Michelangelo Merisida Caravaggio, known as simply Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Giovanni Lanfranco was an Italian painter of the Baroque period.
The Conversion on the Way to Damascus is a work by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. Across the chapel is a second Caravaggio depicting the Crucifixion of Saint Peter. On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.
The Crucifixion of Saint Peter is a work by Michelangelo Merisi da Caravaggio, painted in 1601 for the Cerasi Chapel of Santa Maria del Popolo in Rome. Across the chapel is a second Caravaggio work depicting the Conversion of Saint Paul on the Road to Damascus (1601). On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.
The Calling of Saint Matthew is a painting by Caravaggio, depicting the moment at which Jesus Christ inspires Matthew to follow him. It was completed in 1599–1600 for the Contarelli Chapel in the church of the French congregation, San Luigi dei Francesi in Rome, where it remains. It hangs alongside two other paintings of Matthew by Caravaggio, The Martyrdom of Saint Matthew and The Inspiration of Saint Matthew (1602).
The Parish Basilica of Santa Maria del Popolo is a titular church and a minor basilica in Rome run by the Augustinian order. It stands on the north side of Piazza del Popolo, one of the most famous squares in the city. The church is hemmed in between the Pincian Hill and Porta del Popolo, one of the gates in the Aurelian Wall as well as the starting point of Via Flaminia, the most important route from the north. Its location made the basilica the first church for the majority of travellers entering the city. The church contains works by several famous artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat and Donato Bramante.
The Martyrdom of Saint Matthew is a painting by the Italian master Michelangelo Merisi da Caravaggio. It is located in the Contarelli Chapel of the church of the French congregation San Luigi dei Francesi in Rome, where it hangs opposite The Calling of Saint Matthew and beside the altarpiece The Inspiration of Saint Matthew, both by Caravaggio. It was the first of the three to be installed in the chapel, in July 1600.
The Madonna and Child with St. Anne is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms in the Basilica of Saint Peter. The painting was briefly exhibited in the parish church for the Vatican, Sant'Anna dei Palafrenieri, before its removal, presumably due to its unorthodox portrayal of the Virgin. It was subsequently sold to Cardinal Scipione Borghese, and now hangs in his palazzo, where it shares space along with five other Caravaggios: Boy with a Basket of Fruit, David with the head of Goliath, Young Sick Bacchus, Saint Jerome Writing, and St John the Baptist in the Desert.
The Church of St. Louis of the French is a Roman Catholic church in Rome, not far from Piazza Navona. The church is dedicated to the Virgin Mary, to St. Denis the Areopagite and St. Louis IX, king of France. The church was designed by Giacomo della Porta and built by Domenico Fontana between 1518 and 1589, and completed through the personal intervention of Catherine de' Medici, who donated to it some property in the area. It is the national church in Rome of France. It is a titular church. The current Cardinal-Priest of the title is André Vingt-Trois, former Archbishop of Paris.
Rest on the Flight into Egypt is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio, in the Doria Pamphilj Gallery, Rome. The Rest on the Flight into Egypt, like the Flight into Egypt, was a popular subject in art, but Caravaggio's composition, with an angel playing the viol to the Holy Family, is unusual.
The Adoration of the Shepherds is an oil on canvas painting by the Italian artist Michelangelo Merisi, commonly known as Caravaggio. The Adoration of the Shepherds measures 83.07 x 123.62 in. It was commissioned for the Capuchin Franciscans and was painted in Messina for the Church of Santa Maria degli Angeli in 1609 just one year before the artist's death. It is now in the Interdisciplinary Regional Museum of Messina.
Two versions of Medusa were created by Michelangelo Merisi da Caravaggio – one in 1596 and the other in 1597 – depicting the exact moment she was executed by Perseus. He plays with the concept by replacing Medusa's face with his own, as an indication of his immunity to her dreadful gaze. Due to its bizarre and intricate design, the painting is said to complement Caravaggio's unique fascination with violence and realism. It was commissioned by Italian diplomat Francesco Maria del Monte as a means of giving it to the Grand Duke of Tuscany, and is now located in the Uffizi Museum in Florence without signature.
The Incredulity of Saint Thomas is a painting of the subject of the same name. One of the most famous paintings by the Italian Baroque master Caravaggio, c. 1601-1602. There are two autograph versions of Caravaggio's "The Incredulity of Saint Thomas", an ecclesiastical "Trieste" version for Girolamo Mattei now in a private collection and a secular "Potsdam" version for Vincenzo Giustiniani that later entered the Royal Collection of Prussia and survived the Second World War unscathed and can now be admired in the Palais at Sanssouci, Potsdam.
John the Baptist was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).
The Contarelli Chapel or Cappella Contarelli is located within the church of San Luigi dei Francesi in Rome. It is famous for housing three paintings on the theme of Saint Matthew the Evangelist by the Baroque master Caravaggio. The paintings were Caravaggio's first major public commission and one that cemented his reputation as a master artist. The chapel commemorates the French cardinal Matthieu Cointerel.
Saint Matthew and the Angel (1602) is a painting from the Italian master Caravaggio (1571–1610), completed for the Contarelli Chapel in the church of San Luigi dei Francesi in Rome. It was destroyed in Berlin in 1945 and is now known only from black-and-white photographs and enhanced color reproductions.
San Carlo ai Catinari, also called Santi Biagio e Carlo ai Catinari is an early-Baroque style church in Rome, Italy. It is located on Piazza Benedetto Cairoli, 117 just off the corner of Via Arenula and Via dei Falegnami, a few blocks south of the church of Sant'Andrea della Valle.
Events from the year 1602 in art.
Divine Love Conquering Earthly Love is an oil on canvas painting dating to 1602–1603, now held in the collection of the Galleria Nazionale d'Arte Antica in Palazzo Barberini, Rome. It was painted by Italian painter Giovanni Baglione. It is the second version that Baglione painted of this subject; the first version is now in the Gemäldegalerie, Staatliche Museen in Berlin. Both of these versions were painted for Cardinal Benedetto Giustiniani, and played into the rivalry between Baglione and his contemporary, Caravaggio. Baglione accused Caravaggio of circulating poems disparaging the painting, which resulted in a 1603 libel lawsuit.
