Saint Veronica | |
---|---|
Born | 1st century AD Caesarea Philippi or Jerusalem, Judea |
Venerated in | Roman Catholic Church, Eastern Orthodox Church, Anglican Communion |
Canonized | Pre-Congregation |
Feast | July 12 [1] |
Attributes | Cloth that bears the image of Christ's face |
Patronage | images; laundry workers, pictures, photos, photographers, [2] Santa Veronica, San Pablo City, Laguna |
Saint Veronica, also known as Berenike, [3] was a widow from Jerusalem who lived in the 1st century AD, according to extra-biblical Christian sacred tradition. [4] A celebrated saint in many pious Christian countries, the 17th-century Acta Sanctorum published by the Bollandists listed her feast under July 12, [5] but the German Jesuit scholar Joseph Braun cited her commemoration in Festi Marianni on 13 January.
According to Church tradition, Veronica was moved with sympathy seeing Jesus carrying the cross to Calvary and gave him her veil so that he could wipe his forehead. Jesus accepted the offer, and when he returned the veil the image of his face was miraculously captured on it. The resulting relic became known as the Veil of Veronica. [6] [7] [8]
The story of Veronica is celebrated in the sixth Station of the Cross in Anglican, Catholic, and Western Orthodox churches. [4] [9] [10]
There is no reference to the story of Veronica and her veil in the canonical gospels. The closest is the miracle of the unnamed woman who was healed by touching the hem of Jesus’s garment. [11] The apocryphal Gospel of Nicodemus gives her name as Berenikē or Beronike (Koinē Greek : Βερενίκη). The name Veronica is a Latinisation of this ancient Macedonian name. The story was later elaborated in the 11th century by adding that Christ gave her a portrait of himself on a cloth, with which she later cured the Emperor Tiberius. The linking of this with the bearing of the cross in the Passion occurs only around 1380 in the internationally popular book Meditations on the Life of Christ . [12]
At some point a relic became associated with the story. Pedro Tafur, a Spanish knight visiting Rome in 1436, describes the following in the Church of St. Peter in his 1454 travel account: [13]
On the right hand is a pillar as high as a small tower, and in it is the holy Veronica. When it is to be exhibited an opening is made in the roof of the church and a wooden chest or cradle is let down, in which are two clerics, and when they have descended, the chest or cradle is drawn up, and they, with the greatest reverence, take out the Veronica and show it to the people, who make concourse there upon the appointed day. It happens often that the worshipers are in danger of their lives, so many are they and so great is the press.
However, he does not say specifically that he witnessed for himself this exhibition of the relic.
Some academic sources suggest a different origin for the legend of St. Veronica: that the cloth bearing an image of Jesus's face was known in Latin as the vera icon ("true image"), and that this name for the relic was misinterpreted as the name of a saint. The Catholic Encyclopedia of 1913 writes: [14]
The belief in the existence of authentic images of Christ is connected with the old legend of King Abgar of Edessa and the apocryphal writing known as the Mors Pilati ("the Death of Pilate"). To distinguish at Rome the oldest and best known of these images it was called the vera icon (true image), which in the common tongue soon became "Veronica". It is thus designated in several medieval texts mentioned by the Bollandists (e.g. an old Missal of Augsburg has a Mass "De S. Veronica seu Vultus Domini" – "Saint Veronica, or the Face of the Lord"), and Matthew of Westminster speaks of the imprint of the image of the Savior which is called Veronica: "Effigies Domenici vultus quae Veronica nuncupatur" – "effigy of the face of the Lord which is called a Veronica". By degrees, popular imagination mistook this word for the name of a person and attached thereto several legends which vary according to the country. [translations in italics added]
The reference to Abgar is related to a similar legend in the Eastern Church, the Image of Edessa or Mandylion.
The Encyclopædia Britannica says this about the legend: [15]
Eusebius in his Historia Ecclesiastica (vii 18) tells how at Caesarea Philippi lived the woman whom Christ healed of an issue of blood (Matthew 9:20–22). Legend was not long in providing the woman of the Gospel with a name. In the West she was identified with Martha of Bethany; in the East she was called Berenike, or Beronike, the name appearing in as early a work as the "Acta Pilati", the most ancient form of which goes back to the fourth century. The fanciful derivation of the name Veronica from the words Vera Icon (eikon) "true image" dates back to the "Otia Imperialia" (iii 25) of Gervase of Tilbury (fl. 1211), who says: "Est ergo Veronica pictura Domini vera" (translated: "The Veronica is, therefore, a true picture of the Lord.")
Veronica was mentioned in the reported visions of Jesus by Marie of St Peter, a Carmelite nun who lived in Tours, France, and started the devotion to the Holy Face of Jesus. In 1844, Sister Marie reported that in a vision, she saw Veronica wiping away the spit and mud from the face of Jesus with her veil on the way to Calvary. She said that sacrilegious and blasphemous acts today are adding to the spit and mud that Veronica wiped away that day. According to Marie of St Peter, in her visions, Jesus told her that he desired devotion to His Holy Face in reparation for sacrilege and blasphemy. Acts of Reparation to Jesus Christ are thus compared to Veronica wiping the face of Jesus. [16] [17]
The Devotion to the Holy Face of Jesus was eventually approved by Pope Leo XIII in 1885. Veronica is commemorated on 12 July.
Saint Veronica is the patron of the French mulquiniers whose representations they celebrated semi-annually (summer and winter) as in many pious Christian countries. She is also the patron saint of photographers, and laundry workers.
The depiction of Jesus in pictorial form dates back to early Christian art and architecture, as aniconism in Christianity was rejected within the ante-Nicene period. It took several centuries to reach a conventional standardized form for his physical appearance, which has subsequently remained largely stable since that time. Most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen.
A number of alleged relics associated with Jesus have been displayed throughout the history of Christianity. While some individuals believe in the authenticity of Jesus relics, others doubt their validity. For instance, the sixteenth-century philosopher Erasmus wrote about the proliferation of relics, and the number of buildings that could be constructed from wooden relics claimed to be from the crucifixion cross of Jesus. Similarly, at least thirty Holy Nails were venerated as relics across Europe in the early 20th century. Part of the relics are included in the so-called Arma Christi, or the Instruments of the Passion.
According to Christian tradition, the Image of Edessa was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus Christ had been imprinted—the first icon. The image is also known as the Mandylion, in Eastern Orthodoxy, it is also known as Acheiropoieton.
The Holy Chalice, also known as the Holy Grail, is in some Christian traditions the vessel that Jesus used at the Last Supper to share his blood. The Synoptic Gospels refer to Jesus sharing a cup of wine with the Apostles, saying it was the covenant in his blood. The use of wine and chalice in the Eucharist in Christian churches is based on the Last Supper event. In the late 12th century, the author Robert de Boron associated the pre-existing story of the Holy Grail, a magical item from Arthurian literature, with the Holy Chalice. This association was continued in many subsequent Arthurian works, including the Lancelot-Grail (Vulgate) cycle, the Post-Vulgate Cycle, and Sir Thomas Malory's Le Morte d'Arthur. A cup kept in the Spanish Cathedral of Valencia has been identified since medieval times as the purported Holy Chalice used at the Last Supper.
The Veil of Veronica, or Sudarium, also known as the Vernicle and often called simply the Veronica, is a Christian relic consisting of a piece of cloth said to bear an image of the Holy Face of Jesus produced by other than human means. Various existing images have been claimed to be the original relic, as well as early copies of it; representations of it are also known as vernicles.
The Via Dolorosa is a processional route in the Old City of Jerusalem. It represents the path that Jesus took, forced by the Roman soldiers, on the way to his crucifixion. The winding route from the former Antonia Fortress to the Church of the Holy Sepulchre—a distance of about 600 metres (2,000 ft)—is a celebrated place of Christian pilgrimage. The current route has been established since the 18th century, replacing various earlier versions. It is today marked by 14 Stations of the Cross, nine of which are outside, in the streets, with the remaining five stations being currently inside the Church of the Holy Sepulchre.
Arma Christi, or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry, and also as the weapons Christ used to achieve his conquest over Satan. There is a group, at a maximum of about 20 items, which are frequently used in Christian art, especially in the Late Middle Ages. Typically they surround either a cross or a figure of Christ of the Man of Sorrows type, either placed around the composition, or held by angels.
Acheiropoieta — also called icons made without hands — are Christian icons which are said to have come into existence miraculously; not created by a human. Invariably these are images of Jesus or the Virgin Mary. The most notable examples that are credited by tradition among the faithful are, in the Eastern church, the Mandylion, also known as the Image of Edessa, and the Hodegetria, and several Russian icons, and in the West the Shroud of Turin, Veil of Veronica, Our Lady of Guadalupe, and the Manoppello Image. The term is also used of icons that are only regarded as normal human copies of a miraculously created original archetype.
The Holy Face of Jesus is a title for specific images which some Catholics believe to be miraculously formed representations of the face of Jesus Christ. The image obtained from the Shroud of Turin is associated with a specific medal worn by some Roman Catholics and is also one of the Catholic devotions to Christ.
Mary of Saint Peter was a Discalced Carmelite nun who lived in Tours, France. She is best known for starting the devotion to the Holy Face of Jesus which is now one of the approved Catholic devotions and for The Golden Arrow prayer. She also introduced the "Little Sachet" sacramental.
Maria Pierina De Micheli was a Roman Catholic religious sister who was born near Milan in Italy. She is best known for her association with devotion to the Holy Face of Jesus and for introducing a medal bearing an image from the Shroud of Turin as part of this devotion. She was beatified on Sunday 30 May 2010 at the Basilica di Santa Maria Maggiore in Rome.
Leo Dupont, also known as "the holy man of Tours" or "the apostle of the Holy Face", was a Roman Catholic layman who helped spread various devotions such as that of the Holy Face of Jesus and the nightly Eucharistic adoration. He was declared venerable by Pope Pius XII.
The Roman Catholic tradition includes a number of devotions to Jesus Christ. Like all Catholic devotions, these prayer forms are not part of the official public liturgy of the church but are based on the popular spiritual practices of Roman Catholics. Many are officially approved by the Holy See as suitable for spiritual growth but not necessary for salvation.
The Archconfraternity of the Holy Face was established in Tours, France in 1876, by Archbishop Charles Colet; and raised to an Archconfraternity by Pope Leo XIII in 1885.
The Oratory of the Holy Face is a Roman Catholic oratory in Tours France. It was originally established on the Rue St. Etienne, in the former home of Venerable Leo Dupont who did much to promote devotion to the Holy Face of Jesus. The Oratory was subsequently relocated to 8 Rue Bernard Palissy. The Dominican Fathers of the French Province have care of the Oratory. It is visited by many Catholic pilgrims every year.
The Illustrious Brotherhood of the Holy Cross of the Redeemer and the Immaculate Conception, his Mother, known as the Vera Cruz or True Cross is a Catholic fraternity established in Salamanca, Castile and León, Spain in 1506.
The Calvary at Saint-Thégonnec is part of the enclosure of the parish church of Notre-Dame in Saint-Thégonnec. Erected in 1610 it is the last of the monumental calvaries of Brittany. See also Saint-Thégonnec Parish close.
Verkiai Calvary or Vilnius Calvary is the second oldest calvary in Lithuania after Žemaičių Kalvarija. It is located in Verkiai, a neighborhood of Vilnius, capital of Lithuania. The calvary was built in 1662–69 as a sign of gratitude for the victory in the Second Northern War (1655–60). The calvary includes 20 brick chapels, seven wooden and one brick gate, and one bridge with a wooden chapel. The path ends at the Church of the Discovery of the Holy Cross. In 1962 all chapels, except four closest to the church, were destroyed by the Soviet authorities. The calvary was reconstructed in 1990–2002.
Holy Face of Jesus is a 1586–1595 painting by El Greco of the Holy Face of Jesus on a veil. It is now in the Museo del Prado, in Madrid, which acquired it in 1944 using funds from a legacy from the conde de Cartagena.
The rites of Holy Week in Ruvo di Puglia constitute the main event held in the Apulian town. The folklore and sacred or profane traditions, typical of the Ruvestine tradition, are a great attraction for tourists from neighboring towns and the rest of Italy, and have been included by IDEA among Italy's intangible heritage events.
This tradition began most prominently with St. Francis of Assisi (1182–1226) and spread to other churches in the medieval period. It is also observed by a growing number of Anglicans, Methodists, and Lutherans. It is most commonly done during Lent, especially on Good Friday.