Swedish Schnapps | ||||
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Studio album by | ||||
Released | 1958; 1991 (CD) | |||
Recorded | January 17, 1951, August 8, 1951 | |||
Genre | Jazz | |||
Length | 39:11 | |||
Label | Verve Records MG V-8010 | |||
Charlie Parker chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Swedish Schnapps(The Genius of Charlie Parker, volume 8) (MG V-8010) is a Charlie Parker studio album, released by Verve Records, compiling recordings made by two different groups, on two different dates in 1951. [4] The tracks had previously been released as 78rpm singles, and the master takes had previously appeared on the 1955 Clef Records LP The Magnificent Charlie Parker (MG C-646). [5] [6]
The two sessions feature either Max Roach or Kenny Clarke on drums. The January 17, 1951 session features Miles Davis on trumpet, who had made many recordings as part of Parker's band in 1946 and 1947. This recording session was the same day as Davis' own first recording session for his new label, Prestige Records, which he would complete later the same day. [7]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Si Si" | Charlie Parker | 2:38 |
2. | "Swedish Schnapps" | Charlie Shavers | 3:14 |
3. | "Swedish Schnapps (Alternate Take)" | Charlie Shavers | 3:11 |
4. | "Back Home Blues" | Charlie Parker | 2:36 |
5. | "Back Home Blues (Alternate Take)" | Charlie Parker | 2:47 |
6. | "Lover Man" | Jimmy Davis, Roger "Ram" Ramirez, James Sherman | 3:22 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Au Privave" | Charlie Parker | 2:39 |
8. | "Au Privave (Alternate Take)" | Charlie Parker | 2:43 |
9. | "She Rote" | Charlie Parker | 3:09 |
10. | "She Rote (Alternate Take)" | Charlie Parker | 3:06 |
11. | "K.C. Blues" | Charlie Parker | 3:24 |
12. | "Star Eyes" | Gene de Paul, Don Raye | 3:35 |
13. | "Blues for Alice" | Charlie Parker | 2:47 |
tracks 1-6, 13 August 8, 1951
tracks 7-12 January 17, 1951 [8]
Theodore "Fats" Navarro was an American jazz trumpet player and a pioneer of the bebop style of jazz improvisation in the 1940s. A native of Key West, Florida, he toured with big bands before achieving fame as a bebop trumpeter in New York. Following a series of studio sessions with leading bebop figures including Tadd Dameron, Bud Powell, and Kenny Clarke, he became ill with tuberculosis and died at the age of 26. Despite the short duration of his career, he had a strong stylistic influence on trumpet players who rose to fame in later decades, including Clifford Brown and Lee Morgan.
Birth of the Cool is a compilation album by American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950.
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records.
Miles Davis, Volumes 1 & 2 are a pair of separate but related albums by American jazz trumpeter Miles Davis recorded on May 9, 1952, April 20, 1953 and March 6, 1954 and released on Blue Note early 1956. The three sessions were originally released on ten-inch LPs as Young Man with a Horn (1953), Miles Davis, Vol. 2 (1953) and Miles Davis, Vol. 3 (1954), respectively.
"Ko-Ko" is a 1945 bebop recording composed by Charlie Parker. The original recorded version lists Parker on alto saxophone with trumpeter Miles Davis, double bassist Curley Russell and drummer Max Roach. Due to the absence of Bud Powell, Dizzy Gillespie was enlisted to play piano, instead of his usual trumpet. Pianist Sadik Hakim, then known as Argonne Thornton, was also known to be present at the session. Rumors persist to this day about precisely who played trumpet and piano on this piece; some claim it's young Miles Davis who plays trumpet and Gillespie comping at piano, on both takes; most claim Gillespie plays trumpet and, or instead of, piano; some claim Hakim is the pianist on all or part of one or both of the takes. However, Miles Davis confirms in his autobiography that he did not play trumpet on "Ko Ko":
"I remember Bird wanting me to play "Ko-Ko," a tune that was based on the changes of "Cherokee." Now Bird knew I was having trouble playing "Cherokee" back then. So when he said that that was the tune he wanted me to play, I just said no, I wasn't going to do it. That's why Dizzy's playing trumpet on "Ko-Ko," "Warmin' up a Riff," and "Meandering" on Charlie Parker’s Reboppers, because I wasn't going to get out there and embarrass myself. I didn't really think I was ready to play tunes at the tempo of "Cherokee" and I didn't make no bones about it."
Conception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP Lee Konitz: The New Sounds makes up all of side 1.
Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.
Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.
First Miles is a compilation album by American jazz musician Miles Davis, released on July 12, 1990 by Savoy Records. The album includes tracks from Davis's first recording session, backing singer Rubberlegs Williams on April 24, 1945, and the first session produced under his name, leading the members of Charlie Parker's band on August 14, 1947.
The Bop Session is an album by jazz legends Dizzy Gillespie, Sonny Stitt, John Lewis, Hank Jones, Percy Heath and Max Roach recorded in 1975 and released on the Swedish Sonet label.
To Bird with Love is a live album by trumpeter Dizzy Gillespie with an array of guest stars. It was recorded at the Blue Note Jazz Club in New York City on January 23–25, 1992 and released on the Telarc label. Gillespie's performances at the club in January and February of that year yielded two additional live albums, Bird Songs: The Final Recordings and To Diz with Love. Together, these three titles represent his final recordings prior to his death in 1993.
The New Sounds is the debut solo studio album by the American jazz musician Miles Davis. Released in late 1951 as a 10-inch LP, it is his first album as a bandleader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Prestige compilation LP Modern Jazz Trumpets and appeared as a sideman on the 10-inch LP Lee Konitz: The New Sounds.
The Compositions of Al Cohn is a 10" LP by jazz musician Miles Davis, recorded on February 19, 1953 and released later that year on Prestige, his third album as leader for the label, and fourth altogether, following 1952's Young Man with a Horn for Blue Note.
Miles Davis All Star Sextet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The two side-long tracks were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, April 29, 1954.
Miles Davis Quintet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The album title is not to be confused with either of Davis' later Great Quintets. The three tracks on this LP, and one other, were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on April 3, 1954. This was the first session for Prestige Davis recorded at Gelder's home studio, as he would all his remaining sessions for the label.
Modern Jazz Trumpets is an album released by Prestige Records in 1951 with music by four jazz trumpeters: Fats Navarro, Dizzy Gillespie, Miles Davis and Kenny Dorham. The album was released on the 10" LP format and includes the first recordings by Davis for Prestige.
The Max Roach Quartet featuring Hank Mobley was the debut album by American jazz drummer Max Roach featuring tracks recorded in 1953 and first released on the Debut label as a 10-inch LP.
The Charlie Parker Story is an LP record by Charlie Parker, released posthumously by Savoy Records. While many of the tracks on this album had been previously released on other formats, this is the first album that chronicles the entire session, recorded November 26, 1945, including all takes of all pieces. This session is famous in that it is the first recorded under Parker's name. It is also controversial, in that to this day it is unclear who the pianist and trumpet player are on all of the tracks.
The Immortal Charlie Parker is an LP record by Charlie Parker, released posthumously by Savoy Records. Several tracks on this album had been previously released on other formats, but is the first 12-inch release of these master takes. It contains selections from five sessions recorded between 1944 and 1948, and contains several previously unreleased alternate takes from these sessions.
Rainbow Mist is an album by the American jazz saxophonist Coleman Hawkins compiling recordings from 1944 originally released by Apollo Records that was released by the Delmark label in 1992.