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Beginning of the End is a 1957 American science fiction film produced and directed by Bert I. Gordon. It stars Peter Graves, Peggie Castle, and Morris Ankrum. An agricultural scientist, played by Graves, successfully grows gigantic vegetables using radiation. Unfortunately, the vegetables are eaten by locusts, which quickly grow to a gigantic size and attack the nearby city of Chicago. Beginning of the End is generally known for its "atrocious" special effects, "and yet," writes reviewer Bill Warren, "there is something almost compellingly watchable about this goofy little movie".
It Came from Outer Space is a 1953 American science fiction horror film, the first in the 3D process from Universal-International. It was produced by William Alland and directed by Jack Arnold. The film stars Richard Carlson and Barbara Rush, and features Charles Drake, Joe Sawyer, and Russell Johnson. The script is based on Ray Bradbury's original film treatment "The Meteor" and not, as sometimes claimed, a published short story.
Earth vs. the Flying Saucers is a 1956 American science fiction film from Columbia Pictures. It was produced by Charles H. Schneer, directed by Fred F. Sears, and stars Hugh Marlowe and Joan Taylor. The stop-motion animation special effects were created by Ray Harryhausen. The storyline was suggested by the bestselling 1953 non-fiction book Flying Saucers from Outer Space by Maj. Donald Keyhoe. The film was released as a double feature with The Werewolf.
I Married a Monster from Outer Space is a 1958 American horror science fiction film from Paramount Pictures, produced and directed by Gene Fowler Jr., that stars Tom Tryon and Gloria Talbott. Paramount released the film as a double feature with The Blob.
A science fiction Western is a subgenre or cross-genre that uses traditional Western plots and settings, while incorporating science fiction elements such as futuristic technology or aliens. The post-apocalyptic Western and steampunk Western fall within this subgenre.
Weird West, also known as Weird Western, is a term used for the hybrid genres of fantasy Western, horror Western and science fiction Western. The term originated with DC's Weird Western Tales in 1972, but the idea is older as the genres have been blended since the 1930s, possibly earlier, in B-movie Westerns, comic books, movie serials and pulp magazines. Individually, the hybrid genres combine elements of the Western genre with those of fantasy, horror and science fiction respectively.
Space Western is a subgenre of science fiction that uses the themes and tropes of Westerns within science-fiction stories in an outer space setting. Subtle influences may include exploration of new, lawless frontiers, while more overt influences may feature actual cowboys in outer space who use rayguns and ride robotic horses. Although initially popular, a strong backlash against perceived hack writing caused the genre to become a subtler influence until the 1980s, when it regained popularity. A further critical reappraisal occurred during the 2000s due to critical acclaim for Firefly.
The Cape Canaveral Monsters is a 1960 independent American black-and-white science-fiction film, produced by Lionel Dichter and Richard Greer, and written and directed by Phil Tucker. It stars Katherine Victor, Jason Johnson, Scott Peters and Linda Connell, Though planned as a theatrical feature, it was ultimately released directly to television. The movies deals with two extraterrestrials who have come to earth to "transmit" healthy, living humans, especially women, back to their home planet and to disrupt rockets launched from Cape Canaveral. It was made shortly before the start of the USA's crewed space program and has been categorized by a reviewer as a later entry in the "reds-under-the-beds," fear-of-communism films that were often part of sci-fi during the 1950s
Comedy horror, also known as horror comedy, is a literary, television, and film genre that combines elements of comedy and horror fiction. Comedy horror has been described as able to be categorized under three types: "black comedy, parody and spoof." It often crosses over with the black comedy genre. Comedy horror can also parody or subtly spoof horror clichés as its main source of humour or use those elements to take a story in a different direction. Examples of comedy horror films include Abbott and Costello Meet Frankenstein (1948), An American Werewolf in London (1981), the Evil Dead franchise (1981–present), Gremlins (1984), Shaun of the Dead (2004), and The Cabin in the Woods (2011).
The Astounding She-Monster is a 1958 science fiction horror film starring Robert Clarke and directed, co-written and produced by Ronnie Ashcroft for Hollywood International Productions. The film focuses on a geologist, a gang which has kidnapped a rich heiress, and their encounter with a beautiful but deadly femae alien who has crashed to Earth. In the UK, it was released as The Mysterious Invader. The film was released in American theaters on January 26, 1958 by American International Pictures on a double feature with Roger Corman's The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent.
The Man from Planet X is a 1951 independently made American black-and-white science fiction horror film, produced by Jack Pollexfen and Aubrey Wisberg, directed by Edgar G. Ulmer, that stars Robert Clarke, Margaret Field, and William Schallert. The film was distributed by United Artists.
The Unknown Terror is a 1957 widescreen American horror science fiction film directed by Charles Marquis Warren and starring John Howard, Mala Powers, Paul Richards and May Wynn. It was produced by Robert Stabler. The narrative follows a group of explorers who, while searching for a missing man, come across the "Cave of the Dead", filled with parasitic fungi and inhabited by foamy, fungus-covered monster men. The film was released theatrically in the US in August 1957 on a double bill with Back from the Dead.
The Beast with a Million Eyes is a 1955 independently made American black-and-white science fiction film, produced and directed by David Kramarsky, that stars Paul Birch, Lorna Thayer, and Dona Cole. Some film sources have said that the film was co-directed by Lou Place. The film was co-produced by Roger Corman and Samuel Z. Arkoff. and was released by American Releasing Corporation, which later became American International Pictures.
Jeannine Brooke Riley is an American actress.
12 to the Moon is a 1960 independently made American black-and-white science fiction film, produced and written by Fred Gebhardt, directed by David Bradley and starring Ken Clark, Michi Kobi, Tom Conway and Anna-Lisa. The film was distributed in the U.S. by Columbia Pictures as a double feature with either Battle in Outer Space or 13 Ghosts, depending on the local film market.
Invisible Invaders is a 1959 American science fiction film starring John Agar, Jean Byron, John Carradine and Philip Tonge. It was produced by Robert E. Kent, directed by Edward L. Cahn and written by Samuel Newman.
Mutiny in Outer Space is a 1965 black-and-white independent American science fiction film, written, produced, and directed by Hugo Grimaldi and Arthur C. Pierce, although Pierce was not credited as directing. It stars William Leslie, Dolores Faith, Pamela Curran, and Richard Garland.
A horror game is a video game genre centered on horror fiction and typically designed to scare the player. The term may also be used to describe tabletop games with horror fiction elements.
References
- ↑ "Larsen, Kristine (2024) ""Hell is only a word. The reality is much, much worse": Black Holes as Fantasy Gateways to Hell". Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature. 42 (2).
- 1 2 Brittany, Michele, ed. (2017). "Introduction". Horror in Space: Critical Essays on a Film Subgenre. Jefferson, NC: McFarland & Company, Inc. Publishers. p. 2. ISBN 978-1-4766-6405-7.
- ↑ Riley, Jenelle (14 August 2020). "10 Best Space Horror Movies". Variety .
- ↑ Schlag, Juliane (2017). "Out of Space-Out of Time. Looking at the Factors of Time in Space Horror Movies". In Brittany, Michele (ed.). Horror in Space: Critical Essays on a Film Subgenre. Jefferson, NC: McFarland & Company, Inc. Publishers. p. 96. ISBN 978-1-4766-6405-7.
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