Live! | ||||
---|---|---|---|---|
Live album by Fela Ransome-Kuti and The Africa '70 with Ginger Baker | ||||
Released | August 30, 1971 | |||
Recorded | 25th July, 1971 | |||
Studio | Abbey Road Studios | |||
Genre | Afrobeat | |||
Length | 46:50 | |||
Label | Regal Zonophone [1] | |||
Producer | Jeff Jarratt | |||
Fela Ransome-Kuti and The Africa '70 with Ginger Baker chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Encyclopedia of Popular Music | [3] |
Live! is a live in-studio album [4] recorded on July 25, 1971, by Fela Kuti's band Africa '70, with the addition of former Cream drummer Ginger Baker on two songs. It was released in 1971 by EMI in Africa and Europe and by Capitol/EMI in the United States and Canada. It was reissued on CD by Celluloid in 1987 and was reissued on CD in remastered form by Barclay with a bonus track from 1978.
Baker travelled with Kuti into Africa in a Land Rover to learn about the continent's rhythms, as documented in Tony Palmer's film Ginger Baker in Africa (1971). The bonus track on the Barclay CD reissue features a 16-minute drum duet between Baker and Africa '70's drummer Tony Allen recorded at the 1978 Berlin Jazz Festival. The album is on Rolling Stone's list of the 50 greatest live albums of all time. [5] The album is also included in Robert Dimery's 1001 Albums You Must Hear Before You Die . [6]
All songs by Fela Ransome-Kuti, except where noted.
Bonus track:
Chart (2022) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [7] | 180 |
UK Independent Albums (OCC) [8] | 35 |
Fela Aníkúlápó Kútì, also famously known as Abàmì Ẹ̀dá, was a Nigerian musician, bandleader, composer, political activist, and Pan-Africanist. He is regarded as the King of Afrobeat, a Nigerian music genre that combines West African music with American funk and jazz. At the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers". AllMusic described him as "a musical and sociopolitical voice" of international significance.
Tony Oladipo Allen was a Nigerian and French drummer, composer, and songwriter who lived and worked in Paris, France. Allen was the drummer and musical director of Fela Kuti's band Africa '70 from 1968 to 1979, and was one of the founders of the Afrobeat genre. Fela once stated that "without Tony Allen, there would be no Afrobeat". He was described by Brian Eno as "perhaps the greatest drummer who has ever lived".
Expensive Shit is the twelfth full-length album by pioneering Afrobeat artist Fela Kuti and his Africa '70 band, released in 1975. It was reissued in 2000 by MCA Records, packaged with Kuti's He Miss Road (1975) on the same CD.
Zombie is a studio album by Nigerian Afrobeat musician Fela Kuti. It was released in Nigeria by Coconut Records in 1976, and in the United Kingdom by Creole Records in 1977.
African High Life is the debut album by Nigerian drummer and percussionist Solomon Ilori recorded in 1963 and released on the Blue Note label. The album was reissued on CD in 2006 with three bonus tracks recorded at a later session.
Confusion is a 1975 album by Nigerian Afrobeat musician Fela Kuti and his Africa 70 band. It was arranged, composed, and produced by Kuti, who recorded the album after choosing to emphasize his African heritage and nationalism in his music. Confusion is a commentary on the confused state of post-colonial Lagos and its lack of infrastructure and proper leadership at the time. Kuti's pidgin English lyrics depict difficult conditions in the city, including a frenetic, multilingual trading market and inextricable traffic jams in Lagos' major intersections.
Gentleman is a 1973 studio album by Nigerian Afrobeat musician Fela Kuti. It was written and produced by Kuti and recorded with his Afrika 70 band. The cover artwork's depiction of a monkey's head superimposed on a suited body is a reference to the album's title track, which Kuti composed as a commentary on the colonial mentality of Africans who adhered to European customs and clothing.
No Agreement is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti. It was recorded in 1977 and originally released on the Nigerian Decca label.
Stalemate is an album by Nigerian Afrobeat composer, bandleader and multi-instrumentalist Fela Kuti recorded in 1977 and originally released on the Nigerian Decca label.
Sorrow Tears and Blood is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti recorded in 1977 and originally released on the Nigerian Kalakuta label.
Shuffering and Shmiling is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti. It was recorded in 1977 and released on the Nigerian Coconut label.
Unknown Soldier is an album by Nigerian Afrobeat composer, bandleader and multi-instrumentalist Fela Kuti, recorded in 1979 and originally released on the Nigerian Skylark label.
Why Black Man Dey Suffer is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti recorded in 1971 and originally released on the Nigerian African Sounds label after EMI refused to release it.
Fela's London Scene is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, recorded in England in 1971 and originally released on the Nigerian EMI label.
Open & Close is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, recorded in Lagos in 1971 and originally released on the Nigerian His Master's Voice label.
Shakara is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, recorded in Lagos in 1971 and originally released on the Nigerian EMI label.
Roforofo Fight is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti recorded in Lagos and originally released on the Nigerian EMI label Jofabro in 1972.
Afrodisiac is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, originally released on the Nigerian EMI label in 1973. The album's four tracks were re-recordings of Nigerian 45s redone in London in 1972. The album features Kuti's first Nigerian hit "Jeun Ko Ku," which sold over 200,000 copies.
Waiting for the Rain is a 1985 studio album by South African jazz trumpeter Hugh Masekela.
Blo was a Nigerian psychedelic funk ensemble formed in Lagos and active between 1972 and 1982. The main trio consisted of Laolu "Akins" Akintobi (drums), Berkely "Ike" Jones (guitar), and Mike "Gbenga" Odumosu (bass). The group fused the Afrobeat rhythms of Nigeria with funk and psychedelia derived from '60s Western rock music.