Authors | Jacqueline Lichtenberg, Sondra Marshak and Joan Winston |
---|---|
Cover artist | Lou Feck, Mitchell Hooks |
Country | United States |
Language | English |
Subject | Star Trek fandom |
Publisher | Bantam Books Y2151 |
Publication date | July 1975 |
Media type | Print (Paperback) |
Pages | 274 |
OCLC | 780195418 |
791.457 | |
LC Class | PN1992.77.S73 L5 |
First edition/printing was not assigned an ISBN. |
Star Trek Lives! is a 1975 book, co-written by Jacqueline Lichtenberg, Sondra Marshak, and Joan Winston, which explored the relationship between the Star Trek television series and the fandom that emerged following the series' cancellation. It was published by Bantam Books.
The book is among the earliest publications to discuss Star Trek convention culture, fan clubs, and fanzines. The ninth chapter contains an essay by Lichtenberg and Marshak on the fan fiction.
Jacqueline Lichtenberg, a professionally published author whose Kraith fan fiction was regularly published by fanzines, explored the possibility of selling an article, or series of articles, to newspapers concerning the growing Star Trek fandom. [1] She began research in late 1971. While building a directory of Star Trek fan clubs, their activities, and the growing number of fan published newsletters, and fanzines, she realized there was more potential for a reference book on the subject than a newspaper article. [2]
Science fiction fanzines had been published with some frequency prior to Star Trek; however, their format was focused on non-fiction articles and research, and letters from fans. Early Star Trek fanzines were similar, but many were also anthologizing fan fiction, some of which Lichtenberg believed was comparable to the television series. [1]
A query package was assembled by Lichtenberg, and shared with publishers. However, the query was rejected by all, including by Frederick Pohl at Bantam Books, who were publishing a series episode novelizations by James Blish, and who had also published Blish's original Star Trek novel, Spock Must Die! (1970). Only after James Blish had failed to deliver a new Star Trek novel, did Pohl agree to buy Lichtenberg's book without having seen a draft. [3] [4] Lichtenberg recruited fellow fan writer Sondra Marshak, and television producer Joan Winston, to help draft the book, and Gene Roddenberry agreed to contribute an introduction. Myrna Culbreath also contributed to some degree. [4] Culbreath's analysis on the Spock character, "The Spock Premise," was cited in the acknowledgements. [5]
According to Lichtenberg, the book took several years to complete. [3] The final draft, delivered to Pohl, had undergone significant changes from the original premise, so the authors were unable to agree on a title. Star Trek Lives!, and the subtitle "Personal Notes and Anecdotes," were chosen by Pohl. [6] Plans to include a comprehensive directory of fan clubs, fanzines, and selections of curated fan fiction were withdrawn, due to length and potential cost. The publication of fan-written fiction evolved into The New Voyages series, edited by Marshak and Culbreath. [4]
Published in July 1975 by Bantam, Star Trek Lives! was a bestseller, and received eight printings between 1975 and 1979. [7] [8]
According to Lichtenberg, the initial reaction among fans was mixed as "they were expecting a history of the fandom." [9] One fan wrote a scathing review in a letter to The Halkan Council (1975), saying they felt cheated since "I would much rather have [read] an analysis of the fans of Star Trek … than of the show itself." [10] Lichtenberg agreed with the reviewer's feelings that many fans felt a true anthropological study of "the fandom [was] rare and invaluable" [10] In subsequent interviews, she admitted that "Star Trek Lives! was not perfect." [9] [11]
Other fans reflected differently on the book. Sue Bursztynski wrote in her review of Harry, A History (2008) that Star Trek Lives! "let me know that this sort of thing was going on, and what kind of activities fans got up to." [12] Patricia Poole said in Fic: Why Fanfiction is Taking Over The World (2014) she was "stunned" to find things she had written "transformed into pages in a real book." [13] Poole had previously corresponded with Lichtenberg on what became known as "the discovery effect." Poole said she was inspired by her experiences at a Detroit-area Star Trek convention.
Gary McGath wrote, in an issue of the MIT student-run editorial Ergo (1975), that Star Trek was far from the perfect "romantic drama," but Star Trek Lives! "does the best job thus far of showing just what the series accomplishes." [14] Likewise, Winston Howlett wrote in an issue of fanzine Probe that readers should not be deterred from "picking up and reading this very well-written[,] and very entertaining book." And that it belongs on every fan's shelf, "for it makes up a large, healthy chunk of the [Star Trek] saga, telling where we've been, where we are now, and where we hope to be going." [15]
Lichtenberg, Marshak and Winston, were named the "foremothers of fanfiction scholarship" by Francesca Coppa in The Fanfiction Reader (2017), due to their work on Star Trek Lives!, and the catalyzing effect the book had on fan scholarship. [16] Edward Gross and Mark A. Altman lauded Star Trek Lives! as a "seminal" work in the first volume of The Fifty Year Mission (2016). [7] In her fandom history Boldly Writing (2003), J. M. Verba credited Star Trek Lives! for increasing "fanzine recognition far beyond the wildest dreams of any editor." [17]
James Benjamin Blish was an American science fiction and fantasy writer. He is best known for his Cities in Flight novels and his series of Star Trek novelizations written with his wife, J. A. Lawrence. His novel A Case of Conscience won the Hugo Award. He is credited with creating the term "gas giant" to refer to large planetary bodies.
Slash fiction is a genre of fan fiction that focuses on romantic or sexual relationships between fictional characters of the same sex. While the term "slash" originally referred only to stories in which male characters are involved in an explicit sexual relationship as a primary plot element, it is now also used to refer to any fan story containing a romantic pairing between same-sex characters. Many fans distinguish slash with female characters as a separate genre, commonly referred to as femslash.
Jacqueline Lichtenberg is an American science fiction author.
Kirk/Spock, commonly abbreviated as K/S or Spirk and referring to James T. Kirk and Spock from Star Trek, is a popular pair in slash fiction, possibly the first slash pairing, according to Henry Jenkins, an early slash fiction scholar. Early in the history of Star Trek fan fiction, a few fan writers started writing about a romantic and sexual relationship between Kirk and Spock, highlighting a romantic or sexual element to the friendship between the men. As of 1998, most academic studies on slash fiction focused on Kirk/Spock, as Star Trek was by that point one of the longest-lived and most prosperous subjects of slash fiction, while its mainstream popularity made it one of the most accessible titles for academics and their audience. As the first slash pairing, K/S was created and developed largely independently from the influence of other slash fiction, with most of the conventions of the slash genre seeing their debut first in K/S slash.
The Kraith stories are a well-known set of early Star Trek fan fiction. The earliest entries were written by Jacqueline Lichtenberg starting in 1969. These continuing through the first few years after the cancellation of the first Star Trek series. The stories are named after the kraith, a goblet or chalice used in the performance of certain Vulcan rituals which feature prominently in several of the stories.
Spock Must Die! is an American science fiction novel written by James Blish, published February 1970 by Bantam Books. It was the first original novel based on the Star Trek television series intended for adult readers. It was preceded by a tie-in comic book line published by Gold Key and the novel Mission to Horatius by Mack Reynolds, all intended for younger readers.
Star Trek: The New Voyages (1976) is an anthology of short fiction based on Star Trek, edited by Sondra Marshak and Myrna Culbreath. Although published professionally, the collected stories were written and submitted by fans. Many of the stories were previously published in fanzines, or collected in fan-published anthologies. The New Voyages was commissioned by Frederik Pohl following his acquisition of Star Trek Lives!, which featured essays on the growing Star Trek fandom, and a chapter on Star Trek fan fiction.
Spock, Messiah! is the second original novel based on television series Star Trek intended for adult readers, written by Theodore R. Cogswell and Charles A. Spano, Jr. It was preceded by Spock Must Die! (1970), and Mission to Horatius (1968). However, Mission was intended for young readers.
The Price of the Phoenix is a science fiction novel by American writers Sondra Marshak and Myrna Culbreath, based upon the 1960s television series Star Trek. It was first published by Bantam Books in 1977, and reissued by Corgi and Titan Books in the UK.
Star Trek: The New Voyages 2 (1978) is an anthology of short fiction based on Star Trek, edited by Sondra Marshak and Myrna Culbreath. The anthology is follow-up to Star Trek: The New Voyages (1976). Jesco von Puttkamer wrote in the anthology's introduction that science fiction, such as Star Trek, humanizes space, making it "more understandable for the young in mind."
In 1966, Bantam Books acquired the license to publish tie-in fiction based on the science fiction television series Star Trek.
Voyages of Imagination: The Star Trek Fiction Companion (2006) is a reference work by Jeff Ayers published by Pocket Books. The book contains entries on the production and publication of Star Trek tie-in novels published from 1967 to 2006. Included are brief synopses of plots for each featured novel.
Fan fiction or fanfiction is fictional writing written in an amateur capacity by fans, unauthorized by, but based on an existing work of fiction. The author uses copyrighted characters, settings, or other intellectual properties from the original creator(s) as a basis for their writing. Fan fiction ranges from a couple of sentences to an entire novel, and fans can retain the creator's characters and settings and/or add their own. It is a form of fan labor. Fan fiction can be based on any fictional subject. Common bases for fan fiction include novels, movies, comics, musical groups, cartoons, anime, manga, and video games.
Joan Winston was an American Trekker who helped organize the first Star Trek fan convention and became a key figure in the subculture.
A Trekkie or Trekker is a fan of the Star Trek franchise, or of specific television series or films within that franchise.
Sondra Marshak is an American science-fiction writer. She is most well known for her work co-written with Myrna Culbreath. She was a co-writer of Star Trek Lives! (1975), with Jacqueline Lichtenberg, and television producer Joan Winston. She was an early promoter of Star Trek fan culture, and a publisher of fan fiction.
Myrna Lou Culbreath is an American science fiction writer and editor, most well known for the Star Trek tie-in novels and anthologies cowritten with Sondra Marshak. Culbreath was a founding editor of the libertarian editorial magazine The Fire Bringer.
Fan studies is an academic discipline that analyses fans, fandoms, fan cultures and fan activities, including fanworks. It is an interdisciplinary field located at the intersection of the humanities and social sciences, which emerged in the early 1990s as a separate discipline, and draws particularly on audience studies and cultural studies.