| Surreal Thing | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | July 1976 | |||
| Studio | Sunset Sound, Los Angeles, California | |||
| Genre | Alternative Country | |||
| Length | 36:27 | |||
| Label | Monument | |||
| Producer | David Anderle | |||
| Kris Kristofferson chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [1] |
| Rolling Stone | (unfavorable) [2] |
Surreal Thing is the seventh solo album by Kris Kristofferson, released in 1976 on Monument Records. "Killing Time" and "The Golden Idol" are re-recordings of songs that were originally released as a single in 1967.
In 1976, Wanted! The Outlaws became country music’s first platinum selling album, bringing progressive country music, or outlaw country, to the mainstream. Ironically, as Kristofferson watched record sales take off for his friends and contemporaries, many of whom were greatly influenced by his work, his own record sales languished. In fact, Kristofferson was becoming more known to the general public as an actor, playing opposite Barbra Streisand in the 1976 blockbuster A Star Is Born. As Streissguth observes in his book Outlaw: Waylon, Willie, Kris and the Renegades of Nashville:
The Outlaw Movement offered little to fuel Kristofferson’s record sales, although his name reverberated right alongside Waylon’s and Willie’s…He had already accomplished an outlaw status independent of the industry’s promotional engine by carving out a place for the earnest singer-songwriter in Nashville and introducing mature themes to country music. Perhaps if he’d been around town more often he might have shown up on Wanted! album, but he had relocated to Malibu, where he spent more time in front of a movie camera than a studio microphone. [3]
Although the drop-off in the quality of Kristofferson’s songwriting is often attributed to his moonlighting as an actor, AllMusic argues that a “better reason is probably a country music-style recording contract that called for him to turn in an album a year consisting of his own all-new compositions, a pace that did not allow him enough time to write songs of the caliber of the standards he produced in the late 1960s and early '70s. 1976's Surreal Thing, his seventh album since 1970 (not counting two duet LPs with his wife, Rita Coolidge), is a good case in point.”
Kristofferson and producer David Anderle stripped down the instrumentation to just guitars, keyboards, bass, and drums, but employed no less than a dozen backing singers, including Coolidge, Billy Swan, and actor Gary Busey, and Mike Utley once more enriched proceedings with colour and variety while bassist Lee Sklar anchored the sound with simple solidity. [4] The lascivious opener, "You Show Me Yours and I’ll Show You Mine", and the closing track, "If You Don’t Like Hank Williams", were more playful than the tracks found on previous albums, such as 1974’s dour Spooky Lady Sideshow, and on the latter song the singer provides a roll call of his favorite rock and country singers and songwriters, name checking, among others, Johnny Cash, The Eagles, Waylon Jennings, Joni Mitchell, George Jones, and the Rolling Stones. Hank Williams, Jr. would record a typically rowdy version of the song for his 1980 album Habits Old and New.
Accusations that Kristofferson was spreading himself too thin, or that his artistic well had run dry, seemed to be supported by the fact that he rerecorded two tracks that had been previously released as a failed single for Epic Records in 1967, "The Golden idol" and "Killing Time". The AllMusic review notes that the songs were “written in a more verbose style than his current one. ‘The Golden Idol’ sounded heavily influenced by Bob Dylan's mid-'60s poetic approach, while "Killing Time" was a put-down of unimaginative average people". The singer fired back at his critics in the song "Eddie the Eunuch", a bitter diatribe against certain snide elements in the press who he believed had it in for him. [4]
Although Surreal Thing made the country Top 10, it barely dented the Billboard 100, and the single "It’s Never Gonna Be the Same Again" made no impact. In his AllMusic review of the LP, William Ruhlmann praises the single and "Bad Love Story", but argues that the "spotty quality of the songwriting" was not helped by "arrangements and performances that sometimes seemed like run-throughs and, particularly, Kristofferson's rough vocals, which were often inept". Kristofferson biographer Stephen Miller also laments the quality of Kristofferson’s singing on the album, writing that his vocals "sounded more like a stressed foghorn than ever". [4]
All songs composed by Kris Kristofferson
| Chart (1976) | Peak position |
|---|---|
| US Billboard 200 [5] | 180 |
| US Top Country Albums (Billboard) [6] | 17 |
Kristoffer Kristofferson is an American retired country singer, songwriter, and actor. Among his songwriting credits are "Me and Bobby McGee", "For the Good Times", "Sunday Mornin' Comin' Down", and "Help Me Make It Through the Night", all of which were hits for other artists.
Outlaw country is a subgenre of American country music created by a small group of iconoclastic artists active in the 1970s and early 1980s, known collectively as the outlaw movement, who fought for and won their creative freedom outside of the Nashville establishment that dictated the sound of most country music of the era. Willie Nelson, Waylon Jennings, Johnny Cash, Kris Kristofferson, and David Allan Coe were among the movement's most commercially successful members.
Heroes is a duet studio by American country music singers Johnny Cash and Waylon Jennings, released on Columbia Records in 1986.
Border Lord is the third album by Kris Kristofferson, released in 1972 on Monument Records.
Jesus Was a Capricorn is the fourth album by Kris Kristofferson, released in 1972 on Monument Records. The album cover pictures Kristofferson and his soon-to-be wife Rita Coolidge. "Why Me" reached #1 on the Country singles charts.
Spooky Lady's Sideshow is the fifth solo album by Kris Kristofferson, released in 1974 on Monument Records. It was preceded and followed by duet albums with his wife, Rita Coolidge. It was recorded shortly after Kristofferson's appearance in the movie Pat Garrett and Billy the Kid. The album mostly consists of songs about decline due to alcohol and drug abuse. That theme of decline proved to be (unintentionally) prophetic as this was Kristofferson's first album that failed to see commercial success on a large scale.
Who's to Bless and Who's to Blame is the sixth solo album by Kris Kristofferson, released in 1975 on Monument Records. Its title track is quoted in the Johnny Cash song "The Man Comes Around" from the 2002 album of the same name. The song "Stranger" was covered as a duet by Johnny Duncan and Janie Fricke, and their version reached #4 on the U.S. country chart in 1976.
Easter Island is the eighth solo album by Kris Kristofferson, released in 1978 on Monument.
Repossessed is an album by Kris Kristofferson, released on Mercury Records in 1986. It was Kristofferson's first full-length solo album since 1981's To the Bone, although the singer did collaborate with other artists in the meantime, most notably on Highwayman with Johnny Cash, Waylon Jennings and Willie Nelson.
Full Moon is a duet album by Kris Kristofferson and Rita Coolidge, released in September 1973 on A&M Records. It is the first of three duet albums by the couple, who married weeks before the album's release, and arguably the best. Unlike Kristofferson solo albums, it features several covers.
Ladies Love Outlaws is an album by American country music artist Waylon Jennings, released on RCA Nashville in 1972. Together with Jennings' previous album Good Hearted Woman, it marks his transition toward his Outlaw Country image and style. "Ladies Love Outlaws" coined the use of the term "Outlaw" to refer to the country music subgenre, which was developing at the time of its release.
Honky Tonk Heroes is a country music album by Waylon Jennings, released in 1973 on RCA Victor. With the exception of the final track on the album, "We Had It All", all of the songs on the album were written or co-written by Billy Joe Shaver. The album is considered an important piece in the development of the outlaw sub-genre in country music as it revived the honky tonk music of Nashville and added elements of rock and roll to it.
This Time is a studio album by American country music artist Waylon Jennings, released on RCA Victor in 1974, at the peak of the outlaw country movement. It was produced by Jennings and Willie Nelson.
Dreaming My Dreams is the twenty-second studio album by American country music artist Waylon Jennings. The album was co-produced with Jack Clement and recorded at Glaser Sound Studio in Nashville, Tennessee, between February and July 1974.
Wanted! The Outlaws is a compilation album by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, released by RCA Records in 1976. The album consists of previously released material with four new songs. Released to capitalize on the new outlaw country movement, Wanted! The Outlaws earned its place in music history by becoming the first country album to be platinum-certified, reaching sales of one million.
Waylon & Willie is a duet studio album by American singers Waylon Jennings and Willie Nelson, released by RCA Records in 1978. In the US, it stayed at #1 album on the country album charts for ten weeks and would spend a total of 126 weeks on the country charts.
Waylon Live is a live album by Waylon Jennings, released on RCA Victor in 1976.
The Lady's Not For Sale is a 1972 album by Rita Coolidge, and was released on the A&M Records label, AMLH 64370. It was later reissued on the Music For Pleasure label, MFP-50500. The inner gatefold photo was shot on location by Terry Paul at Stonehenge in the English county of Wiltshire.
The Willie Way is the 15th studio album by country singer Willie Nelson. This was also the last album of new material released by RCA Records before Nelson's departure for Atlantic Records and move to Austin, Texas.
Good Times is the eighth studio album by American country music singer Willie Nelson, released in 1968. Arrangements were by Anita Kerr, Bill Walker and Ray Stevens.
