Songs For The Terrestrially Challenged | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1995 | |||
Recorded | August 2–6, 1993 | |||
Genre | Indie rock | |||
Length | 74:50 | |||
Label | Scat Records SCAT 39 [1] | |||
Speaking Canaries chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Songs For The Terrestrially Challenged is an album by Pittsburgh's The(e) Speaking Canaries, released in 1995. [3] [4] [5] It is the first Speaking Canaries album to be released on compact disc, and the first to see worldwide distribution; therefore, it has often been erroneously attributed as The(e) Speaking Canaries' debut album. (The Joy of Wine, the band's actual debut, was a vinyl-only release on a small label and was limited to five hundred copies.) Songs For The Terrestrially Challenged is notable for its long songs, its long total running time, and its multiple album versions.
Songs For The Terrestrially Challenged includes two Van Halen covers: "Girl Gone Bad" and "Secrets". ("Summer's Empty Resolution", a harmonics-drenched solo for acoustic guitar, is vaguely reminiscent of Eddie Van Halen's "Spanish Fly".)[ citation needed ]
The Chicago Reader called the album one of 1995's "most passionate records," writing that "the Canaries don't play at being a rock band; they're the real thing. They throw themselves into their music with complete ferocity, whipping up an aural maelstrom on their new album that's comparable with the Who's legendary Live at Leeds." [6] Trouser Press wrote that the album "boasts some emphatically mesmerizing moments: [Damon] Che unskeins some of the more fetching controlled feedback explorations you’re likely to hear, especially 'Summer’s Empty Resolution' and the Middle Eastern-tinged 'Famous No Space'." [7] The Chicago Tribune called it "a slew of great tunes delivered with white-hot, Stooges-style intensity." [8] CMJ New Music Monthly wrote: "The depth and breath of this record is remarkable; listening can be work, and each time reveals new aural tricks." [9]
An alternate, lower-fidelity recording of Songs For The Terrestrially Challenged was released by Mind Cure Records in 1995, roughly concurrent with the release of the "hi-fi version" on Scat Records. [7] The "low-fi version" is available only as a double LP in a limited, numbered edition of five hundred copies with the first 100 on yellow vinyl. Each copy has liner notes handwritten by Dave Martin of Mind Cure Records and 3x5" photographic prints glued inside the gatefold record sleeve.
Van Halen was an American rock band formed in Pasadena, California, in 1973. Credited with "restoring hard rock to the forefront of the music scene", Van Halen was known for its energetic live shows and for the virtuosity of its lead guitarist, Eddie Van Halen. The band was inducted into the Rock and Roll Hall of Fame in 2007.
Don Caballero was an American instrumental rock band from Pittsburgh, Pennsylvania.
Nothing Painted Blue was an American indie rock band led by songwriter Franklin Bruno since the 1990s. Bruno and drummer Kyle Brodie have been the only constant members as the remainder of the line-up has undergone a number of changes throughout the band's existence. They formed in 1987 in Los Angeles and released their debut LP, A Baby, A Blanket, A Packet of Seeds, in 1990. Bruno and Brodie were previously in the band Born Leaders.
Dreamtime is the ninth studio album by the Stranglers, released in 1986 by Epic Records. The title track was inspired by a belief of the aboriginal peoples of Australia called Dreamtime.
Damon Che is a rock drummer and guitarist. He has contributed to indie rock and progressive rock through his work with math rock pioneers Don Caballero since 1991. His style is heavily influenced by metal, hard rock, punk, jazz, and fusion.
Douglas Scott Gillard is an American guitarist and songwriter. He has been a member of major indie pop and punk bands, most notably Guided by Voices, Nada Surf, Bambi Kino, Death of Samantha, and Cobra Verde.
The Speaking Canaries are an indie rock group from Pittsburgh, Pennsylvania. They are known for being Don Caballero drummer Damon Che's "other band", and for their unabashed love of the kind of 1970s and '80s hard rock purveyed by bands such as KISS and Rush -- indeed, the Canaries' second album Songs for the Terrestrially Challenged features covers of two Van Halen songs.
"Dreams" is a song by Van Halen released in 1986 from the album 5150. It was the second single from that album, and it reached number 22 on the Billboard Hot 100 chart that year. It was released in 7" and 12" single formats. The 7" single features the album version, while the 12" features a slightly extended one. Nine years after its original release, "Dreams" introduced the band to a new generation of fans when it appeared in Mighty Morphin Power Rangers: The Movie and on its soundtrack album.
Get Out Alive: The Last Type Story is the fourth album from The Speaking Canaries, a Pittsburgh-based indie rock band.
Challenge for a Civilized Society is the sixth studio album by the American post-hardcore band Unwound, released on January 13, 1998 by Kill Rock Stars. It was produced by Steve Fisk and recorded from August 1, 1997, to August 15, 1997, at John and Stu's in Seattle, Washington. The album received positive reviews from critics.
Beyond The Valley... is an album by pop-punk band The Queers. It was released in 2000 via Hopeless Records.
Ten Years After is Tommy Keene's fourth studio album, released in 1996. It was his first for Matador Records.
Dirt Track Date is an album by Southern Culture on the Skids, released in 1995. It was the band's first album for DGC Records. The band attracted some attention with the release of the song "Camel Walk".
Aural Guerrilla is the 1988 studio album by Dutch anarchist post-punk band The Ex, co-released by American indie label Homestead Records.
Calling Over Time is the debut album of Edith Frost, released in 1997 through Drag City.
Egomania (Love Songs) is the second album by Cobra Verde, released in 1997 through Scat Records.
Trenchmouth vs. The Light of the Sun is the third studio album by American rock band Trenchmouth, released in January 1995 by EastWest Records, becoming the band's only album on a major label. Disillusioned with how they felt they did not have a place in the scene and time period they shared with bands such as Fugazi, Nation of Ulysses and Jawbox, Trenchmouth decided to change directions and recorded the album with producer and mixer Brad Wood in July 1994. The aggressive and eclectic album combines influences and styles of noise rock, post-punk, no wave, dub, ska and jazz.
Slo-Blo is the debut album by the American alternative rock band Cell. It was released in 1993 by DGC Records; the band had been signed by Thurston Moore. The album was first issued by City Slang, in 1992.
Auscultate is the debut album by the Swedish alternative rock band Salt. Island Records released the album in the United States in 1996.
Let It Come Down is the third and final studio album by American alternative rock band St. Johnny.