5150 is the seventh studio album by American rock band Van Halen. It was released on March 24, 1986, by Warner Bros. Records and was the first of four albums to be recorded with lead singer Sammy Hagar, who replaced David Lee Roth. The album was named after Eddie Van Halen's home studio, 5150, in turn named after a California law enforcement term for a mentally disturbed person. The album hit number 1 on the Billboard 200 chart, surpassing the band's previous album, 1984, which had peaked at number 2 behind Michael Jackson's Thriller album, on which Eddie made a guest appearance.
Sam Roy Hagar, also known as the Red Rocker, is an American singer, songwriter, and guitarist. He rose to prominence in the early 1970s with the hard rock band Montrose before launching a successful solo career, scoring a hit in 1984 with "I Can't Drive 55". He enjoyed further commercial success when he replaced David Lee Roth as the lead vocalist of Van Halen in 1985, but left in 1996. He returned to the band from 2003 to 2005. In 2007, Hagar was inducted into the Rock and Roll Hall of Fame as a member of Van Halen. His musical style primarily consists of hard rock and heavy metal.
OU812 is the eighth studio album by American rock band Van Halen. It was released in 1988 and is the band's second album to feature vocalist Sammy Hagar. Van Halen began work on the album in September 1987 and completed it in April 1988, one month before its release.
For Unlawful Carnal Knowledge is the ninth studio album by American rock band Van Halen. It was released on June 17, 1991, on Warner Bros. Records and is the third to feature vocalist Sammy Hagar. It debuted at number 1 on the Billboard 200 album chart and maintained the position for three consecutive weeks. The album marked a record in the band's history, seeing seven of its eleven tracks released as singles.
The Best of Both Worlds is the second greatest hits album by American rock band Van Halen, released on July 20, 2004, on Warner Bros. The compilation features material recorded with lead vocalists David Lee Roth and Sammy Hagar, but omits Gary Cherone's three-year tenure with the band. Prior to The Best of Both Worlds's release, Hagar reunited with Van Halen, and the band recorded three new tracks to include on the release.
Best Of – Volume I is the first greatest hits album by American hard rock band Van Halen, released on October 22, 1996.
The Rose is the soundtrack to the feature film of the same name starring Bette Midler which was released in 1979.
Dedication is an album by the Bay City Rollers, issued in September 1976. It was the band's fourth original studio album, and the first new album to be released in the wake of their enormous worldwide success of early 1976.
VOA is the eighth studio album by American rock musician Sammy Hagar, released on July 23, 1984, by Geffen Records.
Standing Hampton is the sixth studio album by American rock vocalist Sammy Hagar, released on January 6, 1982, by Geffen. This is his first album after moving from Capitol Records to Geffen. It was his first album to achieve RIAA certification, eventually going platinum, and five of its singles charted in either the mainstream rock or pop singles charts.
Three Lock Box is the seventh studio album by the American rock vocalist Sammy Hagar, released on December 6, 1982 by Geffen Records. This album has appearances by Loverboy's Mike Reno, Journey's Jonathan Cain and Mr. Mister's Richard Page. It peaked at number 17 on the Billboard 200 album charts on April 9, 1983. His only top 20 solo hit, "Your Love Is Driving Me Crazy", reached #13 on the Billboard Hot 100 in 1983 and #3 on the Billboard Mainstream Rock songs chart.
Street Machine is the fourth studio album by American rock vocalist Sammy Hagar, released in 1979 by Capitol Records. The album peaked at number 71 on the Billboard 200 album charts on October 20, 1979.
I Never Said Goodbye is the ninth studio album by American rock musician Sammy Hagar, released on June 23, 1987, by Geffen Records. It was his first solo album since 1984's VOA, released while he was a member of Van Halen. The album was recorded in ten days under a contractual obligation to Geffen Records as a condition of his leaving the company to join Van Halen and their record label, Warner Bros. Records. The album spent 23 weeks on the Billboard 200 chart and became his highest charting solo album, peaking at number 14 on August 15, 1987.
Contagious is the eighth studio album by American heavy metal band Y&T, released in 1987 through Geffen Records, which, like their previous label A&M Records, is now a subsidiary of Interscope Records. It is the first Y&T studio album to feature a different line up since their debut album, with Jimmy DeGrasso replacing Leonard Haze on drums after he left the band in 1986.
Chickenfoot is the debut studio album by the American hard rock band of the same name, released on June 5, 2009 in Europe and the US. The first pressing of the album was packaged with exclusive "heat sensitive" artwork that revealed an image when touched or exposed to heat above 84 degrees Fahrenheit.
Sammy Hagar & Friends is the sixteenth studio album by American hard rock musician Sammy Hagar, released on September 24, 2013, by Frontiers Records.
At Your Service is the debut live album by hard rock supergroup Sammy Hagar and the Circle, released on May 19, 2015. It includes music originally recorded by Montrose, Van Halen, Sammy Hagar and The Waboritas, and Led Zeppelin.
Sammy Hagar and the Circle is a rock supergroup band originally formed in Miami in 2014, consisting of vocalist Sammy Hagar, bassist Michael Anthony, drummer Jason Bonham and guitarist Vic Johnson. The group released a live album called At Your Service on 19 May 2015, and a live DVD of the same name in December of that same year.
The Space Between the Shadows is the third studio album from American musician Scott Stapp, released by Napalm Records on July 19, 2019. "Purpose for Pain" serves as the lead single.
Crazy Times is a 2022 studio album by hard rock supergroup Sammy Hagar and the Circle. The album follows 2021's covers album Lockdown 2020 and continues themes related to the confusion and historic nature of the COVID-19 pandemic, as well as critiques of corporate greed and reflections on aging.
