Michelangelo Merisi da Caravaggio, known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.
The Caravaggisti were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were re-ascribed to his followers, such as The Taking of Christ, which was attributed to the Dutch painter Gerrit van Honthorst until 1990.
Giovanni Baglione was an Italian Late Mannerist and Early Baroque painter and art historian. Although a prolific painter, Baglione is best remembered for his encyclopedic collection of biographies of the other artists working in Rome during his lifetime, and particularly his acrimonious relationship with the slightly younger artist Caravaggio through his art and writings.
Judith Beheading Holofernes is a painting of the biblical episode by Caravaggio, painted in c. 1598–1599 or 1602, in which the widow Judith stayed with the Assyrian general Holofernes in his tent after a banquet then decapitated him after he passed out drunk. The painting was rediscovered in 1950 and is part of the collection of the Galleria Nazionale d'Arte Antica in Rome. The exhibition 'Dentro Caravaggio' Palazzo Reale, Milan, suggests a date of 1602 on account of the use of light underlying sketches not seen in Caravaggio's early work but characteristic of his later works. The exhibition catalogue also cites biographer artist Giovanni Baglione's account that the work was commissioned by Genoa banker Ottavio Costa.
Cecco del Caravaggio is the Notname given to a painter who worked in Rome in the early decades of the 17th century and was an important early follower of Caravaggio (1571–1610). In the past art historians have suggested he may have been a Flemish, French or Spanish Caravaggist but more recently some have identified the artist with Francesco Boneri, although this is not universally accepted. In his work the artist responded in a very individual and original manner to Caravaggio's naturalism.
The Incredulity of Saint Thomas is a painting of the subject of the same name. It is one of the most famous paintings by the Italian Baroque master Caravaggio, c. 1601-1602. There are two autograph versions of Caravaggio's The Incredulity of Saint Thomas, an ecclesiastical "Trieste" version for Girolamo Mattei which is now in a private collection and a secular "Potsdam" version for Vincenzo Giustiniani that later entered the Royal Collection of Prussia, survived the Second World War unscathed, and can now be admired in the Palais at Sanssouci, Potsdam.
Basket of Fruit (c.1599) is a still life painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610), which hangs in the Biblioteca Ambrosiana, Milan.
John the Baptist was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610).
David with the Head of Goliath, dated c. 1600-1601, is a painting by the Italian artist Caravaggio (1571–1610), housed in the Kunsthistorisches Museum Gemäldegalerie, Vienna. Peter Robb believes it was acquired by the conde de Villamediana in Naples between 1611 and 1617, as Giovanni Bellori records Villamediana as having returned to Spain with a half-figure of David by Caravaggio.
The Crowning with Thorns is a painting by the Italian painter Michelangelo Merisi da Caravaggio. Made probably in 1602/1604 or possibly around 1607, it is now located in the Kunsthistorisches Museum, Vienna. It was bought in Rome by the Imperial ambassador, Baron Ludwig von Lebzelter in 1809, but did not arrive in Vienna until 1816.
Love conquers all may refer to:
Events from the year 1602 in art.
Victorious Cupid is an oil painting, see Amor Vincit Omnia (Caravaggio).
In classical mythology, Cupid is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known as Amor. His Greek counterpart is Eros. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love. Although other extended stories are not told about him, his tradition is rich in poetic themes and visual scenarios, such as "Love conquers all" and the retaliatory punishment or torture of Cupid.
Amor Vincit Omnia is the second full-length album by British progressive rock band Pure Reason Revolution.
Féréol Bonnemaison was a French portrait painter, lithographer, restorer, and art dealer.
The Resurrection by Cecco del Caravaggio, the Italian Baroque painter, is the only painting known for certain to be his. It was commissioned in 1619 by Piero Guicciardini, the Tuscan ambassador to Rome. Through the use of alternate strong lights and deep shadows the chiaroscuro highlights the vividness of the dramatic scene. One of Cecco's most notable works, the painting is in the permanent collection of the Art Institute of Chicago.
The Master of the Gamblers is the notname given to a painter active in Rome and possibly also in Naples in the second and third decade of the 17th century, whose subject matter and style rank him among the Caravaggisti. The artist depicted genre subjects and still life elements in his works in a stark naturalist manner. The identity and nationality of the artist are not known. Art historians have yet to arrive at a unanimous view on the nationality, work location and the oeuvre of the artist. He may have been Italian, but a northern European background has also been proposed.
Divine Love Conquering Earthly Love is an oil on canvas painting dating to 1602–1603, that is now held in the collection of the Galleria Nazionale d'Arte Antica in Palazzo Barberini, Rome. It was painted by Italian painter Giovanni Baglione. It is the second version that Baglione painted of this subject; the first version is now in the Gemäldegalerie, Staatliche Museen in Berlin. Both of these versions were painted for Cardinal Benedetto Giustiniani, an Italian clergyman.
The paintings in the Contarelli Chapel form a group of three large-format canvases painted by Caravaggio between 1599 and 1602, initially commissioned by Cardinal Matteo Contarelli for the Church of St. Louis of the French in Rome, and eventually honored after his death by his executors. The intervention of Cardinal Del Monte, Caravaggio's patron, was decisive in obtaining this contract, which was the most significant of the painter's young career when he was not yet 30. The works evoke three major stages in the life of the apostle Saint Matthew: his calling by Jesus Christ, his writing of the Gospel guided by an angel, and his martyrdom. They are still preserved in the Church of St. Louis of the French.
