Specimens of Beauty | |
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Directed by | Danny Clinch |
Starring | Phish |
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Running time | 26 min |
Specimens of Beauty is a 26-minute documentary about the rock band Phish recording their 2004 album Undermind . Directed by famed photographer Danny Clinch, the film shows the techniques used by the band and album producer Tchad Blake, as Phish records what was to be their final album. [1] [2]
Recorded at Trey Anastasio's recording studio, The Barn, outside Burlington, Vermont, the documentary features Phish in numerous takes of the Undermind track "Crowd Control." [1] [2]
Specimens of Beauty was included with early copies of Undermind on a bonus DVD. [1] [2]
Phish is an American rock band formed in Burlington, Vermont, in 1983. The band consists of guitarist Trey Anastasio, bassist Mike Gordon, drummer Jon Fishman, and keyboardist Page McConnell, all of whom perform vocals, with Anastasio being the lead vocalist. The band is known for their musical improvisation and jams during their concert performances and for their devoted fan following.
Ernest Joseph "Trey" Anastasio III is an American guitarist, composer, and singer-songwriter best known as the lead guitarist of the rock band Phish, which he co-founded in 1983. He is credited by name as composer of 152 Phish original songs, 141 of them as a solo credit, in addition to 41 credits attributed to the band as a whole.
Billy Breathes is the sixth studio album by American rock band Phish, released by Elektra Records on October 15, 1996. The album was credited with connecting the band, known for its jam band concerts and devoted cult following, with a more mainstream audience. The first single, "Free", was the band's most successful song on two Billboard rock charts, peaking at #11 on the Billboard Mainstream Rock Tracks Chart and at #24 on the Billboard Modern Rock Tracks Chart. The album itself became the band's highest-charting album on the Billboard 200, where it peaked at number seven.
Hampton Comes Alive is a six-disc live album by the American rock band Phish, released on November 23, 1999, by Elektra Records. It is the band's third live album and the first time complete live Phish concerts were released in their entirety. Hampton Comes Alive consists of two full concerts recorded on November 20 and 21, 1998, at the Hampton Coliseum in Hampton, Virginia. The album title is a play on Peter Frampton's classic live album Frampton Comes Alive!.
Undermind is the eleventh studio album by American rock band Phish, released on June 15, 2004 by Elektra Records. The album was the group's last release before they disbanded in August 2004. It is also their final studio release for Elektra Records ; When the band reunited in 2009, their subsequent albums would be released through their own JEMP Records label which had launched in December 2005 for live releases.
Rift is the fourth studio album by the American rock band Phish, released on February 2, 1993, by Elektra Records. It is a concept album, detailing the experience of a man dreaming about the rift in his relationship with his girlfriend. Rift was recorded in September and October 1992 and produced by Barry Beckett. Rift was certified gold by the RIAA on October 15, 1997.
The Story of the Ghost is the seventh studio album by American rock band Phish, released by Elektra Records on October 27, 1998. The album features an emphasis on the jazz-funk influenced "cow-funk" style, which the group had been experimenting with in concert throughout 1997 and 1998. The album's first single was "Birds of a Feather", which was a Top 20 hit on Billboard magazine's Adult Alternative Songs chart. The album's cover was painted by visual artist George Condo.
Farmhouse is the ninth studio album by the American rock band Phish. The album was released on May 16, 2000, by Elektra Records. Farmhouse was the last Phish studio album before their two-year hiatus between October 2000 and December 2002.
Live Phish Vol. 2 was recorded live on July 16, 1994, and was released on September 18, 2001, as part of the Live Phish Series. The show was performed on the side of a ski slope at the Sugarbush Resort in the town of North Fayston, located in Phish's home state of Vermont. It was the final concert of the band's highly successful 1994 summer tour. Earlier in the year, the band had released its highest selling album to date (Hoist) and the size of the Phish audience had expanded greatly by the summer. The Sugarbush concert, which included overnight camping on the ski slope under the stars, was slated as the grand finale of the tour.
Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging:
Live Phish Vol. 5 is a live album by American rock band Phish, which was recorded live at Alpine Valley in East Troy, Wisconsin, a small town that is located 40 miles (64 km) southwest of Milwaukee, Wisconsin, on July 8, 2000.
"Down with Disease" is a 1994 song by American band Phish. It is the second track from their 1994 album Hoist and was released as their fifth promotional single by Elektra Records. The song is a funk rock song written by Phish guitarist and lead vocalist Trey Anastasio and lyricist Tom Marshall. The song's lyrics were based on a bout with infectious mononucleosis suffered by Marshall.
Live in Brooklyn is the name of a concert DVD and CD released on July 11, 2006, by the rock band Phish. Performed on June 17, 2004, at the minor league baseball field KeySpan Park in Brooklyn, New York, it was the opening night of what was then intended as the band's final tour. The concert was originally recorded for a simulcast in movie theatres. The concert features the debuts of "A Song I Heard the Ocean Sing" and "Nothing", both of which recorded on their most recent album, "Undermind". Also, "Dinner and a Movie" and "The Curtain With" had not been played since their Las Vegas 2000 run shortly before their hiatus.
Headphones Jam is an in-studio improvisational jam session by the American rock band Phish, recorded during sessions for the band's 2004 album Undermind.
Joy is the twelfth studio album by the American rock band Phish, released on September 8, 2009, on the band's own label, JEMP Records.
"Chalk Dust Torture" is a 1992 song by the American band Phish. It is the thirteenth track from their 1992 album A Picture of Nectar and was also released as their first promotional single by Elektra Records. The song is a riff-based, fast-paced rock song written by Phish guitarist and lead vocalist Trey Anastasio and lyricist Tom Marshall. The studio recording features a lowered pitch effect on Anastasio's lead vocal, and in order to accommodate the lower pitch, the song's typical key of E was dropped to Eb. "Chalk Dust Torture" was the band's first song to receive significant radio airplay, peaking at No. 53 on the Radio & Records Album-oriented rock chart in 1992.
"Fast Enough for You" is a 1993 song by the American band Phish. It is the second track from their 1993 concept album Rift and was released as their third promotional single by Elektra Records. The song is a slow-tempo ballad written by Phish guitarist and lead vocalist Trey Anastasio and lyricist Tom Marshall. The studio recording features a pedal steel guitar performed by Gordon Stone.
In "Fast Enough for You," Tom Marshall (lyricist) supposes that we wouldn’t burden each other as we do with weighty expectations and needs unmet, and things would be a whole lot happier. But that’
Live Phish 10.31.90 is an archival live album release by the American rock band Phish. The show was originally webcast on October 10, 1999. It was also released in MP3 format in 1999 through eMusic, making it the first archival recording released officially online. The show was later made available when Phish launched its LivePhish website and is currently available exclusively through that site. This archival release is also believed to have been the first ever commercial download release of a full, live concert by any band.
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Ghosts of the Forest is the debut album by the band of the same name, a side project led by Phish guitarist Trey Anastasio. The album was released on April 12, 2019 on vinyl and streaming services only.