"},"rev2":{"wt":"''[[DownBeat]]''"},"rev2Score":{"wt":"{{rating|4.5|5}}{{cite magazine |last=Feather |first=Leonard |date=September 28, 1961 |title=Charlie Parker: Bird Is Free |magazine=[[DownBeat]] |volume=28 |issue=20 |pages=35–36 }}"}},"i":0}}]}" id="mwEA">
The DownBeat reviewer, Leonard Feather, identified limitations of the audio quality, and added: "When Parker begins to play, however, you will forget all about distractions. ... There is brilliant, boiling, poetic Bird in a variety of attitudes here." [3] The AllMusic review concluded: "Throughout, Parker plays with inimitable style and good humor and his quartet, featuring the great drummer Max Roach, swings effortlessly". [1]
Charles Parker Jr., nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader, and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber.
J. J. Johnson, born James Louis Johnson and also known as Jay Jay Johnson, was an American jazz trombonist, composer and arranger.
Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He also played with his daughter Maxine Roach, Grammy nominated Violist. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.
Earl Rudolph "Bud" Powell was an American jazz pianist and composer. A pioneer in the development of bebop and its associated contributions to jazz theory, Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis, Jr., Toshiko Akiyoshi, and Barry Harris.
Henry "Hank" Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players such as Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure", "Soul Station", and "Dig Dis".
Bernard "Buddy" Rich was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time.
Walter Davis Jr. was an American bebop and hard bop pianist.
George Wallington was an American jazz pianist and composer. Born in Sicily, his career as a pianist began in the early 1940s, when he played with Dizzy Gillespie and Charlie Parker and contributed to the development of bebop. Following several years as a sideman during the late 1940s, he formed his own group, experimenting with trios and a string ensemble before settling upon a permanent quintet.
Birth of the Cool is a compilation album by American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950.
Jazz at Massey Hall is a live jazz album recorded on 15 May 1953 at Massey Hall in Toronto, Canada. Credited to "the Quintet", the group was composed of five leading "modern" players of the day: Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach. It was the only time that the five musicians recorded together as a unit, and it was the last recorded meeting of Parker and Gillespie.
Bird and Diz is a studio album by jazz saxophonist Charlie Parker and trumpeter Dizzy Gillespie. It was recorded primarily on June 6, 1950, in New York City. Two tracks featured on the original pressing, "Passport" and "Visa", were recorded by Parker, without Gillespie and with different personnel than the other tracks, in March and May 1949. The album was originally issued in 1952 in 10" format as a collection of 78 rpm singles on the Verve subsidiary label Clef Records.
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" and a colloquial use of the classical music term "suite". The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers."
Allen Eager was an American jazz tenor and alto saxophonist who also competed in auto racing and took part in LSD experiments.
Stanton Davis, Jr. is an American jazz trumpeter and educator.
Charlie Parker on Dial: The Complete Sessions is a 1993 four-disc box set collecting jazz saxophonist and composer Charlie Parker's 1940s recordings for Dial Records. The box set, released by the English label Spotlite Records, assembled into a single package the multi-volume compilation albums the label had released by Spotlite on vinyl in the 1970s under the series title Charlie Parker on Dial. The box set has been critically well received. In 1996, a different box set collecting Parker's work with Dial was assembled by Jazz Classics and released as Complete Charlie Parker on Dial.
George Morrow was a jazz bassist. Although most closely associated with Max Roach and Clifford Brown, Morrow also appears on recordings by Sonny Rollins and Sonny Stitt.
Rollins Plays for Bird is a 1957 album by jazz saxophonist Sonny Rollins, recorded for the Prestige label, featuring performances by Rollins with Kenny Dorham, Wade Legge, George Morrow and Max Roach on material associated with Charlie Parker.
Bird on 52nd St. is a live album by the saxophonist Charlie Parker. It was recorded in July 1948 at the Onyx Club on a non-professional tape recorder by trombonist Jimmy Knepper, a fan of Parker who also made the recording released as Bird at St. Nick's. It was first released in 1957 on Charles Mingus' Jazz Workshop label as JWS 501. Several tracks are incomplete; Knepper was focused on capturing Parker's solos to conserve audiotape. AllMusic reviewer Scott Yanow wrote that Parker "plays quite brilliantly on this live set", but because of seriously deficient sound quality which "sometimes borders on the unlistenable" the album can be considered as being "for true Charlie Parker completists only."
James Henry Oliver (1920-2005) was a tenor saxophonist and bandleader based in Philadelphia. Active from the mid-1940s, his bands, including the house band at local venues, featured, among other musicians, Philly Joe Jones, Steve Davis, Red Garland, Johnny Coles Charlie Rice, Sam Reed and Mickey Roker. He has been cited as one of several sax players who influenced John Coltrane.
Live at Rockland Palace, also released as The Complete Legendary Rockland Palace Concert, is a live album by jazz saxophonist Charlie Parker, recorded in 1952 with strings at Rockland Palace in Harlem. The event was a benefit concert for local politician Benjamin Davis.