Stanford Harmonics  | |
|---|---|
|   Stanford Harmonics, January 2025  | |
| Background information | |
| Origin | Stanford, California, USA | 
| Genres | A cappella | 
| Years active | 1991–present | 
| Website |  www | 
The Stanford Harmonics are a co-ed a cappella group from Stanford University. Known for their alternative rock repertoire and award-winning recordings, the Harmonics have garnered international recognition for their performances and have been featured on BOCA, Sing, and Voices Only a cappella compilations. The Harmonics are one of the few collegiate a cappella groups that own their own wireless microphone equipment[ citation needed ] and have developed a live performance style that includes the use of electronic distortion and sound effects.
The group's third release, Insanity Laughs (1999), was received as a "breakthrough album" for the unprecedented mixing of its drum-like vocal percussion. [1]
In 2009, their landmark studio album, Escape Velocity, won three Contemporary A Cappella Recording Awards, including Best Mixed Collegiate Album, [2] and was selected by the Recorded A Cappella Review Board as one of their Picks of the Decade. [3]
In 2010, the Harmonics won the A Cappella Community Awards for Favorite Mixed Collegiate Group and Favorite Scholastic Album. [4]
In 2020, the album Signal Lost by the Harmonics won Best Rock Album from the Contemporary A Cappella Recording Awards.
Their newest album, titled Event Horizon, a concept album centered around grief, was released in August 2025.
The Stanford Harmonics have released eleven full-length albums, one "greatest hits" album, and one extended play, alongside numerous singles.
| Year | Award | Category | Nominee(s) | Result | Ref. | 
|---|---|---|---|---|---|
| 1998 | Contemporary A Cappella Recording Awards | Best Mixed Collegiate Album | Escalator Music | Nominated | [5] | 
| 2000 | Contemporary A Cappella Recording Awards | Best Mixed Collegiate Album | Insanity Laughs | Nominated | [6] | 
| Best Mixed Collegiate Arrangement | Jonathan Pilat | Nominated | |||
| 2002 | Contemporary A Cappella Recording Awards | Best Mixed Collegiate Album | Phonoshop | Nominated | [7] | 
| Best Mixed Collegiate Arrangement | Jonathan Pilat for "We Are In Love" | Runner-up  | [8] | ||
| 2004 | Contemporary A Cappella Recording Awards | Best Mixed Collegiate Song | "Lady Marmalade" from Rock Beats Scissors | Runner-up  | [9] | 
| 2006 | Contemporary A Cappella Recording Awards | Best Mixed Collegiate Album | Shadowplay | Nominated | [10] | 
| Best Mixed Collegiate Solo | Bryan Tan for "The Memory Remains" | Nominated | |||
| 2009 | Contemporary A Cappella Recording Awards | Best Mixed Collegiate Album | Escape Velocity | Won | [2] | 
| Best Mixed Collegiate Song | "The Sound of Silence" | Won | |||
| Best Mixed Collegiate Arrangement [a] | Charlie Forkish for "The Sound of Silence" | Won | |||
| Charlie Forkish for "Imagination" | Runner-up  | ||||
| 2010 | Contemporary A Cappella Recording Awards | Best Mixed Collegiate Song | "Spiel Met Mir" from Sing Six: Sunny Side Up | Nominated | [11] | 
| 2014 | Contemporary A Cappella Recording Awards | Best Mixed Collegiate Album | Midnight Hour | Nominated | [12] | 
| Best Mixed Collegiate Song | "Somebody to Love" | Nominated | |||
| Best Mixed Collegiate Arrangement | Evan Smith for "Somebody to Love" | Nominated | |||
| 2018 | Contemporary A Cappella Recording Awards | Best Electronic / Experimental Album | Fault of Imagination | Nominated | [13] | 
| 2020 | Contemporary A Cappella Recording Awards | Best Rock Album | Signal Lost | Won | [14] | 
| Best Rock Song | "Zombie" from Signal Lost | Nominated | [15] | ||
| Best Mixed Collegiate Album | Signal Lost | Nominated | |||
| 2022 | Contemporary A Cappella Recording Awards | Best Mixed Voices Collegiate Solo | Mitchell Zimmerman for "Ever After" (Single) | Nominated | [16] | 
| 2022 | Best of College A Cappella | Featured Single ‘Bad Liar’ | Single | Won | [17] | 
The International Championship of Collegiate A Cappella (ICCA) first judged live a cappella performance competitions in 1996.
| Year | Level | Category | Recipient(s) | Result | Points | Citation | 
|---|---|---|---|---|---|---|
| 1996 | West Region Semifinal | Best Solo | Zareen Poonen for "Change in My Life' | Runner-up  | N/A  | |
| 2000 | West Region Quarterfinal #1 | Best Group | Harmonics | 2nd  | —  | |
| 2002 | West Region Quarterfinal #2 | Best Soloist | Morgan Reed | Runner-up (tie)  | N/A  | |
| Best Arrangement | Jon Pilat for "Lady Marmalade" | Runner-up (tie)  | N/A  | |||
| 2003 | West Region Quarterfinal #3 | Best Group | Harmonics | 3rd  | —  | |
| Best Arrangement | Marcella White Campbell for "Porcelain" | Won  | N/A  | |||
| 2004 | West Region Quarterfinal #1 | Outstanding Vocal Percussion | Ben D'Angelo and Daniel Hobert | won  | N/A  | |
| 2021 | West Region Quarterfinal #3 | Best Group | Harmonics | 3rd  | 312  | 
This section needs additional citations for verification .(November 2019)  | 
The breakthrough album, he says, was the 1999 Stanford Harmonics disc, Insanity Laughs. 'That's when vocal percussion really started to sound more like a drum set than vocals,' Bill says.