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Superbit was a brand of premium DVD-Video versions of motion pictures from Sony Pictures Home Entertainment, a division of Sony Pictures Entertainment. Superbit DVDs aimed to improve picture quality over a standard DVD edition of a feature by increasing the bit rate of the encoded video. Audio quality was also improved by the mandatory inclusion of both Dolby Digital and DTS 5.1 surround audio tracks.
Superbit discs can be read by all regular DVD video players, but their film files were encoded at a bit rate that is, according to Sony, approximately 1.5 times higher (6-7 Mbit/s) than standard DVDs (4-5 Mbit/s), which helps minimize artifacts caused by video compression and allow the image to be pre-filtered less prior to compression, which results in more detail.
To maximize space for the main feature, static menus are used and commentary tracks are removed. To further improve the size and therefore quality of the film on the disc, Superbit discs contained a reduced amount (and usually completely devoid) of bonus materials, such as documentaries or interviews, which can be found on regular DVDs. All Superbit releases present the film in its original theatrical aspect ratio.
In addition to maximizing the bitrate for improved audio and video, the Superbit line introduced seamless layer changes. Prior to this line of Sony DVDs, all dual layer DVDs caused a slight pause during playback when the layer change occurred. Some standard DVDs had their layer changes placed in scenes where they were almost imperceptible. Superbit DVD were the only optical media discs produced that had true seamless layer changes until Blu-ray was introduced.
The Superbit line launched in October 2001 with five titles: The Fifth Element , Crouching Tiger, Hidden Dragon , Air Force One , Desperado and Johnny Mnemonic . [1] Following the initial release of the Superbit line, Superbit Deluxe was introduced, which bundled a Superbit-quality feature with a second disc containing the special features. In January 2007, Sony Pictures Home Entertainment discontinued its Superbit line in order to promote its Blu-ray Disc format. [2]
Some of the most popular Superbit releases were the Sam Raimi films Spider-Man and Spider-Man 2 . The multi-disc Superbit titles (meaning the film spanning more than one disc) included Das Boot as well as David Lean’s Lawrence of Arabia, but in order to maximize the bitrate for AV-quality the title was not split where enthusiasts were expecting: the intermission interlude. This led many fans of the film to ignore the release. Lawrence of Arabia was also limited to a single movie disc in many regions when the Blu-ray debuted with Sony’s Blu-ray version of Superbit ‘Mastered in 4K’ line. Only Japan got a ‘Mastered in 4K’ where the film spanned multiple discs with the disc split finally occurring at the more appropriate intermission interlude. The UHD Blu-ray of Lawrence was split across two triple layer BD100s at the appropriate spot again when debuting on that format with the Columbia Classics VoI. 1 UHD Blu-ray box set.
David Fincher's Panic Room was released exclusively on Superbit DVD, and as of November 2021 the title has not been released on any of the newer HD/UHD formats.
MPEG-2 is a standard for "the generic coding of moving pictures and associated audio information". It describes a combination of lossy video compression and lossy audio data compression methods, which permit storage and transmission of movies using currently available storage media and transmission bandwidth. While MPEG-2 is not as efficient as newer standards such as H.264/AVC and H.265/HEVC, backwards compatibility with existing hardware and software means it is still widely used, for example in over-the-air digital television broadcasting and in the DVD-Video standard.
An optical disc is a flat, usually disc-shaped object that stores information in the form of physical variations on its surface that can be read with the aid of a beam of light. Optical discs can be reflective, where the light source and detector are on the same side of the disc, or transmissive, where light shines through the disc to be detected on the other side.
Video CD is a home video format and the first format for distributing films on standard 120 mm (4.7 in) optical discs. The format was widely adopted in Southeast Asia, South Asia, Greater China, Central Asia and West Asia, superseding the VHS and Betamax systems in the regions until DVD-Video finally became affordable in the first decade of the 21st century.
In telecommunications and computing, bit rate is the number of bits that are conveyed or processed per unit of time.
Versatile Multilayer Disc was a high-capacity red-laser optical disc technology designed by New Medium Enterprises, Inc. VMD was intended to compete with the blue-laser Blu-ray Disc and HD DVD formats and had an initial capacity of up to 30 GB per side. At a physical level, VMD is identical to DVD, but with the possibility of using more layers.
D-VHS is a digital video recording format developed by JVC, in collaboration with Hitachi, Matsushita, and Philips. The "D" in D-VHS originally stood for "Data", but JVC renamed the format as "Digital VHS". Released in December 1997, it uses the same physical cassette format and recording mechanism as S-VHS, but requires higher-quality and more expensive tapes and is capable of recording and displaying both standard-definition and high-definition content. The content data format is in MPEG transport stream, the same data format used for most digital television applications. It used MPEG-2 encoding and was standarized as IEC 60774-5.
XDCAM is a series of products for digital recording using random access solid-state memory media, introduced by Sony in 2003. Four different product lines – the XDCAM SD, XDCAM HD, XDCAM EX and XDCAM HD422 – differ in types of encoder used, frame size, container type and in recording media.
Professional Disc (PFD) is a digital recording optical disc format introduced by Sony in 2003 primarily for XDCAM, its tapeless camcorder system. It was one of the first optical formats to utilize a blue laser, which allowed for a higher density of data to be stored on optical media compared to infrared laser technology used in the CD and red laser technology used in the DVD format.
AVCHD is a file-based format for the digital recording and playback of high-definition video. It is H.264 and Dolby AC-3 packaged into the MPEG transport stream, with a set of constraints designed around the camcorders.
The first attempt at producing pre-recorded HDTV media was a scarce Japanese analog MUSE-encoded laser disc which is no longer produced.
This article compares the technical specifications of multiple high-definition formats, including HD DVD and Blu-ray Disc; two mutually incompatible, high-definition optical disc formats that, beginning in 2006, attempted to improve upon and eventually replace the DVD standard. The two formats remained in a format war until February 19, 2008, when Toshiba, HD DVD's creator, announced plans to cease development, manufacturing and marketing of HD DVD players and recorders.
Blu-ray is a digital optical disc data storage format designed to supersede the DVD format. It was invented and developed in 2005 and released worldwide on June 20, 2006, capable of storing several hours of high-definition video. The main application of Blu-ray is as a medium for video material such as feature films and for the physical distribution of video games for the PlayStation 3, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series X. The name refers to the blue laser used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs.
HD DVD is an obsolete high-density optical disc format for storing data and playback of high-definition video. Supported principally by Toshiba, HD DVD was envisioned to be the successor to the standard DVD format, but lost to Blu-ray, supported by Sony and others.
DVD-Video is a consumer video format used to store digital video on DVDs. DVD-Video was the dominant consumer home video format in Asia, North America, Europe, and Australia in the 2000s until it was supplanted by the high-definition Blu-ray Disc. Discs using the DVD-Video specification require a DVD drive and an MPEG-2 decoder. Commercial DVD movies are encoded using a combination of MPEG-2 compressed video and audio of varying formats. Typically, the data rate for DVD movies ranges from 3 to 9.5 Mbit/s, and the bit rate is usually adaptive. DVD-Video was first available in Japan on November 1, 1996, followed by a release on March 26, 1997 in the United States—to line up with the 69th Academy Awards that same day.
A digital copy is a commercially distributed computer file containing a media product such as a film or music album. The term contrasts this computer file with the physical copy with which the digital copy is usually offered as part of a bundle. It allows the disc's purchaser to acquire a single copy of the film on a digital device such as a personal computer, smartphone, tablet computer, or digital media player, and view it on those devices without requiring access to the physical media. "Digital copy" is also commonly referred to as "Digital HD".
AVCREC is a format for recording and playback of high definition video in BDAV format using conventional DVD recordable discs as recording media. Presently, AVCREC is tightly integrated with ISDB broadcast standard and is not marketed outside Japan.
Super Video CD is a digital format for storing video on standard compact discs. SVCD was intended as a successor to Video CD and an alternative to DVD-Video, and falls somewhere between both in terms of technical capability and picture quality.
SD Blu-ray disc is a Blu-ray disc on which the main feature is standard-definition video instead of the high-definition video found on typical Blu-ray discs.
Ultra HD Blu-ray is a digital optical disc data storage format that is an enhanced variant of Blu-ray. Ultra HD Blu-ray discs are incompatible with existing standard Blu-ray players. Ultra HD Blu-ray supports 4K UHD video at frame rates up to 60 progressive frames per second, encoded using High-Efficiency Video Coding. The discs support both high dynamic range by increasing the color depth to 10-bit per color and a greater color gamut than supported by conventional Blu-ray video by using the Rec. 2020 color space. Ultra HD Blu-Ray discs also support a 12-bit per color container via Dolby Vision. Dolby Vision content on 4K UHD Blu-Ray can also be mastered for 10,000 nits peak brightness, whereas standard HDR10 can only achieve a maximum of 4,000 nits of brightness. Moreover, Dolby Vision makes use of dynamic metadata, which adjusts the brightness and tone mapping per scene. In contrast, standard HDR10 only makes use of static metadata, which sets the same brightness and tone mapping for the entirety of the content.
Ultra-high-definition television today includes 4K UHD and 8K UHD, which are two digital video formats with an aspect ratio of 16:9. These were first proposed by NHK Science & Technology Research Laboratories and later defined and approved by the International Telecommunication Union (ITU).
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