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Young Sick Bacchus | |
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Artist | Caravaggio |
Year | c. 1593 |
Medium | oil on canvas |
Dimensions | 67 cm× 53 cm(26 in× 21 in) |
Location | Galleria Borghese, Rome |
The Young Sick Bacchus (Italian : Bacchino Malato), also known as the Sick Bacchus or the Self-Portrait as Bacchus, is an early self-portrait by the Baroque artist Michelangelo Merisi da Caravaggio, dated between 1593 and 1594. It now hangs in the Galleria Borghese in Rome. According to Caravaggio's first biographer, Giovanni Baglione, it was a cabinet piece painted by the artist using a mirror. [1]
The painting dates from Caravaggio's first years in Rome following his arrival from his native Milan in mid-1592. Sources for this period are inconclusive and probably inaccurate, but they agree that at one point the artist fell extremely ill and spent six months in the hospital of Santa Maria della Consolazione.[ citation needed ] According to a 2009 article in the American medical publication Clinical Infectious Diseases , the painting indicates that Caravaggio's physical ailment likely involved malaria, as the jaundiced appearance of the skin and the icterus in the eyes are indications of some active hepatic disease causing high levels of bilirubin. [2] According to Paolo Zamboni professor of Vascular Surgery at University of Ferrara, the obvious signs of anemia, yellow skin, and acanthosis nigricans lead back to the diagnosis in painting of Addison's disease, a condition described by Addison in the 1800s that affects the adrenal glands. [3] [4]
The Sick Bacchus was among the many works making up the collection of Giuseppe Cesari, one of Caravaggio's early employers, which was seized by the art-collector Cardinal-Nephew Scipione Borghese in 1607, together with the Boy Peeling Fruit and Boy with a Basket of Fruit .
This section possibly contains original research .(May 2012) |
Apart from its assumed autobiographical content, this early painting was likely used by Caravaggio to market himself, demonstrating his virtuosity in painting genres such as still-life and portraits and hinting at the ability to paint the classical figures of antiquity. The three-quarters angle of the face was among those preferred for late renaissance portraiture, but what is striking is the grimace and tilt of the head, and the very real sense of the suffering; a feature that most Baroque art shares.
The still-life can be compared with that contained in slightly later works such as the Boy With a Basket of Fruit and the Boy Bitten by a Lizard where the fruits are in a much better condition, reflecting no doubt Caravaggio's improved condition, both physically and mentally.
The painting shows the influence of his teacher, the Bergamasque Simone Peterzano, in the utilization of the tensed musculature depiction, and of the austere Lombard school style in its attention to realistic details.
Cindy Sherman, as part of her History Portrait series (1989–90), produced a parody on Sick Bacchus, an ironic photographic self-portrait named Untitled # 224. [5]
During a 2018 NPR interview, Paul Janeway of the band St. Paul & the Broken Bones said that the title of his band's new album, Young Sick Camellia , is an homage to Caravaggio's Young Sick Bacchus (camellias being the state flower of the band's home state, Alabama). [6]
Michelangelo Merisi da Caravaggio, known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
The Galleria Borghese is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V. The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a country villa at the edge of Rome.
Scipione Borghese was an Italian cardinal, art collector and patron of the arts. A member of the Borghese family, he was the patron of the painter Caravaggio and the artist Bernini. His legacy is the establishment of the art collection at the Villa Borghese in Rome.
Caravaggio is a 1986 British historical drama film directed by Derek Jarman. The film is a fictionalised retelling of the life of Baroque painter Michelangelo Merisi da Caravaggio. It is Tilda Swinton's film debut.
The Portrait of a Young Woman is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is in the Galleria Nazionale d'Arte Antica in Palazzo Barberini, Rome.
Boy Peeling Fruit is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610) painted circa 1592–1593.
Boy with a Basket of Fruit is an oil on canvas painting generally ascribed to Italian Baroque master Michelangelo Merisi da Caravaggio, created c. 1593. It is held in the Galleria Borghese, in Rome.
Boy Bitten by a Lizard is a painting by the Italian Baroque painter Caravaggio. It exists in two versions, both believed to be authentic works of Caravaggio, one in the Fondazione Roberto Longhi in Florence, the other in the National Gallery, London.
David with the Head of Goliath is a painting by the Italian Baroque artist Caravaggio. It is housed in the Galleria Borghese, Rome. The painting, which was in the collection of Cardinal Scipione Borghese in 1650, has been dated as early as 1605 and as late as 1609–1610, with more recent scholars tending towards the former.
Mario Minniti was an Italian Baroque painter active in Sicily after 1606.
Bacchus is an oil painting by Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610) commissioned by Cardinal Del Monte. The painting shows a youthful Bacchus reclining in classical fashion with grapes and vine leaves in his hair, fingering the drawstring of his loosely draped robe. On a stone table in front of him is a bowl of fruit and a large carafe of red wine. He holds out a shallow goblet of the same wine, inviting the viewer to join him. The painting is currently held in the Uffizi Gallery in Florence.
Basket of Fruit (c.1599) is a still life painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610), which hangs in the Biblioteca Ambrosiana, Milan.
John the Baptist was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).
David and Goliath, also known as David with the Head of Goliath or David Victorious over Goliath, is an oil painting by the Italian Baroque master Caravaggio. It was painted around 1600, and is held in the Museo del Prado, Madrid.
David with the Head of Goliath, dated c. 1600-1601, is a painting by the Italian artist Caravaggio (1571–1610), housed in the Kunsthistorisches Museum Gemäldegalerie, Vienna. Peter Robb believes it was acquired by the conde de Villamediana in Naples between 1611 and 1617, as Giovanni Bellori records Villamediana as having returned to Spain with a half-figure of David by Caravaggio.
Events from the year 1610 in art.
The Borghese Collection is a collection of Roman sculptures, old masters and modern art collected by the Roman Borghese family, especially Cardinal Scipione Borghese, from the 17th century on. It includes major collections of Caravaggio, Raphael, and Titian, and of ancient Roman art. Cardinal Scipione Borghese also bought widely from leading painters and sculptors of his time, and Scipione Borghese's commissions include two portrait busts by Gian Lorenzo Bernini. Most of the collection remains intact and on display at the Galleria Borghese, although a significant sale of classical sculpture was made under duress to the Louvre in 1807.
Italian Baroque art was a very prominent part of the Baroque art in painting, sculpture and other media, made in a period extending from the end of the sixteenth to the mid eighteenth centuries. The movement began in Italy, and despite later currents in the directions of classicism, the Rococo, Italy remained a stronghold thoughout the period, with many Italian artists taking Baroque style to other parts of Europe. Italian Baroque architecture is not covered.
The Master of the Hartford Still-Life or simply the Master of Hartford was an Italian painter in the Baroque style who worked in Rome from the 1590s to the 1610s and specialized in lavish still-lifes. Together with the Master of the Acquavella Still-Life, he helped establish a brighter style for the Italian still-life, as opposed to the prevailing dark style of the Netherlands.
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