 | This article needs additional citations for verification .(May 2021) |
| Shakara | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Fela Ransome-Kuti and the Africa '70 | ||||
| Released | 1972 | |||
| Recorded | 1972 in Lagos, Nigeria | |||
| Genre | Afrobeat | |||
| Length | 27:13 | |||
| Label | EMI 008N | |||
| Producer | Fela Kuti | |||
| Fela Kuti chronology | ||||
| ||||
Shakara is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, recorded in Lagos in 1971 and originally released on the Nigerian EMI label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Encyclopedia of Popular Music |  [3] |
| Pitchfork | 7.8/10 [4] |
AllMusic commented: "Kuti was highly eclectic, and his innovative, visionary music contained elements of funk/soul, jazz, and blues, as well as African music. That eclectic spirit proves to be a major asset on Shakara, which consists of two 13-minute performances by Kuti's Africa 70 band". [2]
All compositions by Fela Kuti
Afrobeat is a music genre that involves the combination of elements of West African musical styles such as fuji music and highlife with American jazz and later soul and funk influences, with a focus on chanted vocals, complex intersecting rhythms, and percussion. The term was coined in the 1960s by Nigerian multi-instrumentalist and bandleader Fela Kuti, who is responsible for pioneering and popularizing the style both within and outside Nigeria.
Fela Aníkúlápó Kuti, also known as Abami Eda, was a Nigerian multi-instrumentalist, bandleader, composer, political activist, and Pan-Africanist. He is regarded as the pioneer of Afrobeat, an African music genre that combines traditional Yoruba percussion and vocal styles with American funk and jazz. At the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers". AllMusic described him as a musical and sociopolitical voice of international significance.
Tony Oladipo Allen was a Nigerian drummer, composer, and songwriter who lived and worked in Paris, France. Allen was the drummer and musical director of Fela Kuti's band Africa '70 from 1968 to 1979, and was one of the founders of the Afrobeat genre. Fela once stated that "without Tony Allen, there would be no Afrobeat". He was described by Brian Eno as "perhaps the greatest drummer who has ever lived".
Red Hot + Riot is the fourteenth in a series of music compilation projects produced by Paul Heck and John Carlin of the Red Hot Organization and Grammy-winning music producer Andres Levin to be used as a fundraising tool for AIDS awareness efforts. The album, which takes inspiration from the late Nigerian musician Fela Kuti, was released by MCA on October 15, 2002 and featured more than three dozen artists on a score of tracks.
Expensive Shit is the twelfth full-length album by pioneering Afrobeat artist Fela Kuti and his Africa '70 band, released in 1975. It was reissued in 2000 by MCA Records, packaged with Kuti's He Miss Road (1975) on the same CD.
Live! is an album recorded in 1971 by Fela Kuti's band Africa '70, with the addition of former Cream drummer Ginger Baker on two songs. It was released in 1971 by EMI in Africa and Europe and by Capitol/EMI in the United States and Canada. It was reissued on CD by Celluloid in 1987 and was reissued on CD in remastered form by Barclay with a bonus track from 1978.
Fela! is a musical with a book by Bill T. Jones and Jim Lewis, based on music and lyrics by the late Nigerian singer Fela Kuti, with additional music by Aaron Johnson and Jordan McLean and additional lyrics by Jim Lewis. It is based on events in the life of groundbreaking Nigerian composer and activist Fela Anikulapo Kuti. It portrays Kuti in the days when he was the target of 1,000 government soldiers assigned to end his public performances at the legendary Lagos nightclub The Shrine.
Confusion is a 1975 album by Nigerian Afrobeat musician Fela Kuti and his Africa 70 band. It was arranged, composed, and produced by Kuti, who recorded the album after choosing to emphasize his African heritage and nationalism in his music. Confusion is a commentary on the confused state of post-colonial Lagos and its lack of infrastructure and proper leadership at the time. Kuti's pidgin English lyrics depict difficult conditions in the city, including a frenetic, multilingual trading market and inextricable traffic jams in Lagos' major intersections.
Gentleman is a 1973 studio album by Nigerian Afrobeat musician Fela Kuti. It was written and produced by Kuti and recorded with his Afrika 70 band. The cover artwork's depiction of a monkey's head superimposed on a suited body is a reference to the album's title track, which Kuti composed as a commentary on the colonial mentality of Africans who adhered to European customs and clothing.
No Agreement is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, recorded in 1977 and originally released on the Nigerian Decca label.
Stalemate is an album by Nigerian Afrobeat composer, bandleader and multi-instrumentalist Fela Kuti recorded in 1977 and originally released on the Nigerian Decca label.
Sorrow Tears and Blood is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti recorded in 1977 and originally released on the Nigerian Kalakuta label.
Shuffering and Shmiling is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, recorded in 1977 and originally released on the Nigerian Coconut label.
Unknown Soldier is an album by Nigerian Afrobeat composer, bandleader and multi-instrumentalist Fela Kuti, recorded in 1979 and originally released on the Nigerian Skylark label.
Why Black Man Dey Suffer is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti recorded in 1971 and originally released on the Nigerian African Sounds label after EMI refused to release it.
Fela's London Scene is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, recorded in England in 1971 and originally released on the Nigerian EMI label.
Open & Close is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, recorded in Lagos in 1971 and originally released on the Nigerian His Master's Voice label.
Roforofo Fight is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti recorded in Lagos and originally released on the Nigerian EMI label Jofabro in 1972.
Afrodisiac is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, originally released on the Nigerian EMI label in 1973. The album's four tracks were re-recordings of Nigerian 45s redone in London in 1972. The album features Kuti's first Nigerian hit "Jeun Ko Ku," which sold over 200,000 copies.
The Source is an album by drummer Tony Allen recorded in 2017 and released on the Blue Note label.
