Son nom est Dalida | ||||
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Studio album by | ||||
Released | December 1956 October 29, 2002 (Reissued) | |||
Recorded | June – September 1956 | |||
Studio | Studio Hoche | |||
Genre | ||||
Length | 30:58 | |||
Language |
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Label | Barclay | |||
Producer |
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Dalida chronology | ||||
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The Glamorous Dalida | ||||
Son nom est Dalida (Her name is Dalida) is the debut studio album by French vocalist Dalida. It was released in December 1956 through Barclay Records. [1]
The tracks in the album are a mixture of vocally highlighted pop standards, of which some are basically inspired by fado and flamenco genres. [2]
The album received positive reviews from music critics upon its release, praising Dalida's passionate performance, and nationally reached commercial success, selling around 20,000 units, bracing Dalida as the highest album seller among French singers of that time.
After signing a recording contract with Barclay Records in May 1956, Dalida went on to release three EPs from August to October; Madona, La violetera and Bambino respectively. After two moderately successful records, "Bambino" made Dalida an overnight star as it was an instant success that eventually became the commercially and critically one of the most successful French recordings of all time. [1]
The album was completely recorded in Hoche Studios in Paris, under orchestra conduction of Raymond Lefèvre and Wal-Berg. [3] Due to the success of the song, Bambino was used as the title one, while other tracks were fully taken from Dalida's first two EPs including her first recorded song, "Madona". [4]
Son nom est Dalida was released during December 1956, in 25 cm (10 inch) format under catalog number 80 055. [5] It was intended primary for French market, but its success made Barclay release it in USA, United Kingdom, South Africa and Australia. While the cover art of US release is slightly different in colour tone and is titled as Elle s'appelle Dalida (She's called Dalida), [6] the cover for other Anglophone countries is completely different that the French one. [7]
In 2002, Barclay Records, then as part of Universal Music France, reissued the album in original vinyl format, and a digitally remastered version in CD, both with original French cover art and track list. [4] [8]
Following its release, Son nom est Dalida received highly positive critical acclaim from major French newspapers like Le Figaro, France-Soir and Le Parisien. [9] [10] Dalida also promoted it during her tour in provinces that ended with her first performance in Olympia on 27 February 1957. [1]
Since the French music industry at this time was still in the back, albums weren't covered with charts or record sales track. In early 1959, the latter formed official's disc sellers magazine Music Hall listed album with 19,530 units sold since its release in 1956. [11]
The reissued record sold additional 8,500 copies in period of 2002–05, adding up to total sales that almost reach 30,000 units. [12]
No. | Title | Writer(s) | Length |
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1. | "Bambino" | Giuseppe Fanciulli & Jacques Larue | 3:31 |
2. | "Fado" | Henri Decker & Michèle Vendôme | 3:37 |
3. | "Aime-moi" | Jacques Datin & Maurice Vidalin | 2:48 |
4. | "Flamenco Bleu" | Eddy Marnay, Larry Wagner & Louis Gasté | 2:23 |
5. | "Le torrent" | Pierre Delanoë & Pierre Havet | 2:54 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Madona" | Caco Velho, Diritini & Marc Lanjean | 3:04 |
2. | "Guitare Flamenco" | Charles Dumont, Claude Delecluse & Michelle Senlis | 3:06 |
3. | "Gitane" | Charles Dumont & Maurice Robin | 2:55 |
4. | "Mon cœur va" | Charles Dumont & Robert Chabrier | 2:52 |
5. | "La Violetera" | Albert Willemetz, José Padilla Sánchez & Jean Granier | 3:48 |
Total length: | 30:58 |
Iolanda Cristina Gigliotti, professionally known as Dalida, was a French singer and actress, born in Egypt to Italian parents. Leading an international career, Dalida has sold over 140 million records worldwide. Her best known songs are "Bambino", "Gondolier", "Les enfants du Pirée", "Le temps des fleurs", "Darla dirladada", "J'attendrai", "Le jour où la pluie viendra", "Gigi l'amoroso", "Salama ya salama", and "Paroles, paroles" featuring spoken word by Alain Delon.
Les Bourgeois is the sixth studio album by Jacques Brel. Also known as Jacques Brel, the album was released on Barclay Records on 15 March 1962. Later, on 4 April 1962, a 10" maxi-single containing eight of the album's tracks was released. The same year saw the release of a limited, special edition release of the album that consisted of the original LP with "Jacques Brel" written diagonally across its white cover. This edition was numbered on the front and hand signed on the back.
Édouard Ruault, better known as Eddie Barclay, was a French record producer whose singers included Jacques Brel, Dalida and Charles Aznavour. He founded record label Barclay.
"Gondolier" is a song by the French singer Dalida, first released on EP in December 1957. It was her second major hit after "Bambino". Reaching No. 1 on both the La Bourse des Chansons chart and the Music Hall chart in France, it was the title song for Dalida's 1958 album Gondolier. The song also reached No. 1 on the Belgian and Canadian charts.
Gondolier is the third French language studio album by French singer Dalida. The album contains Dalida's second #1 hit, the famous exotical Gondolier. The album contains other minor hits such as "Buenas noches mi amor", "Histoire d'un amour" and the pop-rock oriented "Le jour où la pluie viendra".
Les Gitans is the fourth studio album by French-Italian singer Dalida, released by Barclay Records, catalogue number 80 094, in 1958. In 2002, Sammel released a remastered version in CD and 10" (25 cm) vinyl record (LP), catalogue number 981 109-7. In 2004, Universal Records released a remastered CD, catalogue number 981 108-5, as part of a compilation containing re-releases of all of Dalida's studio albums recorded under the Barclay label.
"Love in Portofino" is a 1958 song by Italian writing duo Chiosso-Buscaglione, first sung by the latter one. Picked up by French singer Dalida the next year, she recorded it with additional lyrics written by Jacques Larue. Her version achieved sales success in the European market, spawning dozens of covers. Embraced by musical intellectuals as masterpiece of Dalida's early repertoire of 1950s, it eventually became the symbolic song for Portofino, to which it is referring.
"Paroles, paroles" is a song by French singer Dalida featuring French actor Alain Delon. It was released on 17 January 1973 as the lead single from her upcoming album Julien (1973). Lyrics describe the conversation of a man offering a woman caramels, bonbons et chocolat followed with shower of compliments, to what she says they mean nothing to her because they are just paroles – empty words. The song achieved big success in France and internationally, especially in Japan and Mexico, becoming one of the most recognizable French songs of all time. The first music video was released in 2019, over 46 years after the songs's release.
Le temps des fleurs is the twenty-first studio album by French singer Dalida. Named after the title song, it was first released in 1968 and became her penultimate album to be released under Barclay Records.
De "Bambino" à "Il silenzio" was Dalida's first compilation album, released in France in 1967 by Barclay Records
"Bambino" is a song recorded by French singer Dalida that became her first major hit. It was first released on 28 October 1956 as title song of her third EP, prior to her debut album Son nom est Dalida. Bambino spent 45 weeks atop the French song charts, becoming the longest-running number one song in world history.
"Le temps des fleurs" is a song by French singer Dalida for her twenty-first studio album of the same name. While the French lyrics were written by Eddy Marnay, the melody was taken from Russian romance song "Dorogoi dlinnoyu", composed by Boris Fomin in 1924. Dalida covered the song after Mary Hopkin had a hit with her English version "Those Were the Days" one month earlier.
With Love is a studio album by French singer Amanda Lear, released in 2006 by Dance Street. The album is a collection of covers of songs previously performed by other female vocalists.
Les Marquises is Jacques Brel's fourteenth and final album. Also known as Brel, the album was released 17 November 1977 by Barclay. This was the singer's first album of new songs in ten years and was released a year before his death from lung cancer. The album's themes include death, parting ("Orly") and in several songs Brel evokes his career in the 1960s. The album was recorded live in Studio B at the Barclay Studios on Avenue Hoche, Paris. With his health failing, Brel was only able to record at most two songs per day. Brel returned to the Marquesas Islands shortly after the recording sessions.
Les enfants du Pirée is the seventh French language studio album by Dalida, and her first album of the 1960s. It contains big #1 hit "Les enfants du Pirée", and other hits like "T'aimer follement", "Romantica" and "L'Arlequin de Tolède".
Miguel is the second album by Dalida. It contains eight songs, including her big success "Miguel". The songs "Maman, la plus belle du monde", "Quand on n'a que l'amour" and "Tu n'as pas très bon caractère", continue in a more pop style than her first album
"Il venait d'avoir 18 ans" is a French-language song by singer Dalida, first released on album Julien in the second half of 1973. The song was a success and has become one of Dalida's signature tracks.
Love in Portofino is the sixth and last studio album of 1950s by French singer Dalida. It was released in December 1959 through Barclay Records.
"Dans la ville endormie" is a French language song recorded by singer Dalida, first released on EP during summer of 1968. It is the product of Dalida's collaboration with composer William Sheller with whom she worked on Le temps des fleurs, her album released later that year. English language cover "My year is a day" by Les Irrésistibles achieved success several months later.
Tropical Fantasy is a 1962 album by French composer Michel Magne, credited to "Michel Magne et son grand orchestre." It was released in France by Bel Air records and in the United States, with two fewer tracks, by Columbia Records. It was reissued digitally in 2012.