Love in portofino | ||||
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Studio album by | ||||
Released | December 1959 March 1960 (Reissued) 2004 (Reissued) | |||
Recorded | July – December 1959 | |||
Studio | Hoche | |||
Genre | ||||
Length | 25:57 | |||
Language | French and Italian | |||
Label | Barclay | |||
Producer | Eddie Barclay | |||
Dalida albums chronology | ||||
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Love in Portofino is the sixth and last studio album of 1950s by French singer Dalida. It was released in December 1959 through Barclay Records. [1]
The album consists of mostly original songs by Dalida, while four of them are covers of foreign hits. All tracks are based on vocally highlighted pop standard, some of them mixed with Rock and roll or Bossa nova. [2]
The album positively reviewed by music critics and Dalida was again praised for her "passionate performance", especially for "La chanson d'Orpheé. It reached top of album charts and was the best selling album released in France in 1959, alongside Le disque d'or de Dalida . [3]
For the first time Dalida presented more songs originally written for her, than covers of foreign hits. All of them were top 20 hits.
Covering "Marina", she brought Italian language hit to French public, but the "Ne joue pas" was already a French song originally recorded by Colette Deréal the same year. "J'ai rêvé" is a cover of Rock and roll US hit "Dream lover" and "La chanson d'Orpheé" is the Bossa nova theme song of Orfeu Negro. The first such in Dalida's repertoire, she expressed her own admiration of the song including it in several compilation albums in future decades. She also recorded an Italian version that peaked at number ten in Italy.
The title song "Love in Portofino" was released prior to the album. It was immediately covered by several French and Italian artists under the same name or as "A San Cristina". In hope of attracting more sales, "A San Cristina" was included in the album's name. The song wasn't big sales success, but nevertheless in future it became iconized as hymn of Portofino and well remembered by the local public, also being covered by Andrea Bocelli.
On the album, "Elle, lui et l'autre" was issued for the first time and went on to become Canadian number one hit and produced the eponymous album.
The album was completely recorded in Studio Hoche in Paris, under orchestra conduction of Raymond Lefèvre, and was released in early December 1959 in 25 cm (10 inch) format under catalog number 80 115. [4] In 2004, Barclay Records, then as part of Universal Music France, reissued the album in original vinyl format and a digitally remastered version in CD, both with original cover art and track list. [5]
The first issue sold over 20 000 copies and reissue in 1960 additional 10 000. The retrospective reissue of 2004 sold all 8,500 numbered copies, adding up to total sales that surpass 40,000 units, making the album one of best selling French albums of 1950s. [6]
No. | Title | Writer(s) | Length |
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1. | "Love in Portofino" | Fred Buscaglione, Jacques Larue & Leo Chiosso | 3:15 |
2. | "C'est ça l'amore" | Jean Broussolle & Pino Massara | 2:56 |
3. | "Adonis" | Fernand Bonifay & George Goehring | 2:20 |
4. | "Pilou Pilou Hé" (Au pays qu'à un joli nom) | Gilbert Bécaud & Louis Amade | 2:20 |
5. | "Marina" | Jean Broussolle & Rocco Granata | 2:00 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ne joue pas" | A. J. Marotta, Guy Hemric & Jean Constantin | 1:46 |
2. | "Luna Caprese" | Georges Gosset & Luigi Ricciardi | 3:22 |
3. | "J'ai rêvé" | Bobby Darin & Georges Aber | 2:30 |
4. | "La chanson d'Orphée" (Manha De Carnaval) | Antônio Maria, François Llenas, Luiz Bonfá & Marcel Camus | 2:50 |
5. | "Elle, lui et l'autre" | Albert Beach, Guy Wood & René Rouzaud | 2:38 |
Total length: | 25:57 |
Iolanda Cristina Gigliotti, professionally known as Dalida, was a French singer and actress, born in Egypt to Italian parents. Leading an international career, Dalida has sold over 140 million records worldwide. Her best known songs are "Bambino", "Gondolier", "Les enfants du Pirée", "Le temps des fleurs", "Darla dirladada", "J'attendrai", "Le jour où la pluie viendra", "Gigi l'amoroso", "Salama ya salama", and "Paroles, paroles" featuring spoken word by Alain Delon.
João Gilberto was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called the "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" . In 1965, the album Getz/Gilberto was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. Nominated at the Grammy 1978 in the category Best Jazz Vocal Performance, album Amoroso, and winner category in Grammy 2001 with João voz e violão Best World Music Album.
Henri Salvador was a French Caribbean comedian, singer and cabaret artist.
Son nom est Dalida is the debut studio album by French vocalist Dalida. It was released in December 1956 through Barclay Records.
"Parole parole" is a duet song originally performed by Italian singer Mina and actor Alberto Lupo. It was released in April 1972, by PDU and later was included on Minas's twenty-first studio album Cinquemilaquarantatre (1972). The song was written by Gianni Ferrio, Leo Chiosso and Giancarlo Del Re.
Gondolier is the third French language studio album by French singer Dalida. The album contains Dalida's second #1 hit, the famous exotical Gondolier. The album contains other minor hits such as "Buenas noches mi amor", "Histoire d'un amour" and the pop-rock oriented "Le jour où la pluie viendra".
"Love in Portofino" is a 1958 song by Italian writing duo Chiosso-Buscaglione, first sung by the latter one. Picked up by French singer Dalida the next year, she recorded it with additional lyrics written by Jacques Larue. Her version achieved sales success in the European market, spawning dozens of covers. Embraced by musical intellectuals as masterpiece of Dalida's early repertoire of 1950s, it eventually became the symbolic song for Portofino, to which it is referring.
"Paroles, paroles" is a song by French singer Dalida featuring French actor Alain Delon. It was released on 17 January 1973 as the lead single from her upcoming album Julien (1973). Lyrics describe the conversation of a man offering a woman caramels, bonbons et chocolat followed with shower of compliments, to what she says they mean nothing to her because they are just paroles – empty words. The song achieved big success in France and internationally, especially in Japan and Mexico, becoming one of the most recognizable French songs of all time. The first music video was released in 2019, over 46 years after the songs's release.
Le temps des fleurs is the twenty-first studio album by French singer Dalida. Named after the title song, it was first released in 1968 and became her penultimate album to be released under Barclay Records.
This album of Dalida coincided with several changes in her career: the 1970s were coming, her label was no longer Barclay Records but her brother Orlando's International Shows, and she was also changing her style to a more mature adult contemporary music. The success of this album is the proof, exemplified by the Greek folkloric summer hit "Darla dirladada", "Ils ont changé ma chanson," and "Lady d'Arbanville".
"Why" is a hit song recorded by Frankie Avalon in 1959. It reached No. 1 on the U.S. Billboard Hot 100 chart published on the week of December 28, 1959. It was Avalon's second and final No. 1 hit.
"Bambino" is a song recorded by French singer Dalida that became her first major hit. It was first released on 28 October 1956 as title song of her third EP, prior to her debut album Son nom est Dalida. Bambino spent 45 weeks atop the French song charts, becoming the longest-running number one song in world history.
"Manhã de Carnaval", often referred to as "Black Orpheus", is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria.
"Piove " is a song with music composed by Domenico Modugno and Italian lyrics written by Eduardo Verde. It won first prize at the 1959 Sanremo Music Festival, where it was performed by both Modugno and Johnny Dorelli. It represented Italy in the Eurovision Song Contest 1959 held in Cannes, performed by Modugno and placing sixth.
"The Way of Love" is a song written by Jacques ("Jack") Dieval, with English lyrics by Al Stillman. It was originally a 1960 French song titled "J'ai le mal de toi", and it was first recorded in English by Kathy Kirby in 1965. The best-known English version was by Cher whose recording reached No. 7 in the US.
"Le temps des fleurs" is a song by French singer Dalida for her twenty-first studio album of the same name. While the French lyrics were written by Eddy Marnay, the melody was taken from Russian romance song "Dorogoi dlinnoyu", composed by Boris Fomin in 1924. Dalida covered the song after Mary Hopkin had a hit with her English version "Those Were the Days" one month earlier.
The repertoire of the Italian-French singer Dalida includes no less than 700 songs that have led her to record in 11 languages.
"Gigi l'amoroso" is a song recorded by French singer Dalida. It was written by Michaële, Lana and Paul Sebastian. The song was released as a single in January 1974 with the song "Il venait d'avoir 18 ans" on the B-side.
"The Day the Rains Came" or "Am Tag als der Regen kam" or "La pioggia cadrà" is an adaptation of the French song "Le jour où la pluie viendra". The latter is a popular song released in 1957, composed and written by Gilbert Bécaud and Pierre Delanoë.
"Dans la ville endormie" is a French language song recorded by singer Dalida, first released on EP during summer of 1968. It is the product of Dalida's collaboration with composer William Sheller with whom she worked on Le temps des fleurs, her album released later that year. English language cover "My year is a day" by Les Irrésistibles achieved success several months later.