| South of the Border | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1952 (LP) 1995 (CD) | |||
| Genre | Latin jazz | |||
| Length | 57:54 | |||
| Label | Mercury, Verve | |||
| Charlie Parker chronology | ||||
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South of the Border is a studio album by jazz saxophonist Charlie Parker, first released in 1952 for Mercury Records as a 10" LP. [1] An expanded release was made on CD by Verve Records in 1995, and all tracks were included on Verve's box set Bird: The Complete Charlie Parker on Verve . [2]
The Penguin Guide to Jazz noted, "Time, surely, to put paid to snobbery about these lovely records," and rated the original album 3 of 4 stars and the Definitive Records re-release 2.5 of 4 stars. [3] Richard Ginell of Allmusic commented, "Bird's improvisational style changed hardly at all in a Latin setting. He continued to run off his patented lightning bop licks over the congas and bongos and they just happened to interlock with the grooves quite snugly, although he did adapt his phrasing of the tunes themselves to suit their rhythmic lines." [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   (vinyl) [1]  (CD) [2] |
| The Penguin Guide to Jazz | (vinyl) (CD) [3] |
Eddie Palmieri is an American Grammy Award-winning pianist, bandleader, musician, and composer of Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive.
Machito was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. He was raised in Havana with the singer Graciela, his foster sister.
Prudencio Mario Bauzá Cárdenas was an Afro-Cuban jazz, and jazz musician. He was among the first to introduce Cuban music to the United States by bringing Cuban musical styles to the New York City jazz scene. While Cuban bands had had popular jazz tunes in their repertoire for years, Bauzá's composition "Tangá" was the first piece to blend jazz harmony and arranging technique, with jazz soloists and Afro-Cuban rhythms. It is considered the first true Afro-Cuban jazz tune.
Arturo "Chico" O'Farrill was a Cuban composer, arranger, and conductor, best known for his work in the Latin idiom, specifically Afro-Cuban jazz or "Cubop", although he also composed traditional jazz pieces and even symphonic works.
Leonard William Hambro, known as Lenny Hambro, was a journeyman jazz musician who played woodwinds, primarily alto saxophone, with a host of bands, orchestras, and jazz notables from the early 1940s through the mid-1960s, and continued as a session musician, music producer, booking agent, and entertainment coordinator through the mid-1990s. Early in his professional career, Hambro spelled his name "Lennie" but changed it to the former spelling in 1954, although he was occasionally referred to as "Lennie" in the press as late as 1957. Hambro broke into the profession with Gene Krupa in 1942. However, he is best known for his time as manager and assistant band leader with the New Glenn Miller Orchestra under the direction of Ray McKinley. He was well known in the Latin Jazz community and was closely associated with Chico O'Farrill.
April in Paris is an album by pianist/bandleader Count Basie and His Orchestra, his first released on the Verve label, recorded in 1955 and 1956.
Bird and Diz is a studio album by jazz saxophonist Charlie Parker and trumpeter Dizzy Gillespie. It was recorded primarily on June 6, 1950, in New York City. Two tracks featured on the original pressing, "Passport" and "Visa", were recorded by Parker, without Gillespie and with different personnel than the other tracks, in March and May 1949. The album was originally issued in 1952 in 10" format as a collection of 78 rpm singles on the Verve subsidiary label Clef Records.
This is a list of recordings by American jazz alto saxophonist Charlie Parker ("Bird"). Parker primarily recorded for three labels: Savoy, Dial, and Verve. His work with these labels has been chronicled in box sets. Charlie Parker's Savoy and Dial Sessions have been issued on The Complete Savoy Sessions, Charlie Parker on Dial and Complete Charlie Parker on Dial and The Complete Savoy & Dial Master Takes. His Verve recordings are available on Bird: The Complete Charlie Parker on Verve and The Complete Verve Master Takes.
Charlie Parker with Strings is the name of two separate albums by jazz musician Charlie Parker, released in 1950 on Mercury Records. It is also the name of a 1995 compilation album released by Verve Records, containing all the tracks from both the 1950 albums, as well as additional material. The sessions place Parker in the context of a small classical string section and a jazz rhythm section, rather than his standard bebop quintet. They were Parker's most popular sellers during his lifetime, and were admitted to the Grammy Hall of Fame in 1988.
Carlos Valdés Galán, better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him "the greatest conguero alive today".
Francisco "Chino" Pozo was a Cuban drummer.
Bird: The Complete Charlie Parker on Verve is a 1990 box-set by jazz musician Charlie Parker. It features every extant note Parker recorded for labels controlled by Norman Granz as well as his appearances at Jazz at the Philharmonic. Parker recorded for Granz primarily in the last five years of his life, a period during which, besides playing with his famous quintet, he experimented with strings, Afro-Cuban jazz and mixed chorus. Among the albums produced during Parker’s Verve years were Bird & Diz, Charlie Parker with Strings, and Swedish Schnapps.
Carlos Vidal Bolado also known as "Vidal Bolado" (1914–1996) was a Cuban conga drummer and an original member of Machito and his Afro-Cubans. Vidal holds the double distinction of being the first to record authentic folkloric Cuban rumba and the first to play congas in Latin jazz.
The Latin Bit is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 and released on the Blue Note label. It is a loose concept album inspired by Latin American music. It features tenor saxophonist Ike Quebec, pianists Sonny Clark and John Adriano Acea, bassist Wendell Marshall and percussionists Willie Bobo, Garvin Masseaux and “Patato” Valdes.
On Broadway Volume 3 is the third album of Broadway show tunes by Paul Motian to be released on the German JMT label. Recorded in 1991, it was released in 1993 and features performances by Motian with guitarist Bill Frisell, bassist Charlie Haden, alto saxophonist Lee Konitz and tenor saxophonist Joe Lovano. The album was rereleased on the Winter & Winter label in 2004.
Stitt Plays Bird is an album by American jazz saxophonist Sonny Stitt, recorded in 1963 and issued on Atlantic Records in 1964. As the title suggests, it was recorded as a homage to the legendary saxophonist Charlie Parker, who was nicknamed "Bird."
Quartet West is an album by the American jazz bassist Charlie Haden, recorded in 1986 and released on the Verve label.
Afro is an album by trumpeter Dizzy Gillespie, released in 1954 on the Norgran label. Gillespie worked with many Cuban musicians on the album.
Afro-Cuban Jazz Moods is an album by Dizzy Gillespie and Machito, featuring arrangements by Chico O'Farrill, recorded in 1975 and released on the Pablo label.
The Washington Concerts is an album by jazz saxophonist Charlie Parker, first released in 1983 by Elektra and re-released in its full form by Blue Note in 2001. The album's content is drawn from two live performances at the Howard Theatre and one at Club Kavakos.
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