Snow-White | |
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Directed by | Dave Fleischer |
Produced by | Max Fleischer |
Starring | Mae Questel Billy Murray Cab Calloway (vocal chorus) |
Animation by | Roland Crandall |
Color process | Black and white |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 7 mins |
Language | English |
Snow-White (also known as Betty Boop in Snow-White) is a 1933 American animated short in the Betty Boop series from Max Fleischer's Fleischer Studios. [1] [2] Dave Fleischer was credited as director, although virtually all the animation was done by Roland Crandall, who received the opportunity to make Snow-White on his own as a reward for his several years of devotion to the Fleischer studio. The resulting film, which took six months to complete, is considered both Crandall's masterwork and an important milestone of the Golden age of American animation.
A magic mirror resembling Cab Calloway proclaims Betty Boop to be "the fairest in the land", much to the anger of the Queen. The Queen orders her guards Bimbo and Koko to execute Betty. With tears in their eyes, they take Betty into the forest; as they prepare to execute her, they spare her by destroying their weapons, but fall into a pit before they can free her. Betty escapes into a frozen river, which encloses her in a coffin of ice. This block slips downhill to the home of the seven dwarfs, who carry the frozen Betty into an enchanted cave, running into Koko and Bimbo. The evil Queen, now transformed into a witch, turns Koko into a ghost as he sings the St. James Infirmary Blues. With her rivals disposed of, the Queen again asks the magic mirror who the fairest in the land is, but the mirror explodes in a puff of magic smoke that returns Betty and Koko to their normal states and changes the Queen into a hideous and mysterious dragon-like monster. The dragon-like monster chases the protagonists until Bimbo grabs its tongue and yanks it, turning the creature inside out and causing it to flee away. Betty, Koko, and Bimbo dance around in a circle of victory as the film ends. [3]
Koko's dancing (including some moves that look like the much later "moonwalk" and "dab") during the "St. James" number is rotoscoped from footage of Cab Calloway. [4] [5]
The film was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry in 1994. The same year, it was voted #19 of the 50 Greatest Cartoons of all time by members of the animation field. [6] The film is copyrighted by Paramount due to its copyright being renewed in 1961. [7]
Fleischer Studios was an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s.
Max Fleischer was a Polish-American animator and studio owner. Born in Kraków, Poland, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the rotoscope, the "follow the bouncing ball" technique pioneered in the Ko-Ko Song Car-Tunes films, and the "stereoptical process". Film director Richard Fleischer was his son.
Betty Boop is an animated cartoon character designed by Grim Natwick at the request of Dave Fleischer. She originally appeared in the Talkartoon and Betty Boop film series, which were produced by Fleischer Studios and released by Paramount Pictures. She was featured in 90 theatrical cartoons between 1930 and 1939. She has also been featured in comic strips and mass merchandising.
Talkartoons is a series of 42 animated cartoons produced by Fleischer Studios and distributed by Paramount Pictures from 1929 to 1932.
Koko the Clown is an animated cartoon character created by Max Fleischer. His first appearance as the main protagonist in Out of the Inkwell (1918–1929), a major animated series of the silent era. Throughout the series, he goes on many adventures with his canine companion "Fitz the Dog", who would later evolve into Bimbo in the Betty Boop cartoons.
Rotoscoping is an animation technique that animators use to trace over motion picture footage, frame by frame, to produce realistic action. Originally, live-action movie images were projected onto a glass panel and traced onto paper. This projection equipment is referred to as a rotoscope, developed by Polish-American animator Max Fleischer. This device was eventually replaced by computers, but the process is still called rotoscoping.
Out of the Inkwell is an American animated film series of the silent era. It was produced by Max Fleischer from 1918 to 1929 and was called The Inkwell Imps at the end of that period.
Myron "Grim" Natwick was an American artist, animator, and film director. Natwick is best known for drawing the Fleischer Studios' most popular character, Betty Boop.
Bimbo is a fat, black and white cartoon pup created by Fleischer Studios. He is most well known for his role in the Betty Boop cartoon series, where he featured as Betty's main love interest. A precursor design of Bimbo, originally named Fitz, first appeared in the Out of the Inkwell series.
Dave Fleischer was an American film director and producer who co-owned Fleischer Studios with his older brother Max Fleischer. He was a native of New York City.
The Old Man of the Mountain is a 1933 American pre-Code live-action/animated short in the Betty Boop series, produced by Fleischer Studios. Featuring music by Cab Calloway and his Orchestra, the short was originally released to theaters on August 4, 1933, by Paramount Pictures. Calloway voices all of the characters in the cartoon save for Betty herself. Calloway and his orchestra also perform all of the music in the cartoon, including two songs Calloway co-wrote.
Betty Boop's Bamboo Isle is a 1932 Fleischer Studios Betty Boop animated short, directed by Dave Fleischer.
Chess-Nuts is a 1932 Fleischer Studios animated short film starring Betty Boop, and featuring Bimbo and Koko the Clown.
Betty Boop's Museum is a 1932 Fleischer Studios animated short film starring Betty Boop, and featuring Koko the Clown and Bimbo.
Betty Boop's Ker-Choo is a 1932 Fleischer Studios animated short film starring Betty Boop, and featuring Koko the Clown and Bimbo.
Betty Boop's Penthouse is a 1933 Fleischer Studios animated short film featuring Betty Boop assisted by Koko the Clown and Bimbo.
Betty Boop's Birthday Party is a 1933 Fleischer Studio animated short film, starring Betty Boop and featuring Koko the Clown and Bimbo.
Roland Dimon "Doc" Crandall was an American animator. He is best known for his work at Fleischer Studio, especially on the Betty Boop film Snow-White and as lead animator with Seymour Kneitel on the first year of the "Popeye" the Sailor cartoons starting in 1933.
Bimbo's Initiation is a 1931 Fleischer Studios Talkartoon animated short film starring Bimbo and featuring an early version of Betty Boop with a dog's ears and nose. It was the final Betty Boop cartoon to be animated by the character's co-creator, Grim Natwick, prior to his departure for Ub Iwerks' studio.
Minnie the Moocher is a 1932 Betty Boop cartoon produced by Fleischer Studios and released by Paramount Pictures.
But in 1933, Fleischer Studios put Betty Boop and Koko the Clown in the seven-minute Betty Boop in Snow-White short animated by Roland C. Crandall, with a rotoscoped set piece in the middle, set to "St. James Infirmary Blues", performed by jazz artist Cab Calloway. [...] Here, Calloway seems to moonwalk along the animated landscape as Koko, arms out, singing a blues song about death and decay. When the witch casts her mirror over him, he becomes a ghost, at which point the rotoscoping gives seamlessly to impossible contortions.