| Sly and Robbie Present Taxi | ||||
|---|---|---|---|---|
| Compilation album by | ||||
| Released | 1981 | |||
| Genre | Reggae, pop | |||
| Label | Island | |||
| Producer | Sly Dunbar, Robbie Shakespeare | |||
| Sly and Robbie chronology | ||||
| ||||
Sly and Robbie Present Taxi is an album by the Jamaican musical duo Sly and Robbie, released in 1981. [1] [2] It was their first album as a credited duo, with many of the tracks first released on their Taxi record label. [3] [4] Sly and Robbie Present Taxi is dedicated to the Jamaican musician General Echo, who was killed in 1980. [5]
Sly and Robbie recorded the drums and bass first, often tinkering with the tracks until they sounded as if they could have been created by a computer. [6] The duo had verbal agreements with most of the artists on their label, dividing with them whatever profits a song made and putting their share back in to recording. [6] The U.S. Mango release includes Sheila Hylton's cover of the Police's "The Bed's Too Big Without You" and omits Black Uhuru's "World Is Africa". [7] "Smiling Faces Sometimes" is a cover of the Undisputed Truth version of the Motown composition. [8] "My Woman's Love" was written by Curtis Mayfield. [7] General Echo's "Drunken Master" is a tribute to the martial arts film. [9]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Bedfordshire on Sunday | |
| Robert Christgau | A− [11] |
| The Encyclopedia of Popular Music | |
| MusicHound World: The Essential Album Guide | |
| Reggae & Caribbean Music | 8/10 [14] |
| The New Rolling Stone Record Guide | |
| Spin Alternative Record Guide | 8/10 [16] |
The Northern Echo labeled the album "neat Jamaican dance music". [17] Bedfordshire on Sunday praised the "dynamic" production team, and, alluding to Bob Marley's recent death, noted, "The Lion sleeps but the jungle still stirs." [4] Newsday said that "each cut is meticulously crafted, featuring soulful singing and Dunbar and Shakespeare's characteristically solid, flexible rhythms." [8] The Los Angeles Times stated that "this is reggae-as-Jamaican-pop-music, with love as the principal theme." [18] Robert Christgau noted that these "love songs are why Jah made syndrums: reggae as pure pop". [11]
In 1986, The Philadelphia Inquirer praised the "smart, sinuous music". [19]
| No. | Title | Artist | Length |
|---|---|---|---|
| 1. | "My Woman's Love" | Jimmy Riley | |
| 2. | "Smiling Faces Sometimes" | Tamlins | |
| 3. | "Merry Go Round" | Junior Delgado | |
| 4. | "Sitting and Watching" | Dennis Brown | |
| 5. | "Hot You're Hot" | Sly Dunbar | |
| 6. | "Sweet Sugar Plum" | Wailing Souls | |
| 7. | "World Is Africa" | Black Uhuru | |
| 8. | "Drunken Master" | General Echo | |
| 9. | "Old Broom" | Wailing Souls | |
| 10. | "Oh What a Feeling" | Gregory Isaacs | |
| 11. | "Heart Made of Stone" | The Viceroys | |
| 12. | "Fort Augustus" | Junior Delgado |