position\n|-\n!scope=\"row\"|Australia ([[ARIA Charts|ARIA]]){{cite web|url=http://imgur.com/IqGIvWy|title=Imgur Post, Jan 10 2017|publisher=[[ARIA Charts]]|access-date=13 July 2019}}\n|196\n|-\n",{"template":{"target":{"wt":"single chart","href":"./Template:Single_chart"},"params":{"1":{"wt":"Canadatopsingles"},"2":{"wt":"2"},"chartid":{"wt":"3420"},"rowheader":{"wt":"true"},"access-date":{"wt":"23 December 2016"}},"i":2}},"\n|-\n",{"template":{"target":{"wt":"single chart","href":"./Template:Single_chart"},"params":{"1":{"wt":"Canadaadultcontemporary"},"2":{"wt":"2"},"chartid":{"wt":"3421"},"rowheader":{"wt":"true"},"access-date":{"wt":"23 December 2016"}},"i":3}},"\n|-\n",{"template":{"target":{"wt":"single chart","href":"./Template:Single_chart"},"params":{"1":{"wt":"Canadarock"},"2":{"wt":"3"},"chartid":{"wt":"3436"},"rowheader":{"wt":"true"},"access-date":{"wt":"23 December 2016"}},"i":4}},"\n|-\n",{"template":{"target":{"wt":"single chart","href":"./Template:Single_chart"},"params":{"1":{"wt":"Billboardhot100"},"2":{"wt":"28"},"artist":{"wt":"Sarah McLachlan"},"rowheader":{"wt":"true"},"access-date":{"wt":"23 December 2016"}},"i":5}},"\n|-\n",{"template":{"target":{"wt":"single chart","href":"./Template:Single_chart"},"params":{"1":{"wt":"Billboardadultalternativesongs"},"2":{"wt":"2"},"artist":{"wt":"Sarah McLachlan"},"rowheader":{"wt":"true"},"access-date":{"wt":"13 July 2019"}},"i":6}},"\n|-\n",{"template":{"target":{"wt":"single chart","href":"./Template:Single_chart"},"params":{"1":{"wt":"Billboardadultcontemporary"},"2":{"wt":"27"},"artist":{"wt":"Sarah McLachlan"},"rowheader":{"wt":"true"},"access-date":{"wt":"23 December 2016"}},"i":7}},"\n|-\n",{"template":{"target":{"wt":"single chart","href":"./Template:Single_chart"},"params":{"1":{"wt":"Billboardadultpopsongs"},"2":{"wt":"10"},"artist":{"wt":"Sarah McLachlan"},"rowheader":{"wt":"true"},"access-date":{"wt":"23 December 2016"}},"i":8}},"\n|-\n",{"template":{"target":{"wt":"single chart","href":"./Template:Single_chart"},"params":{"1":{"wt":"Billboardalternativesongs"},"2":{"wt":"14"},"artist":{"wt":"Sarah McLachlan"},"rowheader":{"wt":"true"},"access-date":{"wt":"23 December 2016"}},"i":9}},"\n|-\n",{"template":{"target":{"wt":"single chart","href":"./Template:Single_chart"},"params":{"1":{"wt":"Billboarddanceclubplay"},"2":{"wt":"6"},"artist":{"wt":"Sarah McLachlan"},"rowheader":{"wt":"true"},"access-date":{"wt":"23 December 2016"}},"i":10}},"\n|-\n",{"template":{"target":{"wt":"single chart","href":"./Template:Single_chart"},"params":{"1":{"wt":"Billboardpopsongs"},"2":{"wt":"23"},"artist":{"wt":"Sarah McLachlan"},"rowheader":{"wt":"true"},"access-date":{"wt":"23 December 2016"}},"i":11}},"\n|}\n",{"template":{"target":{"wt":"col-2","href":"./Template:Col-2"},"params":{},"i":12}},"\n\n===Year-end charts===\n{|class=\"wikitable plainrowheaders\" style=\"text-align:center\"\n!scope=\"col\"|Chart (1997)\n!scope=\"col\"|Position\n|-\n!scope=\"row\"|Canada Top Singles (''RPM''){{cite magazine|url=https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.3416&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.3416.gif&Ecopy=nlc008388.3416|title=RPM '97 Year End ...Top 100 Hit Tracks|magazine=RPM|via=[[Library and Archives Canada]]|date=15 December 1997|access-date=23 December 2016}}\n|78\n|-\n!scope=\"row\"|Canada Rock/Alternative (''RPM''){{cite magazine|url=http://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.3415&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.3415.gif&Ecopy=nlc008388.3415|title=RPM '97 Year End ...Top 50 Alternative Tracks|magazine=RPM|via=Library and Archives Canada|date=15 December 1997|access-date=23 December 2016}}\n|50\n|}\n{|class=\"wikitable sortable plainrowheaders\" style=\"text-align:center\"\n!scope=\"col\"|Chart (1998)\n!scope=\"col\"|Position\n|-\n!scope=\"row\"|Canada Top Singles (''RPM''){{cite magazine|url=http://rpmimages.3345.ca/pdfs/Volume+68-No.+12-December+14%2C+1998.pdf|title=RPM's Top 100 Hit Tracks of '98|magazine=[[RPM (magazine)|RPM]]|volume=63|issue=12|page=20|date=December 14, 1998|access-date=March 23, 2019}}\n|23\n|-\n!scope=\"row\"|Canada Adult Contemporary (''RPM''){{cite magazine|url=https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.6979&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.6979.gif&Ecopy=nlc008388.6979|title=RMP's Top 100 Adult Contemporary Tracks of '98|magazine=RPM|via=Library and Archives Canada|date=14 December 1998|access-date=24 October 2021}}\n|20\n|-\n!scope=\"row\"|Canada Rock/Alternative (''RPM''){{cite magazine|url=http://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.6985&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.6985.gif&Ecopy=nlc008388.6985|title=RPM '98 Year End ...Top 50 Alternative Tracks|magazine=RPM|via=Library and Archives Canada|date=14 December 1998|access-date=23 December 2016}}\n|28\n|-\n!scope=\"row\"|US Adult Top 40 (''Billboard''){{cite magazine|title=Most Played Adult Top 40 Songs of 1998|magazine=[[Airplay Monitor]]|volume=6|issue=52|page=55|date=25 December 1998}}\n|35\n|-\n!scope=\"row\"|US Mainstream Top 40 (''Billboard''){{cite magazine|title=Most Played Mainstream Top 40 Songs of 1998|magazine=Airplay Monitor|volume=6|issue=52|page=45|date=25 December 1998}}\n|98\n|-\n!scope=\"row\"|US Modern Rock Tracks (''Billboard''){{cite magazine|title=Most Played Modern Rock Songs of 1998|magazine=Airplay Monitor|volume=6|issue=52|page=36|date=25 December 1998}}\n|61\n|-\n!scope=\"row\"|US Triple-A (''Billboard''){{cite magazine|title=Best of '98: Most Played Triple-A Songs|magazine=Airplay Monitor|volume=6|issue=52|page=35|date=25 December 1998}}\n|14\n|}\n",{"template":{"target":{"wt":"col-end","href":"./Template:Col-end"},"params":{},"i":13}}]}" id="mwRg">
Weekly charts
| Year-end charts
|
Surfacing is the fourth studio album by Canadian singer-songwriter Sarah McLachlan. Released in 1997, it was produced by McLachlan's frequent collaborator, Pierre Marchand. It was released in July 1997, coinciding with the start of McLachlan's Lilith Fair tour. The album reached the top position on the Canadian RPM 100 Albums chart, number two on the US Billboard 200 and became her first album to reach the top 50 outside of North America, achieving that in the UK, Australia and the Netherlands. It was certified as Diamond in sales in Canada and as 8× Platinum in sales in the US. Critical reviews were mixed; some of the more positive reviews praised the songwriting, while the album's detractors criticized it as banal and slow.
"Truly Madly Deeply" is a song by Australian pop duo Savage Garden, released in March 1997 as the third single from their self-titled debut album (1997) by Roadshow and Warner Music. It won the 1997 ARIA Music Award for both Single of the Year and Highest Selling Single and was nominated for Song of the Year. Written by bandmates Darren Hayes and Daniel Jones, the song is a reworking of a song called "Magical Kisses" that the pair wrote together during the recording of their debut album.
Remixed is the first remix album by Canadian singer Sarah McLachlan, released in Canada on 4 July 2001 by Nettwerk and in the United States on 16 December 2003 by Arista Records. It includes various dance club versions of McLachlan's songs, remixed by DJs such as William Orbit, Tiësto, BT, and Rabbit in the Moon.
"Building a Mystery" is a song by Canadian singer-songwriter Sarah McLachlan from her fourth studio album, Surfacing (1997). At a live performance, Sarah explains the song as being "basically about the fact that we all... have insecurities to hide, and we often do that by putting on a facade." She also goes on to say that "unfortunately, if we just be who we are, that's usually the more attractive and beautiful thing".
"Wifey" is a song by American R&B trio Next. The song was written by Eddie Berkeley, Keir Gist, band member Robert "RL" Huggar, and singer Lil' Mo for the group's second studio album, Welcome II Nextasy (2000). The song was released as the album's lead single on May 8, 2000. "Wifey" peaked at number one on the US Billboard Hot R&B/Hip-Hop Singles & Tracks chart while reaching number seven on the Billboard Hot 100. It also entered the top 20 in New Zealand and the United Kingdom. In 2001, the song won an AWARD Rhythm & Soul Award for in the Award-Winning R&B/Hip-Hop Songs category.
"Angel" is a song by Canadian singer-songwriter Sarah McLachlan. The song first appeared on McLachlan's fourth studio album, Surfacing, in 1997 and was released as the album's fourth and final single in September 1998. The lyrics are about the death of musician Jonathan Melvoin (1961–1996) from a heroin overdose, as McLachlan explained on VH1 Storytellers. It is sometimes mistitled as "In the Arms of an Angel". or "Arms of the Angel".
"Angel of Mine" is a song by British R&B girl group Eternal from their first compilation album, Greatest Hits (1997). It was written by Rhett Lawrence and Travon Potts, produced by Lawrence, and released on 29 September 1997. The song became Eternal's 12th and final top-10 hit on the UK Singles Chart, peaking at number four. "Angel of Mine" was the ensemble's final single as a three-piece, as after its release, Kéllé Bryan left the group. In June 2019, "Angel of Mine" was ranked at number 91 on the Official Charts Company's "Top 100 Girl Band Singles of the Last 25 Years".
"Fallen" is the first single from Canadian singer-songwriter Sarah McLachlan's fifth studio album, Afterglow (2003). The song was a moderate commercial success, reaching number 32 in Ireland, number 41 in Australia and the United States, and number 50 in the United Kingdom. At the 2004 Grammy Awards, it was nominated for Best Female Pop Vocal Performance, losing to "Beautiful" by Christina Aguilera.
"Smooth" is a song performed by American rock band Santana and Rob Thomas of Matchbox Twenty, who sings the lead vocals. It was released on June 15, 1999, as the lead single from Santana's 1999 studio album, Supernatural. It was written by Itaal Shur and Thomas, who re-wrote Shur's original melody and lyrics, and produced by Matt Serletic.
"The First Night" is a song by American singer Monica for her second studio album, The Boy Is Mine (1998). It was written by Tamara Savage and Jermaine Dupri, featuring production and additional vocals from the latter. Built around a sample of Diana Ross's 1976 recording "Love Hangover", penned by Marilyn McLeod and Pam Sawyer, who share co-writing credits, the song is about the protagonist's battle with sexual temptations on the night of her first date, despite her conflicting emotions and strong sexual desires.
"Elegantly Wasted" is the title track and first single released from the album Elegantly Wasted by Australian band INXS. The single was released in Europe, Japan, Australia, South Africa, Canada, and the United States.
"Most Girls" is a song by American singer Pink, released as the second single from her debut album, Can't Take Me Home (2000). It was released on June 6, 2000, and, after spending 16 weeks on the US Billboard Hot 100 chart, peaked at number four on November 25. The song also reached number one in Australia, where it was certified platinum, number two in Canada and New Zealand, and number five in the United Kingdom.
"You're Makin' Me High" is the lead single from American singer Toni Braxton's second studio album, Secrets (1996). The mid-tempo song represents a joint collaboration between the Grammy Award-winning producer Babyface and Bryce Wilson. The beat of the song was originally for singer-songwriter Brandy, with Dallas Austin pegged to write a lyric to override; however, Braxton had Babyface write lyrics for the song. It was ultimately issued in the United States as a double A-side with "Let It Flow", the airplay hit from the 1995 film Waiting to Exhale.
"Sittin' Up in My Room" is a song by American recording artist Brandy Norwood. It was written and produced by Babyface and recorded by Norwood for the soundtrack of the 1995 film Waiting to Exhale, starring Whitney Houston and Angela Bassett. The track was one out of five singles the album spawned and reached number two on the US Billboard Hot 100, becoming Norwood's most successful single on that particular chart up to that point. It is of note that the characteristic bass intro is a replica of the famous riff performed by bassist Larry Graham, of Sly and the Family Stone, on their hit "Thank You ", and its remix featuring LL Cool J contains a sample of "Haven't You Heard" by Patrice Rushen.
"He Liked to Feel It" is a song by Canadian rock band Crash Test Dummies, released as the second track on their third studio album, A Worm's Life (1996). The song was written by the band's lead singer, Brad Roberts, and was produced by Brad alongside his brother and bassist Dan Roberts alongside drummer Michel "Mitch" Dorge. Arista Records released it as the lead single from A Worm's Life on September 9, 1996. The lyrics of the song originated from Brad Roberts' personal reflections about teeth, telling a story in which a boy likes the removal of his baby teeth via bizarre methods.
"You're the One" is a song recorded by American female R&B vocal trio SWV for their second studio album, New Beginning (1996). RCA Records released the song on March 29, 1996, as the lead single from New Beginning. "You're the One" topped the US Billboard Hot R&B Singles chart and became a top-10 hit on the Billboard Hot 100 and in New Zealand, receiving gold certifications in both countries. A sample of this song can be heard in South Korean boy group EXO's song "Ya Ya Ya" from their seventh studio album, Obsession (2019).
"Mouth" is a song written by Australian singer-songwriter Merril Bainbridge and produced by Siew for Bainbridge's debut album, The Garden (1995). It was released as the album's first single in October 1994 in Australia, then was re-issued in 1995. "Mouth" became her biggest hit, peaking at number one on the Australian ARIA Singles Chart for six consecutive weeks and in Canada for one week. The song also became a top-five hit in Iceland and the United States and reached number 17 in New Zealand.
"Adia" is a song by Canadian singer Sarah McLachlan from her fourth studio album, Surfacing (1997). It was co-written by McLachlan and her longtime producer, Pierre Marchand. McLachlan has said about the song, "...more than anything, it's about my problems in dealing with feeling responsible for everyone else". "Adia" was released as the third North American single from Surfacing on 2 March 1998; in Europe, it served as McLachlan's debut single, receiving a UK release in September 1998.
"Girl on TV" is a song written and performed by American boy band LFO. It was released in November 1999 from their debut album, LFO (1999). The song peaked at number 10 on the US Billboard Hot 100 and number six in the United Kingdom, where it is their highest-charting hit. "Girl on TV" was certified gold by the Recording Industry Association of America (RIAA) in December 1999 for the shipment of over 500,000 copies in the US.
"Holiday" is the fourth and final single released from American hip hop trio Naughty by Nature's fifth album, Nineteen Naughty Nine: Nature's Fury. The song is built entirely around a dramatically slowed down sample of Change's 1980 number-one US dance hit "A Lover's Holiday". The song was released in October 1999 and was the final release that Naughty by Nature released during their short-lived tenure at Arista Records.
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