Tadley Ewing Peake Dameron was an American jazz composer, arranger, and pianist.
James Minter Knepper was an American jazz trombonist. In addition to his own recordings as leader, Knepper performed and recorded with Charlie Barnet, Woody Herman, Claude Thornhill, Stan Kenton, Benny Goodman, Gil Evans, Thad Jones and Mel Lewis, Toshiko Akiyoshi and Lew Tabackin, and, most famously, Charles Mingus in the late 1950s and early 1960s. Knepper died in 2003 of complications of Parkinson's disease.
Robert Roland Chudnick, known professionally as Red Rodney, was an American jazz trumpeter.
Bird is a 1988 American biographical musical drama film about jazz saxophonist Charlie "Bird" Parker, directed and produced by Clint Eastwood from a screenplay by Joel Oliansky. The film stars Forest Whitaker as Parker, and Diane Venora. It is constructed as a montage of scenes from Parker's life, from his childhood in Kansas City, through his early death at the age of 34.
"A Night in Tunisia" is a musical composition written by American trumpeter Dizzy Gillespie around 1940–1942. He wrote it while he was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944.
Jazz at Massey Hall is a live jazz album recorded on 15 May 1953 at Massey Hall in Toronto, Canada. Credited to "the Quintet", the group was composed of five leading "modern" players of the day: Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach. It was the only time that the five musicians recorded together as a unit, and it was the last recorded meeting of Parker and Gillespie.
Bird and Diz is a studio album by jazz saxophonist Charlie Parker and trumpeter Dizzy Gillespie. It was recorded primarily on June 6, 1950, in New York City. Two tracks featured on the original pressing, "Passport" and "Visa", were recorded by Parker, without Gillespie and with different personnel than the other tracks, in March and May 1949. The album was originally issued in 1952 in 10" format as a collection of 78 rpm singles on the Verve subsidiary label Clef Records.
This is a list of recordings by American jazz alto saxophonist Charlie Parker ("Bird"). Parker primarily recorded for three labels: Savoy, Dial, and Verve. His work with these labels has been chronicled in box sets. Charlie Parker's Savoy and Dial Sessions have been issued on The Complete Savoy Sessions, Charlie Parker on Dial and Complete Charlie Parker on Dial and The Complete Savoy & Dial Master Takes. His Verve recordings are available on Bird: The Complete Charlie Parker on Verve and The Complete Verve Master Takes.
"Ko-Ko" is a 1945 bebop recording composed by Charlie Parker. The original recorded version lists Parker on alto saxophone with trumpeter Miles Davis, double bassist Curley Russell and drummer Max Roach. Due to the absence of Bud Powell, Dizzy Gillespie was enlisted to play piano, instead of his usual trumpet. Pianist Sadik Hakim, then known as Argonne Thornton, was also known to be present at the session. Rumors persist to this day about precisely who played trumpet and piano on this piece; some claim it's young Miles Davis who plays trumpet and Gillespie comping at piano, on both takes; most claim Gillespie plays trumpet and, or instead of, piano; some claim Hakim is the pianist on all or part of one or both of the takes. However, Miles Davis confirms in his autobiography that he did not play trumpet on "Ko Ko":
"I remember Bird wanting me to play "Ko-Ko," a tune that was based on the changes of "Cherokee." Now Bird knew I was having trouble playing "Cherokee" back then. So when he said that that was the tune he wanted me to play, I just said no, I wasn't going to do it. That's why Dizzy's playing trumpet on "Ko-Ko," "Warmin' up a Riff," and "Meandering" on Charlie Parker’s Reboppers, because I wasn't going to get out there and embarrass myself. I didn't really think I was ready to play tunes at the tempo of "Cherokee" and I didn't make no bones about it."
Complete Charlie Parker on Dial is a 1996 box set release of jazz saxophonist and composer Charlie Parker's 1946–47 recordings for Dial Records. The box set, released by Jazz Classics, features 89 songs, including alternate takes and notes composed by jazz historian and Parker biographer Ira Gitler. John Genarri, author of the book Blowin' Hot and Cool: Jazz and Its Critics singles out the recording of "Lover Man" on this album, noting that "[t]his wrenching, anguished version...has been called Parker's most poetic statement on record" though, says Gennari, Parker himself viewed it as substandard and threatened physical violence against Ross Russell, a Dial records producer, for including it. Gennari also indicates that other tracks included on this CD—"Relaxin' at Camarillo", "Cheers", "Stupendous" and "Carvin' the Bird"—"have struck many listeners as his most joyous and optimistic."
Charlie Parker on Dial: The Complete Sessions is a 1993 four-disc box set collecting jazz saxophonist and composer Charlie Parker's 1940s recordings for Dial Records. The box set, released by the English label Spotlite Records, assembled into a single package the multi-volume compilation albums the label had released by Spotlite on vinyl in the 1970s under the series title Charlie Parker on Dial. The box set has been critically well received. In 1996, a different box set collecting Parker's work with Dial was assembled by Jazz Classics and released as Complete Charlie Parker on Dial.
Bud Plays Bird is a studio album by the jazz pianist Bud Powell, recorded late 1957/early 1958 for Roulette, but unreleased until 1997, when it was rediscovered by Michael Cuscuna and released by Blue Note as part of The Blue Note Collection.
Paul Motian and the Electric Bebop Band is an album of bebop jazz standards by American drummer Paul Motian originally released on the German JMT label. It was the first release by the Electric Bebop Band, which featured the veteran drummer working mainly with younger musicians and which subsequently became one of Motian's primary groups until the end of his life.
Bird at St. Nick's was a live tape recording by Charlie Parker taken from a February 1950 performance at St. Nicholas Arena. The recording was made on non-professional equipment by Jimmy Knepper, a fan of Parker. As with his recording released as Bird on 52nd St., Knepper focused mainly on recording Parker's solos to conserve audiotape. The album was the first release on Charles Mingus' Jazz Workshop label.
Pop + Jazz = Swing is an album arranged and conducted by Benny Golson featuring performances recorded in 1962 and originally released on the Audio Fidelity label. Record producer Tom Wilson was involved in the sessions and wrote the album's liner notes. The album utilised stereophonic sound to present a jazz group on the right channel and an 11-piece pop orchestra playing the same song or a related tune on the left channel which could be separated or mixed by the listener. The related jazz tunes are contrafacts or borrowed chord progressions where new melodies are overlaid on an existing harmonic structure.
The Max Roach 4 Plays Charlie Parker is an album by American jazz drummer Max Roach featuring tracks associated with Charlie Parker recorded in late 1957 and 1958 and released on the EmArcy label. It is also the first album to feature Roach playing without a piano.
The Complete RCA Victor Recordings is a 1995 compilation 2-CD set of sessions led by Jazz trumpeter and composer Dizzy Gillespie recorded for the RCA Victor label between 1937 and 1949.
BeBopBeBopBeBopBeBop is an album of bebop standards by pianist Paul Bley recorded in Denmark in 1989 and released on the SteepleChase label.
J Is for Jazz is an album by the J. J. Johnson Quintet which was released on the Columbia label.
One Night in Birdland is a live album by saxophone player Charlie Parker, trumpeter Fats Navarro, pianist Bud Powell, bassist Curley Russell, and drummer Art Blakey recorded at Birdland on May 15–16, 1950. Recorded in low audio quality on a private tape, it was released as an LP by Columbia Records.
