Show of Hands | ||||
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Studio album by | ||||
Released | 1987 | |||
Recorded | January 1987 | |||
Studio | Catsley Home, Dorset | |||
Genre | ||||
Label | Self-released | |||
Producer | Show of Hands | |||
Show of Hands chronology | ||||
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Show of Hands is the debut album by English folk duo Show of Hands. The duo formed when Phil Beer took a break from folk rock band The Albion Band, requesting to Steve Knightley that they record a cassette together in Knightley's garage. Knightley, who had recently returned to the duo's native Devon after departing London, agreed, and the duo recorded the album together in January 1987 in Catsley Home, described by Knightley as an outbuilding in the remotest part of Dorset. The album contains twelve compositions, mostly songs by Knightley.
The duo self-released the album in early 1987 on cassette only. It was recorded and released to coincide with their first tour, and was only sold from the duo's concerts. The duo halted their time together as Beer returned The Albion Band, but returned in 1990 with Tall Ships , an album centered on its title track which is a twenty-two minute adaption of the much shorter song that opens Show of Hands. Both albums, along with Out for the Count (1991), were out of print by 1995, so the duo released the compilation Backlog 1987–1991 (1995) to compile highlights from the three albums. Six songs from Show of Hands feature on the compilation.
In the early 1980s, Devonian-based folk musicians Steve Knightley and Phil Beer, who had been friends since 1972, [1] briefly joined Paul Downes' band Arizona Smoke Revue. [2] The band was not the duo's first collaboration or with Downes. Beer and Downes had a career together as a duo in the 1970s, releasing albums such as Life Ain't Worth Living (in the Old-Fashioned Way) (1973) and Dance Without Music (1976), whilst Knightley contributed to the duo's live album Live in Concept (1980). [3] Beer was also occasionally play live in Knightley's pub rock bands of the 1980s, Short Stories, The Cheats and Total Strangers, when members of those bands could not appear. [4] However, Beer had joined The Albion Band in 1983, which became his musical priority. [1] Meanwhile, Knightley, who had been living in London for some time, moved back to his native Devon in 1986. [5]
Beer briefly left The Albion Band but returned to them after a hiatus. Regardless, when the band were on a temporary break, he asked Knightley if they wanted to work together as a duo. Knightley recalled that Beer told him "let's go out as a duo: I’ll get some folk club dates and we'll make a little cassette in your back room in Dorset, in the garage." [1] Knightley had been earning Performing Rights Society income from his work on Night Rider, so using money from the income, the duo created a small studio in Catsley Home, described by Knightley as "an outbuilding in the remotest part of Dorset", [1] and recorded the cassette there in January 1987. [6] It was recorded and released to coincide with their first tour. [7]
The album displays twelve compositions, mostly consisting of songs by Knightley. [6] The opening song, "Tall Ships", is a four-minute version of the song that the duo would later adapt into a 22-minute opus for their following album, Tall Ships (1990). [8] The fifth song, "Exile", would later become a live concert staple for the duo, and they have re-recorded it several times, including for their fifth album Lie of the Land (1995) and their compilation Roots: The Best of Show of Hands (2007), [9] as well as on numerous live albums. Some of the songs display a slight folk pop touch, including "See My Baby", which was later re-titled "See My Baby Again".
After the album was recorded in January 1987, the duo held live concerts throughout the rest of the year. Knightley recalled the duo played "25 gigs a year on the folk scene to audiences of twenty people – seventy sometimes, if we were lucky. But it was low key." [1] The album was only sold on cassette at the duo's live performances from early 1987. It was released to coincide with the tour. [7] Being a low-key release, it was not reviewed by any local publications. The touring, nonetheless, gave the duo a small following.
It would be three years until the duo could record a follow-up release, due to Beer's commitments to The Albion Band. The duo eventually recorded another cassette release, Tall Ships , in 1990. The album was centered on an expanded song suite adapted from the first song on Show of Hands. Beer left The Albion Band in 1990, allowing the duo to become a full-time partnership. [1] They recorded a final cassette album, Out for the Count (1991), before they looked "for more work", [1] eventually leading to their first CD release, Show of Hands Live (1992).
By 1995, at which point the duo had become much more successful, Show of Hands, as well as their other two cassette albums, had long since been out of print and were unavailable. [10] Thus, the duo created the compilation album Backlog 1987–1995 (1995) for CD release on their own label Hands on Music. The compilation features what the duo consider to be the highlights of the three cassettes, so that those songs were not unavailable to fans. Six tracks from Show of Hands appear on the compilation, namely "Ah So!", "Solo", "The Last Picture Show", "Homes for Heroes", "See My Baby Again" and "Friends". [11] "Last Picture Show" also featured on Beer's box set release Box Set One (2010), which compiles various rarities from throughout Beer's career. [12]
Phil Beer is an English multi-instrumentalist, composer, producer, and one half of English acoustic roots duo Show of Hands.
Beat About the Bush is the fourth studio album by English acoustic roots duo Show of Hands. Originally released by Twah! Records in 1994, it was their debut studio album to be released on CD, following the discontinued cassette albums that are Show of Hands from 1987, Tall Ships from 1990 and Out of the Count from 1991. It was their only studio album on Twah! Records, and was subsequently re-released in 1999 on the duo's own label, Hands on Music.
Show of Hands is an English acoustic roots/folk duo formed in 1986 by singer-songwriter Steve Knightley and composer and multi-instrumentalist Phil Beer. Joined by singer and double-bassist Miranda Sykes for a tour in 2004, Show of Hands continued to regularly perform as a trio with Sykes, as well as in their original format. In 2019 the line-up was further expanded by the addition of Irish percussionist Cormac Byrne.
Steve Knightley is an English singer, songwriter and acoustic musician. Since 1992 he has been one half of folk/roots duo Show of Hands along with Phil Beer. Knightley was named "Songwriter of the Nineties" by BBC Radio 6 Music in 2012.
Live is the first live album by English acoustic roots duo Show of Hands. After the duo had recorded three studio albums on cassette from 1987–1991, the last of these being Out for the Count, the duo set on recording a live album for their first Compact Disc release. They enlisted Mark Trim to engineer and produce a live album of the duo's performance at The Bull Hotel, Bridport, in the duo's native Devon. The album features all sixteen songs from the performance which featured numerous guest musicians, including the band's long-time collaborator Matt Clifford and Beer's sporadic collaborator Paul Downes.
Lie of the Land is the fifth studio album by English acoustic roots duo Show of Hands. Following the live band setting of the band's previous album, 1994's Beat about the Bush, the duo sought a simpler sound that featured just themselves, with the duo trying to capture their live sound, which included experimenting with DI units and making the maximum use of pick-ups and pre-amplifiers. The album was produced by Gerard O'Farrell, who by this point had become the band's manager, and recorded in July 1995 in Bredon, Gloucestershire.
Live at the Royal Albert Hall is the second live album by English acoustic roots duo Show of Hands. Following the success of their stripped-down fifth studio album Lie of the Land, the duo experienced attention from major publications, who praised the album, and the duo's fan base had built. Nonetheless, the duo were unable to commerce any performances in London. Their duo and their manager and producer Gerard O'Farrell took the gamble of hosting the city's historic Royal Albert Hall for a concert on 24 March 1996. The concert would be an attempt to gather all of the duo's fans and to raise the duo's profile. The duo were ridiculed for booking the hall, with many saying the performance would not sell out. Nonetheless, not only did the performance sell out, but it did so with advance orders, and it raised the duo's profile.
Dark Fields is the sixth studio album by English acoustic roots duo Show of Hands, released in 1997 on their own label Hands on Music. The album follows the duo's 1996 performance at the Royal Albert Hall in London, a performance which raised their profile. A live album of the performance was released as Live at the Royal Albert Hall in August, becoming the band's best selling album. The duo followed the success with Dark Fields.
Folk Music is the seventh studio album by English acoustic roots duo Show of Hands. After the successes of their 1996 Royal Albert Hall performance and their subsequent album Dark Fields (1997), the duo decided to record a limited edition album featuring the duo's renditions of traditional folk music. It was recorded in September 1998 as a project to connect the band to their roots.
The Path is the tenth studio album by English acoustic roots duo Show of Hands, released in April 2003. The album was conceived as an "instrumental journey" around the South West Coast Path, a 630-mile coastline path opened in 1978 in the duo's native West Country, and a celebration of the coastline's "sights and sounds". It is the band's only completely instrumental album, with each of its songs named after and inspired by different locations on the path. It was a project between Show Of Hands and The South West Coast Path Team, as part of the latter's celebrations for the silver jubilee of the path. As such the album is endorsed by various organisations who own different parts of the path, namely The Countryside Agency, The National Trust and English Heritage Commission,.and the music is ambient instrumentals inspired by different locations around the coastline.
Covers is the eighth studio album by English acoustic roots duo Show of Hands. The album was released in 2000 by the duo's own label Hands on Music. The album exclusively features cover versions of thirteen songs by the duo, chosen and recorded to reflect the band's contemporary musical influences. As such, the album contains no Steve Knightley compositions. The album was recorded over two days in Chudleigh Town Hall, Devon, with producer Gerald O'Farrell, and features only "straight performances", with its songs being untouched by post-production or techniques such as overdubbing or double tracking, presenting a "live" sound. The album followed their limited edition release Folk Music (1998), which featured the band's versions of traditional folk songs, and was the duo's first array into creating an album of music without Knightley compositions.
Cold Cuts is the third live album by English acoustic roots duo Show of Hands. Following the duo's successful Royal Albert Hall performance in 2001 which was televised as The Big Gig, the duo released the studio album Cold Frontier in September of that year, which saw the duo use a more basic instrumental set up that what they had grown accustomed to. A critical success, they followed it with The Cold Frontier Tour in November 2001. The tour was unusual in that the duo opted to perform both obscure older material and cover versions in re-arranged formats, in addition to material from Cold Frontier. Many of the tracks had never featured on a Sho of Hands album before. A critical success, the duo and Mick Dolan had recorded performances from the tour for usage as the live album Cold Cuts.
Witness is the twelfth studio album by British folk duo Show of Hands. The album was recorded in January 2006 at Presshouse Studio, Colyton, Devon, and was produced by Simon Emmerson and Simon ‘Mass’ Massey from the Afro Celts, who helped to incorporate elements of traditional African, ambient and electronic dance music with the duo's characteristic folk style. It was the band's first album in twelve years to use a rhythm section. Lyrically, the album addresses communal and heritage values, and was described by the duo's lead singer Steve Knightley as a "cinematic style journey of the West Country." The album features unofficial third member Miranda Sykes on ten of its twelve tracks.
As You Were is the fourth live album by English acoustic roots duo Show of Hands. Following the release of their acclaimed tenth studio album Country Life in 2003, which itself was promoted by a tour, the duo were named the "Best Live Act" at the 2004 BBC Radio 2 Folk Awards. The live interest in the duo ultimately lead to a greater interest when the band announced their Autumn Tour 2004. The tour itself ran from November–December and included Miranda Sykes as a collaborator, her first collaboration with the duo. With the band's producer and engineer of the era Mick Dolan, the entire tour was recorded onto MiniDisc, with the duo subsequently ploughing through each concert recording the following day to identify the best performances and then collating and working through the "A list again" to find the best tracks to create the live album.
The Fiddle Collection is a studio album with tracks from various British fiddle players produced by Phil Beer. Released in 1999, it was Beer's first solo project of the year during his temporary break from Show of Hands. Promoted with the tagline "this really is modern folk music", it featured fifteen different, original tracks by different UK violin-playing folk musicians, and was designed to represent the fiddle and folk scene in the United Kingdom.
Tall Ships is the second album by Show of Hands, released in 1990 on cassette only. It contains the band's 22 minute medley "Tall Ships". Songs from the album appear on Backlog 1987-1991, a 1995 album containing songs from the band's earlier material for the first time on CD. This was due to Tall Ships going out of print later in 1990.
Out for the Count is the third album by Show of Hands. The album follows Phil Beer's departure from The Albion Band in 1990, allowing Show of Hands to become a full-time partnership. Recorded straight to Digital Audio Tape in The Old Court, Devon, in 1991, the duo released the album later on in the year on cassette, becoming the final of their cassette-only releases.
Wake the Union is the sixteenth studio album by British folk duo Show of Hands. Although their fifteenth studio album, it is their eighth in their "canon" of studio albums. The release follows the successful Arrogance Ignorance and Greed (2009) and the limited edition albums Covers 2 (2010) and Backlog 2 (2011). Recorded and produced by Mark Tucker, the album takes a strong influence from both English and American folk music and was created as a "journey through of [the two countries'] landscapes united by a common tongue and musical heritage". The album again features their unofficial third member Miranda Sykes. The album was also described by Knightley as a direct continuation of Arrogance Ignorance and Greed, although critics saw it as very distinct in its own right. The album was also a 20th anniversary celebration for the duo.
Centenary: Words & Music of the Great War is a studio album released in 2014 to commemorate the centenary of the outbreak of World War I. The unique project is a double album by English folk duo Show of Hands; the first disc features war poems recited by Jim Carter and Imelda Staunton set to the duo's music, whilst the second disc features songs inspired by the War, sung instead by Show of Hands' lead singer Steve Knightley.
Backlog 2 is the fifteenth studio album by Devonian folk duo Show of Hands. Following the release of their limited edition "back to basics" cover album Covers 2 (2010), which was intended for "fans and friends" and released in a limited edition manner in a way that would only appeal to fans and friends, the duo wanted to release an album with fan participation. As the duo had retired many of their older songs from live performances, they asked fans on their internet forum Longdogs to select twenty Show of Hands tracks from 1992–2003 that they would like to hear the duo perform and re-record.