Armed and Dangerous is the first EP by American heavy metal band Anthrax, released in February 1985 through Megaforce Records. The band produced the album with Carl Canedy and Jon Zazula acting as executive producer. This is the first Anthrax release to feature Joey Belladonna on vocals, and the first Anthrax release to feature Frank Bello on bass guitar.
Kill 'Em All is the debut studio album by American heavy metal band Metallica, released on July 25, 1983, through independent label Megaforce Records. Metallica began by playing shows in local clubs in Los Angeles. They recorded several demos to gain attention from club owners and eventually relocated to San Francisco to secure the services of bassist Cliff Burton. The group's No Life 'til Leather demo tape (1982) was noticed by Megaforce label head Jon Zazula, who signed them and provided a budget of $15,000 for recording. The album was recorded in May with producer Paul Curcio at the Music America Studios in Rochester, New York. It was originally intended to be titled Metal Up Your Ass, with cover art featuring a hand clutching a dagger emerging from a toilet bowl. The band was asked to change the name because distributors feared that releasing an album with such an offensive title and artwork would diminish its chances of commercial success.
Into Glory Ride is the second studio album by American heavy metal band Manowar and the first to feature drummer Scott Columbus. The album's title is a reference to the title track from the band's previous album Battle Hymns.
Second Sighting is a studio album by American hard rock band Frehley's Comet. This is the second and last full-length album released under the band name Frehley's Comet and the third solo release from Ace Frehley overall.
Raven are an English heavy metal band, formed in 1974 by the Gallagher brothers, bassist and vocalist John and guitarist Mark. They have released fourteen studio albums to date, and had a hit with the single "On and On". Often referred to as "athletic rock", the band gained notoriety as part of the early-to-mid 1980s new wave of British heavy metal scene and is considered to be an influence and inspiration on development of the thrash metal genre, including bands such as "the big four", as well as others like Testament, Exodus, Overkill, Kreator, Sodom, Onslaught, Death Angel, Flotsam and Jetsam, Coroner, Annihilator, and Razor. Raven are also notable for headlining Metallica's first-ever national tour in 1983.
Nothingface is the fifth studio album by Canadian heavy metal band Voivod. It was released by Mechanic/MCA Records on October 13, 1989. The album marked a change for the band, expanding their music and exploring more progressive sounds. Several riffs are heavily influenced by Igor Stravinsky's "The Rite of Spring", specifically the centre section of "Pre-Ignition".
Rock Until You Drop is the first full-length album by British heavy metal band Raven, released in 1981. The album was the first of many heavy metal studio albums issued by British independent label Neat Records. It reached position No. 63 in the UK Albums Chart.
Wiped Out is the second full-length album by British heavy metal band Raven, released in 1982.
All for One is the third full-length album by British heavy metal band Raven, released in 1983. This would be their last album outside of a major label, also being said by fans to be their last "golden age" album, containing some of their finest work. It is also notable that Udo Dirkschneider, frontman of German band Accept would appear on a couple of the tracks recorded.
Live at the Inferno is a live album by the heavy metal band Raven. It was released in 1984 on Megaforce Records. The song "Live at the Inferno" first appeared on Raven's 1982 album Wiped Out. The album was intended to discourage the band's former label, Neat Records, from putting out a greatest hits compilation. It was the band's last release before signing with Atlantic Records.
Life's a Bitch is the sixth full-length album by the English heavy metal band Raven, released in 1987.
Nothing Exceeds Like Excess is the seventh full-length album by the band Raven, released in 1988. It was Raven's first album with drummer, Joe Hasselvander.
Architect of Fear is the eighth full-length album by the English heavy metal band Raven, released in 1991.
Shadowlife is the sixth studio album by the American heavy metal band Dokken, released in 1997. It marks a change in the band's musical style, moving towards alternative rock. However, critics and fans alike were not pleased with the change, and dismiss the album as one of Dokken's weakest. It is also the last studio album with original lead guitarist George Lynch.
Can't Get There from Here is the ninth studio album by the American hard rock band Great White, released in 1999. The track "Rollin' Stoned" was released as a promo single and received airplay on mainstream rock radio.
Destroy All Monsters is the second live album from the band Raven. It was recorded at "Club Cittá" in Tokyo, Japan, in 1995 and released a year later. Raven plays more songs from the early 1980s rather that those from late 1980s.
Mad is an EP released by English heavy metal band Raven in 1986, after the debacle of the album The Pack Is Back, which received very bad reviews and insignificant commercial success. The songs of this EP mark the return to a more aggressive and metallic sound. It has never been re-released on CD. Its tracks were released as bonus tracks on other CD releases.
Restless Breed is the fourth album by American heavy metal band Riot, released in 1982, and their first with vocalist Rhett Forrester. "When I Was Young" is an Eric Burdon and the Animals' cover.
Violence & Force is the second studio album by the Canadian speed metal band Exciter, released through Megaforce Records in 1984. The album was produced by The Rods drummer Carl Canedy, who had already produced Anthrax's debut album Fistful of Metal.
The Pack Is Back is the fifth full-length album by the English heavy metal band Raven, released in 1986. It was recorded in the USA with renowned producer Eddie Kramer and features a sound more FM-friendly and commercial than any other Raven album. Despite the pressure of the label to produce a commercially successful album, The Pack Is Back did not have any relevant chart entry.
