| Salome with the Head of John the Baptist (London) | |
|---|---|
| Italian: Salomè con testa del Battista | |
 | |
| Artist | Caravaggio |
| Year | c. 1607 |
| Medium | Oil on canvas |
| Dimensions | 91.5 cm× 106.7 cm(36.0 in× 42.0 in) |
| Location | National Gallery, London |
Salome with the Head of John the Baptist (London), c. 1607/1610, is a painting by the Italian master Caravaggio now in the collection of the National Gallery in London.
The painting was discovered in a private collection in 1959. The early Caravaggio biographer Giovanni Bellori, writing in 1673, mentions a Salome with the Head of John the Baptist sent by the artist to the Grand Master of the Knights of Malta in the hope of regaining favour after having been expelled from the Order in 1608. It seems likely, however, that Bellori was referring to a different painting by Caravaggio of the same subject (see Salome with the Head of John the Baptist at the Royal Palace of Madrid). The handling and the raking light link this painting to works done in Naples during the artist's brief stay in the city during 1606–1607, an impression confirmed by the balances between Salome and the Virgin in the Madonna of the Rosary , and between the executioner holding the head of the Baptist and one of the two torturers in Christ at the Column and The Flagellation of Christ .
From November to February 2012–2013, this painting was part of the exhibition "Bodies and Shadows: Caravaggio and His Legacy" at the LACMA.
Michelangelo Merisi da Caravaggio, known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
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John the Baptist was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).
Christ at the Column, is a painting by the Italian Baroque painter Caravaggio, now in the Musée des Beaux-Arts de Rouen, Rouen, France.
David with the Head of Goliath, dated c. 1600-1601, is a painting by the Italian artist Caravaggio (1571–1610), housed in the Kunsthistorisches Museum Gemäldegalerie, Vienna. Peter Robb believes it was acquired by the conde de Villamediana in Naples between 1611 and 1617, as Giovanni Bellori records Villamediana as having returned to Spain with a half-figure of David by Caravaggio.
Salome with the Head of John the Baptist (Madrid), c. 1609, is a painting by the Italian master Caravaggio in the Royal Collections Gallery, Madrid.
The Crucifixion of Saint Andrew (1607) is a painting by the Italian Baroque master Caravaggio. It is in the collection of the Cleveland Museum of Art, which acquired it from the Arnaiz collection in Madrid in 1976, having been taken to Spain by the Spanish Viceroy of Naples in 1610.
The Crowning with Thorns is a painting by the Italian painter Michelangelo Merisi da Caravaggio. Made probably in 1602/1604 or possibly around 1607, it is now located in the Kunsthistorisches Museum, Vienna. It was bought in Rome by the Imperial ambassador, Baron Ludwig von Lebzelter in 1809, but did not arrive in Vienna until 1816.
A number of paintings have been attributed from time to time to the Italian artist Michelangelo Merisi da Caravaggio (1571–1610), but are no longer generally accepted as genuine. Immensely popular in his own lifetime, he fell into neglect almost immediately upon his death, with the result that now, four hundred years later, it is often extremely difficult to distinguish works by the master from copies or from original creations by his most gifted followers.
Events from the year 1607 in art.
Italian Baroque art was a very prominent part of the Baroque art in painting, sculpture and other media, made in a period extending from the end of the sixteenth to the mid eighteenth centuries. The movement began in Italy, and despite later currents in the directions of classicism, the Rococo, Italy remained a stronghold thoughout the period, with many Italian artists taking Baroque style to other parts of Europe. Italian Baroque architecture is not covered.
Louis Finson, Lodewijk Finson or Ludovicus Finsonius was a Flemish painter, draughtsman, copyist and art dealer. He painted portraits, religious compositions, allegorical paintings and genre scenes. Moving to Italy early in his career, he became one of the first Flemish followers of Caravaggio whom he knew personally in Naples. He produced a number of copies after works by Caravaggio. He worked for a number of years in various cities in France where he created altarpieces and portraits. He is known for being the co-owner together with his fellow Flemish painter and business partner Abraham Vinck of two paintings by Caravaggio, possibly including the Judith Beheading Holofernes rediscovered in Toulouse in 2014. Louis Finson played a major role in the Northern Caravaggesque movement through his own works as well as his role as an art dealer.
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