"Sitting at the Wheel" | ||||
---|---|---|---|---|
Single by The Moody Blues | ||||
from the album The Present | ||||
B-side |
| |||
Released | 19 August 1983 | |||
Recorded | 8 March – 10 December 1982 | |||
Genre | New wave | |||
Length | 5:40 (album) 3:30 (single edit) 7:32 (Germany 12-inch single remix) | |||
Label | Threshold | |||
Songwriter(s) | John Lodge | |||
Producer(s) | Pip Williams | |||
The Moody Blues singles chronology | ||||
|
"Sitting at the Wheel" is a 1983 hit single by The Moody Blues, written by John Lodge. It was released in the US as the lead-off single from The Present in August 1983 and debuted on the Billboard Hot 100 on September 3, 1983. In the UK, "Sitting at the Wheel" was released in November 1983 as the second single from The Present, following "Blue World".
Producer Pip Williams felt that "Sitting at the Wheel" was the most commercial song on The Present and the album's "only out-and-out rocker". [1] Frank Rizzo of the Hartford Courant considered it the album's "one hard-driving pop song." [2] Bill E. Burk of the Memphis Press-Scimitar described it as an "up-tempo rocker". [3]
The song uses a LinnDrum for most of the drum sound but Moody Blues drummer Graeme Edge reinforced the sound with real drums and cymbals. [1] Lodge plays a 12-string acoustic guitar as well as bass guitar and Pat Moraz plays keyboards. [1] Justin Hayward did not take part in the initial recording of the basic track of the song, but later added electric rhythm guitar on a Gibson 335 and Williams later added a slide guitar part. [1]
Moody Blues biographer Marc Cushman described the lyrics as "more of those mystical, spiritually inclined, highly interpretable Moody Blues lyrics. [1] Philadelphia Daily News critic Jonathan Takiff said that in the lyrics Lodge "still is promoting his nose-to-the-grindstone keep-on-pushin' philosophy." [4]
Cash Box said "Sitting at the Wheel" was worth the long wait since the Moody Blues' previous US single, "The Voice," and that "bright, brassy keyboard flourishes give ELO-style orchestration and pumping bass rhythms a strong forward thrust." [5] Pittsburgh Press critic Pete Bishop considered it "one of the best rockers [the Moody Blues have] ever done. [6] Jim Zebora of the Record-Journal said it was "among the best and most likeable of any [songs] the band has done in years." [7] Gazette critic Dick Hogan praised Hayward's "spirited" lead guitar and Moraz' "soaring synthesizer runs" and said that "vocally, the song borders on some of ELO's more recent tunes." [8] The Morning Call said that "'Sitting at the Wheel', with its speedy rhythm, catchy lyrics and honky tonk piano...is perfect for AM/FM radio drive time." [9] Allmusic critic Dave Connolly called it the album's "most invigorating track". [10] Hamilton Spectator critic Paul Benedetti called it a "competent pop/rock tune indistinguishable from a dozen others on the charts." [11]
In the Kansas City Star, Tim McGraw complained of the song's commercialism, saying that it "has about as much thought as any number of the Electric Light Orchestra's pounding 12-bar rockers. [12] Brett Milano of the Boston Globe said the song "could be Electric Light Orchestra on a bad day." [13] Jim Angell of the Tri-City Herald called it a "rather cliche rocker featuring Jackson Browne-like guitar work by Hayward. [14] Tim McCarthey of the Salt Lake Tribune considered it to be "bland". [1] [15] Steve Pond of the Los Angeles Times found it to be "awkward". [16] Music journalist Geoffrey Freakes felt it was "one of Lodge's most misjudged efforts." [17] Freakes acknowledged that it's "lively in a foot-stomping way" but said that it's "a curious hybrid of synth-pop (the reverb-heavy drum sound and Eurythmics style synth) and rock 'n' roll (Lodge's energetic echo-laden chorus and [Pat] Moraz' Fats Domino-inspired boogie-woogie piano)." [17]
"Sitting at the Wheel" peaked at #27 on the Billboard Hot 100 and #3 on the Billboard Mainstream Rock chart. [18] In Canada it reached #18. [19] It peaked at #91 in the UK. [20]
"Sitting at the Wheel" was frequently the opening song of concerts on the Moody Blues tour supporting The Present. [2] [17]
The Moody Blues were an English rock band formed in Birmingham in May 1964. The band initially consisted of drummer Graeme Edge, guitarist/vocalist Denny Laine, keyboardist/vocalist Mike Pinder, multi-instrumentalist/vocalist Ray Thomas, and bassist/vocalist Clint Warwick. Originally part of the British beat and R&B scene of the early–mid 1960s, the band came to prominence with the UK No. 1 and US Top 10 single "Go Now" in late 1964/early 1965. Laine and Warwick left the band by the end of 1966, being replaced by guitarist/vocalist Justin Hayward and bassist/vocalist John Lodge. They embraced the psychedelic rock movement of the late 1960s, with their second album, 1967's Days of Future Passed, being a fusion of rock with classical music that established the band as pioneers in the development of art rock and progressive rock. It has been described as a "landmark" and "one of the first successful concept albums".
Long Distance Voyager is the tenth album by the Moody Blues, first released in May 1981 on the group's Threshold record label. It was the group's first album featuring keyboardist Patrick Moraz in place of co-founder Mike Pinder, who left after Octave in 1978.
The Other Side of Life is the twelfth studio album by English progressive rock band the Moody Blues, released in April 1986 by Polydor Records.
The Present is the eleventh album by the Moody Blues, released in 1983. This was the group's last original studio album to be released on their custom label, Threshold Records.
Sur la Mer is the thirteenth album by the Moody Blues. It was released in 1988. It features the hit single "I Know You're Out There Somewhere", a sequel to their 1986 hit "Your Wildest Dreams". Much of the music on the album would fit in the "synthpop" genre, though it does incorporate more rock and acoustic influences than its predecessor.
Keys of the Kingdom is the fourteenth album by the rock band the Moody Blues, released in 1991. Although some of the tracks recall the songwriting on Sur la Mer, the failure of Keys of the Kingdom to produce any major hit singles would mark the beginning of the Moodies' decline in popularity with mainstream audiences after their success in the MTV video generation.
"Veteran Cosmic Rocker" is a 1981 song by the progressive rock band the Moody Blues. It was written by the band's flautist Ray Thomas. "Veteran Cosmic Rocker" first appeared as the final track of the Moody Blues' 1981 album Long Distance Voyager, and was later released in November 1981 on the B-Side of "Talking Out of Turn."
"The Voice" is a song written by Justin Hayward that was first released on the Moody Blues' 1981 album Long Distance Voyager and also as its second single. The song continued the success of previous single "Gemini Dream", becoming a Top 40 hit on the Billboard Hot 100, where it peaked at No. 15 in October 1981. The song had previously topped the Billboard Top Rock Tracks chart for four weeks during June–July 1981. The song also reached No. 9 in Canada.
"I'm Just a Singer (In a Rock and Roll Band)" is a 1973 hit single by the English progressive rock band the Moody Blues, written by the band's bassist, John Lodge. It was first released in 1972 as the final track on the album Seventh Sojourn and was later released as a single in 1973, with "For My Lady" as its B-side. It was the second single released from Seventh Sojourn, with the first being "Isn't Life Strange", which was also written by Lodge.
"Your Wildest Dreams" is a 1986 single by the progressive rock band the Moody Blues, written by Justin Hayward. The song was first released as a single, and later released on the Moody Blues' 1986 album The Other Side of Life.
"I Know You're Out There Somewhere" is a 1988 single by the English rock band the Moody Blues. It was written by guitarist Justin Hayward, and it is the sequel to the Moody Blues' 1986 single "Your Wildest Dreams", also written by Hayward. It is the band's final Top 40 single in the United States, peaking at #30 on the Billboard Hot 100.
"Gemini Dream" is a song written by Justin Hayward and John Lodge that was released by The Moody Blues on their 1981 album Long Distance Voyager and also as the lead single from the album. It reached number 12 on the US Hot 100, as well as number 1 on the Canada RPM Top 100 Singles chart. It ranked as the 28th biggest Canadian hit of 1981.
"Driftwood" is a 1978 single by the English progressive rock band the Moody Blues. It was the second single released from the album Octave, after "Steppin' in a Slide Zone". Written by Justin Hayward, "Driftwood" is a slow love ballad, in a similar manner to "Nights in White Satin" and "Never Comes the Day."
"Talking Out of Turn" is a 1981 single written by John Lodge and first released by the Moody Blues on their 1981 album Long Distance Voyager. It was also released as the third single from the album in November 1981 with "Veteran Cosmic Rocker" on the B-side.
"The Other Side of Life" is a 1986 single written by Justin Hayward and first released by The Moody Blues in May 1986 as the title track on the album The Other Side of Life. It was released as a single in August 1986, the second single released from the album, the first being "Your Wildest Dreams". After its release, it became a modest success in the United States, making #11 and #18 on the adult contemporary and mainstream rock charts respectively. It also reached #58 on the Billboard Hot 100 chart.
"Blue World" is a 1983 single by the Moody Blues written by Justin Hayward. It was first released in the UK as the lead single of the album The Present in August 1983. It was released as single in the US in the Fall of 1983. "Blue World" was one of three singles from The Present, with the others being "Sitting at the Wheel" and "Running Water." The single's cover is a pastiche of the painting Daybreak by Maxfield Parrish.
"No More Lies" is the second single released from the Moody Blues 1988 album Sur la Mer. As a single, it charted at #15 on the Adult Contemporary chart in 1988. Like the album's previous single, "I Know You're Out There Somewhere," "No More Lies" was written by Justin Hayward.
"Meanwhile" is a song written by Justin Hayward that was released on the Moody Blues 1981 album Long Distance Voyager. Although never released as a single, it reached #11 on the Billboard Mainstream Rock chart.
"22,000 Days" is a song written by Graeme Edge that was first released by the Moody Blues on their 1981 album Long Distance Voyager. It was also released as the B-side to the top-ten single "The Voice". "22,000 Days" reached No. 38 on the Billboard Top Rock Tracks chart.
"Running Water" is a song written by Justin Hayward that was first released on the Moody Blues' 1983 album The Present. It was released as the third single from the album in the United States but did not chart.