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The Burial of Saint Lucy | |
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Italian: Seppellimento di Santa Lucia | |
Artist | Caravaggio |
Year | 1608 |
Medium | Oil on canvas |
Dimensions | 408 cm× 300 cm(161 in× 120 in) |
Location | Chiesa di Santa Lucia al Sepolcro, Syracuse |
Burial of Saint Lucy is a painting by the Italian artist Caravaggio. It is located in the church of Santa Lucia al Sepolcro in Syracuse, Sicily.
According to The Golden Legend , Saint Lucy had bestowed her wealth on the poor, in gratitude for the miraculous healing of her mother. Denounced as a Christian by her own suitor who wrongly suspected her of infidelity, she refused to recant, offered her chastity to Christ, and was sentenced to be dragged to a brothel. Miraculously, nothing could move her or displace her from the spot where she stood. She was pierced by a knife in the throat and, where she fell, the church of Santa Lucia al Sepolcro in Syracuse was built. [1]
Caravaggio had escaped from prison on Malta in 1608, fleeing to Syracuse. There his Roman companion Mario Minniti helped him get a commission for the present altarpiece. Caravaggio painted it in 1608, for the Franciscan church of Santa Lucia al Sepolcro. The choice of subject was driven by the fact that Saint Lucy was the patron saint of Syracuse and had been interred below the church. [2] The subject was unusual, but especially important to the local authorities, who were eager to reinforce the local cult of Saint Lucy, which had sustained a setback with the theft of her remains during the Middle Ages. [3]
The similarities of the painting with Caravaggio's Resurrection of Lazarus has been pointed out and the scholar Howard Hibbard has spoken of the "powerful emptiness" of the final rendered version of the painting. [2]
X-rays of the painting revealed that originally Saint Lucy was beheaded, following the Greek version of her hagiography, but he changed the painting to only show a cut in her throat, following the Latin version. Caravaggio depicted beheadings multiple times in his work, including Judith beheading Holofernes, The beheading of Saint John the Baptist, David with the head of Goliath and Medusa, but he probably changed the beheading in this painting due to a request of the city’s senate. [4]
Michelangelo Merisi da Caravaggio, known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.
Lucia of Syracuse, also called Saint Lucia and better known as Saint Lucy, was a Roman Christian martyr who died during the Diocletianic Persecution. She is venerated as a saint in Catholic, Anglican, and Eastern Orthodox Christianity. She is one of eight women explicitly commemorated by Catholics in the Canon of the Mass. Her traditional feast day, known in Europe as Saint Lucy's Day, is observed by Western Christians on 13 December. Lucia of Syracuse was honored in the Middle Ages and remained a well-known saint in early modern England. She is one of the best known virgin martyrs, along with Agatha of Sicily, Agnes of Rome, Cecilia of Rome, and Catherine of Alexandria.
Saint Lucy's Day, also called the Feast of Saint Lucy, is a Christian feast day observed on 13 December. The observance commemorates Lucia of Syracuse, an early-fourth-century virgin martyr under the Diocletianic Persecution. According to legend, she brought food and aid to Christians hiding in the Roman catacombs, wearing a candle-lit wreath on her head to light her way, leaving both hands free to carry as much food as possible. Because her name means "light" and her feast day had at one time coincided with the shortest day of the year prior to calendar reforms, it is now widely celebrated as a festival of light. Falling within the Advent season, Saint Lucy's Day is viewed as a precursor of Christmastide, pointing to the arrival of the Light of Christ in the calendar on 25 December, Christmas Day.
The Crucifixion of Saint Peter is a work by Michelangelo Merisi da Caravaggio, painted in 1601 for the Cerasi Chapel of Santa Maria del Popolo in Rome. Across the chapel is a second Caravaggio work depicting the Conversion of Saint Paul on the Road to Damascus (1601). On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.
The Madonna of Loreto or Pilgrim's Madonna is a painting (1604–1606) by the Italian Baroque master Caravaggio, located in the Cavalletti Chapel of the church of Sant'Agostino, just northeast of the Piazza Navona in Rome. It depicts the barefoot Virgin holding her naked child in a doorway before two kneeling peasants on a pilgrimage.
Caravaggio created one of his most admired altarpieces, The Entombment of Christ, in 1603–1604 for the second chapel on the right in Santa Maria in Vallicella, a church built for the Oratory of Saint Philip Neri. A copy of the painting is now in the chapel, and the original is in the Vatican Pinacoteca. The painting has been copied by artists as diverse as Rubens, Fragonard, Géricault and Cézanne.
Death of the Virgin (1606) is a painting by the Italian Baroque master Caravaggio depicting the death of the Virgin Mary. It is part of the permanent collection of the Musée du Louvre, in Paris.
The Madonna of the Rosary is a painting finished in 1607 by the Italian Baroque painter Caravaggio, now in the Kunsthistorisches Museum in Vienna. It is the only painting by Caravaggio that could be called a standard Baroque altarpiece.
Mario Minniti was an Italian Baroque painter active in Sicily after 1606.
The Cerasi Chapel or Chapel of the Assumption is one of the side chapels in the left transept of the Basilica of Santa Maria del Popolo in Rome. It contains significant paintings by Michelangelo Merisi da Caravaggio and Annibale Carracci, two of the most important masters of Italian Baroque art, dating from 1600 to 1601.
Saint Francis in Prayer is a painting from the Italian master Caravaggio, in the Galleria Nazionale d'Arte Antica in Rome.
Salome with the Head of John the Baptist (Madrid), c. 1609, is a painting by the Italian master Caravaggio in the Royal Collections Gallery, Madrid.
The Martyrdom of Saint Ursula (1610) is a painting by the Italian artist Caravaggio (1571–1610) and thought to be his last picture. It is in the Intesa Sanpaolo Collection, the Gallery of Palazzo Zevallos Stigliano, Naples.
Leonello Spada was an Italian painter of the Baroque period, active in Rome and his native city of Bologna, where he became known as one of the followers of Caravaggio.
Santa Maria della Scala is a titular church in Rome, Italy, located in the Trastevere rione. It is served by friars of the Discalced Carmelite Order. Cardinal Ernest Simoni took possession of the titular church on 11 February 2017.
The Beheading of Saint John the Baptist is an oil painting by the Italian artist Caravaggio. Measuring 3.7 m by 5.2 m, it depicts the execution of John the Baptist. It is located in the Oratory of St. John's Co-Cathedral in Valletta, Malta.
Saint Jerome Writing, also called Saint Jerome in His Study or simply Saint Jerome, is an oil painting by Italian painter Caravaggio. Generally dated to 1605–06, the painting is located in the Galleria Borghese in Rome.
The Cathedral of Syracuse, formally the Cattedrale metropolitana della Natività di Maria Santissima, is an ancient Catholic church in Syracuse, Sicily, the seat of the Catholic Archdiocese of Siracusa. Its structure is originally a Greek doric temple, and for this reason it is included in a UNESCO World Heritage Site designated in 2005.
Santa Lucia alla Badia is a baroque-style, Roman Catholic church, now deconsecrated, located on the south corner of the piazza duomo, located to the south of the facade of the Cathedral of Syracuse), located in the island of Ortigia, the historic city center of Siracusa in Sicily, Italy. The church building and adjacent former monastery is now used for special exhibitions and functions.