| Jesus Was a Capricorn | ||||
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| Released | November 1972 | |||
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| Genre | Alternative country | |||
| Length | 31:21 | |||
| Label | Monument | |||
| Producer | Fred Foster | |||
| Kris Kristofferson chronology | ||||
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| Singles from Jesus Was a Capricorn | ||||
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Jesus Was a Capricorn is the fourth album by Kris Kristofferson, released in 1972 on Monument Records. The album cover pictures Kristofferson and his soon-to-be wife Rita Coolidge. "Why Me" reached #1 on the Country singles charts.
 | This section needs additional citations for verification .(May 2022) |
Jesus Was a Capricorn was produced by Fred Foster and, like his previous album Border Lord, features more elaborate instrumentation than his first two LPs. Biographer Stephen Miller notes in his book Kristofferson: The Wild American, “A common criticism directed at Jesus Was a Capricorn was that it was overproduced and moved Kristofferson's songs too far away from the rough-hewn charm of his earlier work.” [1] The title track, with its chorus containing the line “Cos everybody's got to have somebody to look down on” was interpreted by some as Kristofferson's reply to critics who disparaged his previous album Border Lord. The song, and Kristofferson's phrasing, is very reminiscent of John Prine, of whom Kristofferson was an early champion. Kristofferson told Graeme Thomson of Uncut in 2016, "I wrote 'Jesus Was A Capricorn (Owed To John Prine)' because I was so influenced by John. When I heard his songs I felt like his writing had kicked me into doing it. You take things from all over the place, though you don't always admit it! I was really influenced by Roger Miller, Shel Silverstein and Mickey Newbury. Everybody you admire influences you somehow in your art."
Another song from the album with a religious theme would become the biggest hit of Kristofferson's career: “Why Me.” According to country music historian Bill Malone, Kristofferson wrote the song during an emotionally low period of his life after having attended a religious service conducted by the Rev. Jimmie Rogers Snow. [2] Malone wrote, "'Why Me, Lord'" - as the song is sometimes known - "may seem greatly out of character for Kristofferson, but it can be interpreted as his own personal religious rephrasing of 'Sunday Morning Coming Down.' In this case, he is 'coming down' not from drugs, but from the whole hedonistic euphoria of the (1960s)." Malone described Kristofferson's gruff vocal styling as "perfect" for the song, since "he sounds like a man who has lived a lot but is now humbling himself before God." [2] Kristofferson said he went with friends to the church service where he was moved by Larry Gatlin's song "Help Me (Lord)". He said that he had never thought of needing help, but he was at a low point in his life. When the pastor asked the congregation, "Is anybody feeling lost?" "Up goes my hand," Kristofferson says. The Pastor then asked, "Are you ready to accept Christ? Kneel down there." "I'm kneeling there," Kristofferson continues, "and I carry a big load of guilt around...and I was just out of control, crying. It was a release. It really shook me up." Kristofferson later said, "It was just a personal thing I was going through at the time. I had some kind of experience that I can't even explain." [3] Kristofferson met June Carter Cash and Johnny Cash in a hotel room in 1972 to play them two songs he had written. Kristofferson had just attended a rough screening of a movie Johnny and June were heavily involved in, entitled The Gospel Road . Johnny Cash's memoir Man in Black , reiterated the story that Larry Gatlin sang "Help Me" at the Evangel Temple, which inspired Kristofferson to write the song. Kristofferson also played Cash the song "Burden of Freedom," which was used in The Gospel Road.
“Why Me” became an immediate country gospel standard. Elvis Presley incorporated the song, retitled "Why Me Lord", into his live shows beginning in January 1974 up until his last concert tour. It was first released on the live album, Elvis Recorded Live On Stage In Memphis in June 1974. The recording is from his March 20, 1974 concert in Memphis, Tennessee. He often introduced the song for J.D. Sumner to sing "one of his favorite songs." Sumner would sing the verses and Elvis would join on the chorus along with the back-up singers. The song would also be recorded by George Jones, Merle Haggard, Conway Twitty, Willie Nelson, Connie Smith, and David Allan Coe.
Although “Why Me” revealed another side of Kristofferson's songwriting, the subject matter in his songs remained rooted in the grim realities of life, exploring broken relationships, lost family, drug addiction, and prostitution. As Michael Striessguth put it in his book Outlaw: Waylon, Willie, Kris, and the Renegades of Nashville, “By 1972, singer-songwriter meant James Taylor and Carole King, whose soft sounds and safe lyrics appealed to radio, while Kristofferson's music continued to mine the oil-stained streets for inspiration, producing ruminations on prostitution, dissipation, and getting high that proved too thorny for the broadcast airwaves.” [4] This uncompromising artistic stance might be most apparent in the song “Sugar Man,” “a noirish study of a woman prowling the streets, selling her body, and injecting heroin.” [5] Kristofferson, who fell out with his parents after rejecting a career at West Point to pursue a career as a songwriter, addresses his lost family in “Jesse Younger,” his anger evident in the performance, which contains much of the sarcastic aggressiveness found in “Blame It on the Stones” from his debut album.
Some critics felt Kristofferson's burgeoning film career was a distraction and his songwriting was slipping. The singer later reflected, “It was as if I were spending so much creative energy on the wrong thing, performing and movies that my songwriting was suffering. I don't think it was.” [6] Kristofferson's albums were still being mined by other recording artists within and outside country music. Frank Sinatra covered “Nobody Wins” for his 1973 comeback album Ol’ Blue Eyes Is Back, while Brenda Lee took the song to the country Top 5 the same year. As on his previous album, girlfriend and soon-to-be wife Rita Coolidge sings on the album, contributing vocals to “Give It Time to Be Tender” and “It Sure Was (Love),” and Kristofferson also duets with Larry Gatlin on the Gatlin's composition “Help Me.”
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [7] |
| Rolling Stone | (mixed) [8] |
The first two singles from the album, the title track and “Jesse Younger,” both stiffed,[ clarification needed ] and "Jesus Was a Capricorn'" faded down the charts, but the label released “Why Me” as the third single and it quickly entered the country and pop charts, hitting number one in country in July 1973, and peaking in the pop Top 20 after a slow climb in November. That turned around the fortunes of "Jesus Was a Capricorn", which marched back up the charts and reached number one on the country charts a full year after it had been released. Both album and single went gold, giving Kristofferson his greatest success as a recording artist.
Record World called the title track a "funky song with a sing along kind of chorus with timely and clever lyrics delivered with appropriate gusto by Kris." [9]
All songs by Kris Kristofferson except as noted
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Weekly charts
| Year-end charts
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| Region | Certification | Certified units/sales |
|---|---|---|
| United States (RIAA) [15] | Gold | 500,000^ |
^ Shipments figures based on certification alone. | ||
Kristoffer Kristofferson was an American country music singer, songwriter, and actor. He was a pioneering figure in the outlaw country movement of the 1970s, moving away from the polished Nashville sound and toward a more raw, introspective style. During the 1970s, he also embarked on a successful career as a Hollywood actor.
John Edward Prine was an American singer-songwriter of country-folk music. Widely cited as one of the most influential songwriters of his generation, Prine was known for his signature blend of humorous lyrics about love, life, and current events, often with elements of social commentary and satire, as well as sweet songs and melancholy ballads. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death.
Highwayman is the first studio album released by country supergroup The Highwaymen, comprising Kris Kristofferson, Johnny Cash, Waylon Jennings and Willie Nelson. Highwayman, released on Columbia Records in 1985, was the group's first and most successful album.
"Sunday Mornin' Comin' Down" is a song written by Kris Kristofferson that was recorded in 1969 by Ray Stevens before becoming a No.1 hit on the Billboard US Country chart for Johnny Cash.
Kristofferson is the debut album by the singer-songwriter Kris Kristofferson. It was produced by Fred Foster and released in June 1970 by Monument Records. After working a series of temporary jobs, Kristofferson became a helicopter pilot for oil companies in the Gulf of Mexico. While he worked, he wrote songs and pitched them to singers around Music Row in Nashville, Tennessee during his free time. Kristofferson's songs were recorded by country singers Roy Drusky, Jerry Lee Lewis and Roger Miller and later he persuaded Johnny Cash to try his material. Cash invited Kristofferson to perform with him at the Newport Folk Festival, after which Fred Foster signed Kristofferson to Monument Records as a songwriter and recording artist.
Highwayman 2 is the second studio album released by American country supergroup The Highwaymen. This album was released in 1990 on the Columbia Records label. Johnny Cash had left Columbia several years earlier, making this a "homecoming", and ultimately his final work for Columbia as the next Highwaymen album would be issued on another label.
The Gospel Road: A Story of Jesus is a double album and the fourth gospel album and 45th overall album by American country singer Johnny Cash, released on Columbia Records in 1973. It is the soundtrack to the film of the same name released by Twentieth Century Fox.
Border Lord is the third album by Kris Kristofferson, released in 1972 on Monument Records.
Live at the Philharmonic is a live album by Kris Kristofferson, released on Monument Records in 1992. Performed at Philharmonic Hall in New York City on December 2, 1972, the concert followed the release of Kristofferson's successful Jesus Was a Capricorn. Aside from several songs from the latter, the singer performed a number of new pieces, as well as a few of his well-known hits such as "Sunday Mornin' Comin' Down" and "Me and Bobby McGee". Guest artists included Willie Nelson, who was a little-known personality in country music at the time, Rita Coolidge, Kristofferson's future wife, and Larry Gatlin, whose career was in its starting phases.
Spooky Lady's Sideshow is the fifth solo album by Kris Kristofferson, released in 1974 on Monument Records. It was preceded and followed by duet albums with his wife, Rita Coolidge. It was recorded shortly after Kristofferson's appearance in the movie Pat Garrett and Billy the Kid. The album mostly consists of songs about decline due to alcohol and drug abuse. That theme of decline proved to be (unintentionally) prophetic as this was Kristofferson's first album that failed to see commercial success on a large scale.
Who's to Bless and Who's to Blame is the sixth solo album by Kris Kristofferson, released in 1975 on Monument Records. Its title track is quoted in the Johnny Cash song "The Man Comes Around" from the 2002 album of the same name. The song "Stranger" was covered as a duet by Johnny Duncan and Janie Fricke, and their version reached #4 on the U.S. country chart in 1976.
Surreal Thing is the seventh solo album by Kris Kristofferson, released in 1976 on Monument Records. "Killing Time" and "The Golden Idol" are re-recordings of songs that were originally released as a single in 1967.
Repossessed is an album by Kris Kristofferson, released on Mercury Records in 1986. It was Kristofferson's first full-length solo album since 1981's To the Bone, although the singer did collaborate with other artists in the meantime, most notably on Highwayman with Johnny Cash, Waylon Jennings and Willie Nelson.
Full Moon is a duet album by Kris Kristofferson and Rita Coolidge, released in September 1973 on A&M Records. It is the first of three duet albums by the couple, who married weeks before the album's release, and arguably the best. Unlike Kristofferson solo albums, it features several covers.
Breakaway is the second duet album by Kris Kristofferson and Rita Coolidge, released in 1974 on Monument Records. It is one of three duet albums by the couple. Unlike Kristofferson solo albums, it features several covers. "I've Got to Have You" and "I'd Rather Be Sorry" had both previously been hits for other artists; they appear here by Kristofferson for the first time.
Natural Act is the third and final duet album by Kris Kristofferson and Rita Coolidge, released in 1978 on A&M Records. The couple would divorce the following year. The album was released while Coolidge's career was at a peak; her recent albums Anytime...Anywhere and Love Me Again had seen much commercial success. Natural Act is Kristofferson's only album to chart in the United Kingdom.
"Why Me" is an American country and gospel song written and recorded by American country music singer and songwriter Kris Kristofferson.
God Is Abundant is the twenty-first solo studio album by American country singer Connie Smith. It was released in November 1973 on Columbia Records and contained 11 tracks. The project was a collection of gospel recordings, chosen by Smith herself. Several of the songs included on the project were written by other country artists including Larry Gatlin, Kris Kristofferson and Dolly Parton. The album reached the top 20 of the American country LP's chart following its release.
"Loving Arms" is a song written by Tom Jans and first recorded as a duet by Kris Kristofferson and Rita Coolidge for their 1973 album Full Moon.
"Help Me" is a song written by Larry Gatlin. A country gospel song, the lyrics tell the story of a world-weary and tired man pleading for guidance and reassurance from God. Gatlin performed the song at the funerals of both June Carter and Johnny Cash and dedicates the song to them during every performance.
