Save the Date (video game)

Last updated
Save the Date
Save the Date Cover.png
Developer Paper Dino
Designer Chris Cornell
Composer Francisco Cerda
Engine Ren'Py
Platforms Windows, Linux, Macintosh
Release27 May 2013
Genre Visual novel
Mode Single-player

Save the Date is a 2013 video game by independent developer Paper Dino. It is a visual novel in which the player attempts to take their romantic interest, Felicia, on a date, invariably ending in Felicia's death. Upon replaying the game, players receive additional dialog options reflecting the player character's awareness that they are in a time loop, with the revised objective of protecting Felicia or convincing her that she is a character in a video game. Save the Date received positive reception upon release, with critics praising the depth of the game's concept and its humour. Following release, the game received academic attention for the use of repetition and metafiction in its narrative. The game was nominated for the Nuovo Award at the 2014 Independent Games Festival.

Contents

Gameplay

Dialogue is progressed through multiple choice selection. Additional options, reflecting the player's awareness of the game's events, appear on successive playthroughs. Save the Date screenshot.png
Dialogue is progressed through multiple choice selection. Additional options, reflecting the player's awareness of the game's events, appear on successive playthroughs.

The game is a visual novel in which gameplay consists of progressing dialog through selecting questions using multiple choice to progress branching narrative paths. [1] The player is an unnamed character, who prepares to attend a date with their romantic interest, Felicia. Felicia calls the player and prompts the player to suggest the location of the date. No matter the location or circumstances of the date, the date ends with the death of Felicia through a series of increasingly violent and absurd circumstances, such as Felicia dying from an allergic reaction, caught in a gas explosion or attacked by ninjas. [2] Felicia's death results in a game over, requiring the player to restart the game and pursue a different set of choices. [3] As the player restarts the game and replays certain sequences, additional dialogue options become available that reflect the player character's awareness of being in a time loop. [3] These include dialogue that attempts to protect Felicia from fatal incidents, or convince her that the player has foresight of the future, ultimately aiming to convince her that she is a character in a video game. [4] If the player is able to convince Felicia that she is in a video game and fated to die, she suggests to the player to abandon the game and imagine it having a happy ending, shortly before being hit by a meteor. [2] The only choice that does not lead in death is the first choice presented at the start of the game: to call off the date, leading the player character and Felicia to part ways and move on with their lives.

Development and release

Save the Date was developed by Paper Dino, the studio of independent developer Chris Cornell. Cornell developed the game over a two and a half month period using Ren'Py, a game engine used to create visual novels. He conceived the idea for the game when brainstorming ideas with Frog Fractions developer Jim Crawford, influenced by Groundhog Day a film with a similar time loop premise. [2] [5] The game's narrative was written with the intent of using a time loop to prompt players to "examine their own motivations" and critically reflect on what they wanted to accomplish in their expected aim to finish the game. [2] [5] Cornell supported development by playtesting the game early in the process, observing that many players aimed to approach the game's dialogue with honesty. [6] In 2014, Cornell presented his learnings from developing the game at a session titled Building Player Investment at the Independent Game Summit during the Game Developers Conference. [7] [8]

Reception

Critical reception

Describing the game as "witty, smart and well thought-out", Cara Ellison of The Guardian praised the game's "ever-expanding and complex narrative" as "fun and occasionally hilarious". [9] Nathan Grayson of Rock Paper Shotgun considered the game to be "brilliant" and to carry depth, stating it contained a "powerful message about inevitability" and had metafictional qualities, although felt "redoing similar bits over and over eventually became sort of annoying". [3] Aaron Souppouris of The Verge stated Save the Date was a "powerful, frustrating game" that is "well-written and ingeniously designed". [1]

Academic reception

Several academic sources have discussed the use of narrative design in Save the Date, highlighting its use of repetition, replay and metafiction. [10] [11] [12] [4] Researchers have also described its narrative devices are novel for the interactive storytelling medium, [13] and present a "considerable challenge" to established narrative conventions. [14]

Interactive fiction writer Emily Short categorised the game as a "replay puzzle", completed by repeating failed attempts. Short stated the game's lack of narrative resolution "gives the player lots of ways to try to change the ending, but no ways that succeed, and the meaning emerges from the trying and the failing" to win. [15] Utrecht School of the Arts researchers have described the game's use of "cross-session memory": where "the player experiences the consequences of decisions made in play sessions completed earlier". [16] Northeastern University researchers discussed the game's use nonlinear gameplay using "rewind mechanics", with players encouraged explicitly or implicitly to "replay the game over and over [to look] for a proper solution". [10]

National University of Singapore researcher Alex Mitchell discussed the game's use of metagaming, by creating references to the player's world inside the game to instill "a sense that there is no longer a clear boundary...between the player and the playable character". [12] Mitchell states that the game subverts player expectations about its purpose, shifting towards an awareness in the breakdown of "boundaries between individual play sessions" through a process described as defamiliarization. [4]

Accolades

Save the Date was nominated for the Nuovo Award at the 2014 Independent Games Festival, [17] [18] and included in the selection for the IndieCade festival in 2013. [19]

References

  1. 1 2 Souppouris, Aaron (8 June 2013). "Play this: 'Save the Date', a dating sim like no other". The Verge. Archived from the original on 13 December 2025. Retrieved 13 December 2025.
  2. 1 2 3 4 Rougeau, Michael (13 February 2014). "Making 'Save the Date,' a Study on Dating and Free Will". Animal New York. Retrieved 13 December 2025.
  3. 1 2 3 Grayson, Nathan (30 May 2013). "Wot I Think: Save The Date". Rock Paper Shotgun. Retrieved 13 December 2025.
  4. 1 2 3 Mitchell, Alex (2018). "Antimimetic Rereading and Defamiliarization in Save the Date". 2018: Proceedings of DiGRA 2018 Conference: The Game is the Message. doi:10.26503/dl.v2018i1.954.
  5. 1 2 Wawro, Alex (3 February 2014). "Road to the IGF: Paper Dino's Save the Date". Game Developer. Retrieved 13 December 2025.
  6. ↑ Meer, Alec (18 March 2014). "IGF Factor 2014 – Save The Date". Rock Paper Shotgun. Retrieved 13 December 2025.
  7. ↑ Goncalo, Nate (20 March 2014). "GDC 2014: The Push to be Daring, Bold and New". Animation World Network. Retrieved 13 December 2025.
  8. ↑ "Video: How Save the Date wins hearts through nonlinear narrative". Game Developer. 17 December 2014. Retrieved 13 December 2025.
  9. ↑ Ellison, Cara (14 February 2014). "Video games to get you through Valentine's Day". The Guardian. Guardian Media Group. Retrieved 13 December 2025.
  10. 1 2 Kleinman, Erica; Carstensdottir, Elin; El-Nasr, Magy Seif (2018). "Going forward by going back: re-defining rewind mechanics in narrative games". FDG '18: Proceedings of the 13th International Conference on the Foundations of Digital Games (32): 1–6.
  11. ↑ Kleinman, Erica; Caro, Karina; Zhu, Jichen (March 2020). "From immersion to metagaming: Understanding rewind mechanics in interactive storytelling". Entertainment Computing. 33. doi:10.1016/j.entcom.2019.100322.
  12. 1 2 Mitchell, Alex; Kway, Liting; Neo, Tiffany; Sim, Yuin Theng (2020). "A Preliminary Categorization of Techniques for Creating Poetic Gameplay". Game Studies. 20 (20).
  13. ↑ Koenitz, Hartmut (2021). "Continuity or Specificity: Interactive Digital Narrative and Other Interactive Forms as Cointinuation or New Beginning". In Bruno Mendes da Silva & Jorge Carrega (ed.). The Forking Paths: Interactive Film and Media. University of Algarve. p. 68.
  14. ↑ Hartmut Koenitz, Gabriele Ferri, Mads Haahr, Digdem Sezen & Tonuc Ibrahim Sezen, ed. (2015). "A Concise History of Interactive Digital Narrative". Interactive Digital Narrartive: History, Theory and Practice. Routledge. pp. 45–6.{{cite book}}: CS1 maint: multiple names: editors list (link)
  15. ↑ Short, Emily (25 October 2013). "Save the Date (Paper Dino / Chris Cornell)". emshort.blog. Emily Short. Retrieved 13 December 2025.
  16. ↑ Koenitz, Hartmut; Roth, Christian; Dubbelman, Teun; Knoller, Noam (2018). "Interactive Narrative Design Beyond the Secret Art Status: A Method to Verify Design Conventions for Interactive Narrative". Materialities of Literature.
  17. ↑ Makuch, Eddie (7 January 2014). "Independent Games Festival awards finalists revealed". GameSpot. Retrieved 13 December 2025.
  18. ↑ "2014 Finalists & Winners". Independent Games Festival. 2014. Retrieved 13 December 2025.
  19. ↑ Ligman, Kris (11 September 2013). "IndieCade announces 2013 finalists". Game Developer. Retrieved 13 December 2025.
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