived from Latin carbonem 'charcoal', shows the passage of /rb/ to /rv/, a change characteristic of Romanesco as well as other Central Italian dialects. [3]
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The Ritmo di Sant'Alessio or Ritmo marchigiano su Sant'Alessio is a late twelfth-century metrical vita of the legendary saint Alexius of Rome composed for public performance by an anonymous giullare. It is one of the earliest pieces of Italian literature.
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