She-Devil | |
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Directed by | Susan Seidelman |
Screenplay by |
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Based on | The Life and Loves of a She-Devil by Fay Weldon |
Produced by |
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Starring | |
Cinematography | Oliver Stapleton |
Edited by | Craig McKay |
Music by | Howard Shore |
Production company | |
Distributed by | Orion Pictures |
Release date |
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Running time | 99 minutes |
Country | United States |
Language | English |
Budget | $16 million [1] |
Box office | $15.4 million [2] |
She-Devil is a 1989 American black comedy film directed by Susan Seidelman, written by Barry Strugatz and Mark R. Burns, and starring Meryl Streep, Roseanne Barr (in her film debut), and Ed Begley Jr. A loose adaptation of the 1983 novel The Life and Loves of a She-Devil by British writer Fay Weldon, She-Devil tells the story of Ruth Patchett, a dumpy, overweight housewife, who exacts devilish revenge after her philandering husband leaves her and their children for glamorous, best-selling romance novelist Mary Fisher.
Produced and distributed by Orion Pictures, She-Devil was released on December 8, 1989. It received mixed reviews from critics, and grossed $15.5 million at the U.S. box office. For her performance, Streep earned a Golden Globe Award nomination for Best Actress - Motion Picture Musical or Comedy at the 47th Golden Globe Awards.
Overweight mother Ruth Patchett attempts to please her accountant husband Bob, who is trying to boost his business. After Bob meets romance novelist Mary Fisher at a party, they begin an affair. Ruth, aware of the affair, confronts Bob while his parents are visiting, and Bob leaves her. Angry, Ruth vows revenge on him and Mary.
Ruth lists Bob's assets, representing his home, his family, his career and his freedom, planning to cross off each one after destroying it. With Bob away at Mary's and the kids at school, she procures Mary's financial records and overloads the electricity of the house, destroying the house in an explosion. She leaves the kids with Mary and Bob and announces that she will not be returning.
Bob's second asset, his family, deteriorates, as Mary struggles with her newfound maternal role which causes a rift in her relationship with Bob and begins to interfere with her ability to write her newest novel, which is loosely based on her current relationship. However, her publisher Paula considers it strange and off-putting as there is a chapter about laundry.
Ruth takes a job at a nursing home under the pseudonym Vesta Rose, where she befriends Francine, Mary's foul-mouthed, estranged mother, and arranges for her to return to Mary's life. She also meets nurse Hooper, who has worked for the nursing home for twenty-two years and put aside her earnings for a considerable life savings. Despite horrifying Hooper by secretly switching the senior citizens' sedatives and mundane routines for vitamin and caffeine pills and enriching activities, Ruth gains Hooper's trust by introducing her to desserts.
After Ruth is fired from the home for dumping a urine filled bed pan on Francine's bed to frame her as a bed-wetter and prevent her return, she and Hooper form a partnership and start an employment agency for women rejected by society. The agency is successful, and the women Ruth helped assist in her revenge. Olivia, a young blonde, applies to the agency, is hired as Bob's secretary and starts having sex with him at the office. This causes Mary to become lonely and desperate, which makes Bob rebuff her sexual advances. When Olivia proclaims her love for Bob, he dumps and fires her. Olivia reveals to Ruth that Bob is a fraudster who steals from his clients by skimming interest off their accounts, then transferring it to his offshore account in Switzerland.
As Mary is being interviewed for a puff piece by People, Francine reveals embarrassing secrets about her that destroy her career. Olivia and Ruth hack Bob's computer to conduct an embezzlement, then report this to the IRS. Ruth also mails pictures of Bob bedding Olivia to Mary. Intent on regaining control of her life, Mary forces Francine and Bob's children to behave, then throws an elegant party with her friends. There, state troopers appear with a warrant for Bob's arrest. Bob's lawyer bribes a corrupt judge to ensure a favorable verdict, and unknowingly informs Mary that Bob was stealing from her account as well. Furious, Mary leaves Bob and sells her mansion. A woman who gained employment as a court clerk via Ruth's agency repays Ruth by reassigning Bob's case to an unbiased judge. Bob is convicted of embezzlement and sentenced to eighteen months in prison, thus destroying his fourth and final asset: his freedom. As Bob is taken away, he realizes that his greed, selfishness, and infidelity towards Ruth left him with nothing.
Sixteen months later, Ruth and her children visit a reformed Bob. He is now on considerably more amicable terms with Ruth following their divorce and looking forward to catching up with his children after his upcoming release from prison. Meanwhile, Mary revived her career by becoming a more mainstream author and is at a book signing about a new tell-all book, where she signs a book for Ruth but does not recognize her. Next in line after Ruth is a man whom Mary tries to flirt with, as she has not completely changed her ways. Ruth smiles as she walks down a busy street in Manhattan, accompanied by women from her firm.
Meryl Streep was cast in the role of Mary Fisher in August 1989. [1] Roseanne Barr, who had never appeared in a theatrical film at the time, was cast by director Susan Seidelman as Ruth Patchett, as Seidelman felt Barr embodied a "larger than life" persona appropriate to the character. [1]
Principal photography of She-Devil began on April 12, 1989 in the New York City metropolitan area. [1] Mary Fisher's mansion is located at 161 Cliff Road, 11777 in Port Jefferson, New York. The house was demolished in 2017; the 30-bedroom estate belonged to Bulgarian operetta singer and actress Nadya Nozharova, also known as Countess Nadya de Navarro Farber, who died in 2014. The home was built in 1870 and was almost 19,000 sq ft (1,800 m2). The countess lived in the home for over 40 years. [3]
Another mansion in Piermont, New York doubled as a retirement home featured in the film. [1] Filming also took place in Manhattan in Times Square, at the Guggenheim Museum, and in New York City's historic South Street Seaport police precinct, the latter of which served as the location for the Vesta Rose Employment Agency. [1]
The film score for She-Devil was composed by Howard Shore. A soundtrack album was released on November 15, 1989 by Mercury Records. [4] Shore's score was later released in a limited edition of 1,000 copies by Music Box Records. [5]
She-Devil had its world premiere at the Ziegfeld Theatre in New York City on December 6, 1989. [1] The proceeds from the premiere screening were donated to the National Endowment for the Arts (NEA) AMMI education program. [1]
Orion Home Video released She-Devil on VHS and Betamax on June 28, 1990. [6] [7] MGM Home Entertainment released the film on DVD on October 2, 2001. [8] In 2015, Olive Films released it for the first time on Blu-ray, licensed via Metro-Goldwyn-Mayer and 20th Century Fox. [9]
Orion Pictures released She-Devil in the United States on December 8, 1989. The film earned $3,509,647 during its opening weekend, and went on to gross a total of $15,351,421. [2]
She-Devil received mixed reviews from critics at the time of its release. [1] On the review aggregator website Rotten Tomatoes , 48% of 25 critics' reviews are positive, with an average rating of 4.8/10. [10] Metacritic , which uses a weighted average , assigned the film a score of 45 out of 100, based on 21 critics, indicating "mixed or average" reviews. [11]
Critic Roger Ebert awarded the film three out of four stars, praising Barr and Streep's performances as well as director Seidelman's "touch for off-center humor, the kind that works not because of setups and punch lines, but because of the screwy logic her characters bring to their dilemmas." [12] Variety called the film "a dark and gleeful revenge saga," adding that the casting is "a real coup, with Barr going her everywoman TV persona one better by breaking the big screen heroine mold, and Streep blowing away any notion that she can’t be funny." [13]
Vincent Canby of The New York Times praised Streep's performance, likening it to "a magnificent illusionist at work. Miss Streep dives into this thimble-sized comedy and makes one believe—at least, while she is on the screen—that it is an Olympic-sized swimming pool of wit," but felt that Barr "is unable to rise above her circumstances. To begin with, she is saddled with a role that is less serious, as the film's production notes put it, than monstrous. It has nothing to do with her weight, though the movie is not very kind about that." [14] Peter Rainer of the Los Angeles Times made a similar observation, feeling that Streep's comedic performance outshined that of Barr's. [15]
For her performance, Streep was nominated for a Golden Globe Award for Best Actress – Motion Picture Comedy or Musical at the 47th Golden Globe Awards. [16]
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