Fumbling Towards Ecstasy | ||||
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Studio album by | ||||
Released | 22 October 1993 | |||
Recorded | 1993 | |||
Studio | Le Studio (Morin Heights, Quebec) | |||
Genre | ||||
Length | 57:50 | |||
Label | ||||
Producer | Pierre Marchand | |||
Sarah McLachlan chronology | ||||
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Singles from Fumbling Towards Ecstasy | ||||
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Fumbling Towards Ecstasy is the third studio album by Canadian singer-songwriter Sarah McLachlan, released on 22 October 1993 in Canada, 15 February 1994 in the United States, 24 May 1994 in Japan, and 14 August 1994 in Australia. It was produced by Pierre Marchand in Montreal; McLachlan wrote most of the album while living in a small house near Marchand's studio.
The album was an immediate hit in Canada, where McLachlan was already an established star. It was slower to become her breakthrough album internationally, however; in some countries, most notably the US, it stayed in the middle ranges of the pop charts for almost two years. As of November 2003, the album had sold 2.8 million copies in the US. [1]
Some editions contain an album version of McLachlan's 1995 single used for The Brothers McMullen soundtrack, "I Will Remember You". The track's lyrics do not appear in the booklet, nor does the track's crediting information.
On August 5, 2008, a three-disc 15th anniversary edition of the album was released. The set includes the original remastered album, The Freedom Sessions EP and a DVD that includes live performances, music videos and more. The album was released by Legacy Recordings.
In December 2023, McLachlan announced she would perform on a 30 city tour in 2024 for the 30th anniversary of Fumbling Towards Ecstasy, playing the entire album in shows along with other songs. [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Chicago Tribune | [4] |
Entertainment Weekly | A [5] |
Hot Press | 10/12 [6] |
Los Angeles Times | [7] |
Pitchfork | 8.2/10 [8] |
PopMatters | 8/10 [9] |
Rolling Stone | [10] |
The Rolling Stone Album Guide | [11] |
Slant Magazine | [12] |
Chicago Tribune critic Dan Kening praised Fumbling Towards Ecstasy as "a terrific album from a gifted 26-year-old Canadian who is mature beyond her years", highlighting McLachlan's "hauntingly beautiful voice" and the songs' "gorgeous arrangements". [4] Similarly, Entertainment Weekly 's David Bock opined that McLachlan's songs "probe the deeper, darker aspects of the human condition with an honesty, patience, and wisdom way beyond her 26 years." [5] Comparing the record to its predecessor Solace (1991), Elysa Gardner of Rolling Stone wrote that despite its "less buoyant hooks and more muted arrangements", "there are moments of quiet radiance on Ecstasy, and even the more elusive songs reveal a passionate dignity." [10]
In a retrospective review for AllMusic, Andrew Leahey called Fumbling Towards Ecstasy "a softly assured album that combined the atmospheric production of Pierre Marchand ... with some of McLachlan's strongest songwriting to date", adding that "McLachlan's work was rarely as raw or honest as it is on this record". [3] Richard Skanse, writing in the 2004 Rolling Stone Album Guide , said that McLachlan "truly came into her own as an artist" on the album, finding her lyrics "sharper, her trademark earnestness now carrying a formidable edge." [11] In 2000, it was voted number 200 in Colin Larkin's All Time Top 1000 Albums , [13] and in 2022, Pitchfork listed it as the 119th-best album of the 1990s. [14]
All tracks are written by Sarah McLachlan, except "Fumbling Towards Ecstasy" co-written with Pierre Marchand.
No. | Title | Length |
---|---|---|
1. | "Possession" | 4:39 |
2. | "Wait" | 4:09 |
3. | "Plenty" | 4:05 |
4. | "Good Enough" | 5:03 |
5. | "Mary" | 3:55 |
6. | "Elsewhere" | 4:44 |
7. | "Circle" | 3:43 |
8. | "Ice" | 3:54 |
9. | "Hold On" | 4:09 |
10. | "Ice Cream" | 2:44 |
11. | "Fear" | 3:59 |
12. | "Fumbling Towards Ecstasy" "Ice" / "Possession" (hidden track) | 9:49 |
Total length: | 54:57 |
Notes:
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [24] | 5× Platinum | 500,000^ |
United States (RIAA) [25] | 3× Platinum | 3,000,000^ |
^ Shipments figures based on certification alone. |
Region | Date | Label | Format | Catalogue |
---|---|---|---|---|
Canada | 22 October 1993 | Nettwerk | CD | W2-30081 |
United States | 15 February 1994 | Arista Records | CD | 07822-18725-2 |
Japan | 24 May 1994 | BMG Japan | CD | BVCA-638 |
Australia | 14 August 1994 | Arista Records | CD | 07822-18725-2 |
Sarah Ann McLachlan OC OBC is a Canadian singer-songwriter. As of 2015, she had sold over 40 million albums worldwide. McLachlan's best-selling album to date is Surfacing, for which she won two Grammy Awards and four Juno Awards. In addition to her personal artistic efforts, she founded the Lilith Fair tour, which showcased female musicians.
Surfacing is the fourth studio album by Canadian singer-songwriter Sarah McLachlan. Released in 1997, it was produced by McLachlan's frequent collaborator, Pierre Marchand. It was released in July 1997, coinciding with the start of McLachlan's Lilith Fair tour. The album reached the top position on the Canadian RPM 100 Albums chart, number two on the US Billboard 200 and became her first album to reach the top 50 outside of North America, achieving that in the UK, Australia and the Netherlands. It was certified as Diamond in sales in Canada and as 8× Platinum in sales in the US. Critical reviews were mixed; some of the more positive reviews praised the songwriting, while the album's detractors criticized it as banal and slow.
Mirrorball is a 1999 live album by Sarah McLachlan, compiled from performances during the Surfacing tour in 1997–98. Most of the 14 songs are from McLachlan's two most recent albums at the time, Fumbling Towards Ecstasy and Surfacing. It was a commercial success, entering top 3 on both Billboard 200 and Canadian Albums Chart.
Afterglow is the fifth studio album by Canadian singer-songwriter Sarah McLachlan. Released on 4 November 2003, on Nettwerk in Canada and 4 November 2003, on Arista Records in the United States, it was her first album of new material in six years, after the success of Surfacing and the Lilith Fair festival. Longtime collaborator Pierre Marchand produced the album. McLachlan wrote eight of the 10 songs herself and co-wrote the other two with Marchand.
The Freedom Sessions is an album by Sarah McLachlan which was released on 6 December 1994 on Nettwerk in Canada and on 28 March 1995 on Arista Records in the United States. The album contains previously unreleased alternative versions and remixes of seven songs that had appeared on McLachlan's 1993 album Fumbling Towards Ecstasy, as well as a cover version of "Ol' '55" by Tom Waits. Many of the tracks were recorded during the same sessions as Fumbling. In subsequent live performances, some of these songs were reworked to match the style in which they were played on this album.
Touch is the debut album by Canadian singer-songwriter Sarah McLachlan. It was originally released on October 11, 1988 through Nettwerk and Capitol Records. The album was then re-released on April 3, 1989 through Nettwerk and Arista Records with additional material and new cover art. The album includes "Vox", McLachlan's debut single, which reached number 90 in Canada upon its release.
Solace is the second studio album by Canadian singer-songwriter Sarah McLachlan, released on 29 June 1991, on Nettwerk in Canada and 28 January 1992, on Arista Records in the United States. It was the album that first made her a star in Canada, spawning the hit singles "The Path of Thorns (Terms)" and "Into the Fire" and being certified double platinum for sales of 200,000 copies in Canada. This was also the first of many Sarah McLachlan albums produced by Pierre Marchand.
Pierre Marchand is a Canadian songwriter, musician and record producer.
Remixed is the first remix album by Canadian singer Sarah McLachlan, released in Canada on 4 July 2001 by Nettwerk and in the United States on 16 December 2003 by Arista Records. It includes various dance club versions of McLachlan's songs, remixed by DJs such as William Orbit, Tiësto, BT, and Rabbit in the Moon.
Afterglow Live is a 2004 live CD and DVD package by Sarah McLachlan.
"Building a Mystery" is a song by Canadian singer-songwriter Sarah McLachlan from her fourth studio album, Surfacing (1997). At a live performance, Sarah explains the song as being "basically about the fact that we all... have insecurities to hide, and we often do that by putting on a facade." She also goes on to say that "unfortunately, if we just be who we are, that's usually the more attractive and beautiful thing".
"Angel" is a song by Canadian singer-songwriter Sarah McLachlan. The song first appeared on McLachlan's fourth studio album, Surfacing, in 1997 and was released as the album's fourth and final single in September 1998. The lyrics are about the death of musician Jonathan Melvoin (1961–1996) from a heroin overdose, as McLachlan explained on VH1 Storytellers. It is sometimes mistitled as "In the Arms of an Angel". or "Arms of the Angel".
“Possession” is a song by Canadian singer-songwriter Sarah McLachlan, and was the first single from her album Fumbling Towards Ecstasy. It was written and composed by McLachlan herself and was produced by Pierre Marchand. It was released in Canada on 10 September 1993 by Nettwerk Records. The song appears twice on the album, as the first track and as a hidden track at the end, which is a solo piano version. “Possession” is written from the viewpoint of a man obsessed with a woman, and was inspired by consistent fan letters to McLachlan some time before the writing of the song. The most famous ones are from a computer programmer from Ottawa, Ontario named Uwe Vandrei, who sued McLachlan for using his words without crediting him. However, Vandrei died by suicide before the case could ever be taken to court.
Trouble in Shangri-La is the sixth studio album by American singer-songwriter Stevie Nicks. Released in 2001, it was her first new solo album since 1994's Street Angel. The album debuted at number five on the Billboard 200, Nicks' highest peak since 1983's The Wild Heart, with sales of 109,000 copies in its first week. The album remained in the top 10 in its second week holding the #9 spot and sold 76,000 copies. The album spent a total of 20 weeks on the Billboard 200. It achieved Gold status within six weeks of its release for shipping 500,000 copies in the U.S. As of February 2011, the album has sold over 663,000 copies in the US. Three singles were released: "Every Day", "Planets of the Universe", and "Sorcerer".
Wintersong is the sixth album and first Christmas album by Canadian singer-songwriter Sarah McLachlan, released in October 2006. It was produced by longtime collaborator Pierre Marchand and includes contributions from Jim Creeggan of Barenaked Ladies. The album also includes a collaboration with Jazz musician Diana Krall. In 2007, the album was nominated for a Grammy Award for Best Traditional Pop Vocal Album. In 2015, all songs from Wintersong plus five more tracks were released as The Classic Christmas Album.
"Good Enough" is a song by Canadian singer-songwriter Sarah McLachlan. It was released on 12 September 1994 as the third and final single from her third studio album Fumbling Towards Ecstasy (1993).
"Adia" is a song by Canadian singer Sarah McLachlan from her fourth studio album, Surfacing (1997). It was co-written by McLachlan and her longtime producer, Pierre Marchand. McLachlan has said about the song, "...more than anything, it's about my problems in dealing with feeling responsible for everyone else". "Adia" was released as the third North American single from Surfacing on 2 March 1998; in Europe, it served as McLachlan's debut single, receiving a UK release in September 1998.
"Sweet Surrender" is a song by Canadian singer Sarah McLachlan. It was released in 1997 as the second single from her fourth studio album, Surfacing (1997). The song peaked at number two in Canada and number 28 on the US Billboard Hot 100. In 2001, a maxi-single with remixes by DJ Tiësto was released peaking at number six on the US Hot Dance Club Play chart, three years after its original release.
This is the discography of Canadian musician, singer, songwriter and pianist, Sarah McLachlan. Her debut album, Touch was released in 1988 and included first singles: "Vox", "Steaming" and "Ben's Song". The album charted in Canada and the United States and was certified platinum in Canada and gold in the US. The next album, Solace was issued in 1991. It peaked at number 20 in Canada and was certified double platinum there. Solace also charted in the US, where it was certified gold. It featured three singles: "The Path of Thorns (Terms)", "Into the Fire" and "Drawn to the Rhythm". The third studio album, Fumbling Towards Ecstasy (1993) became McLachlan's mainstream breakthrough album in Canada and the United States. It peaked at number five in Canada and number 50 on the US Billboard 200, and was certified 5× platinum in Canada and 3× platinum in the US. "Possession" and "Good Enough" became McLachlan's first singles to chart on the US Billboard Hot 100. "Good Enough" also became her first top 10 hit in Canada, reaching number nine. At the 37th Annual Grammy Awards, Fumbling Towards Ecstasy was nominated for the Grammy Award for Best Alternative Music Performance.
Laws of Illusion is the seventh studio album by Canadian singer-songwriter Sarah McLachlan. It was released on 11 June 2010 on Arista Records in the United States and 15 June 2010 on Nettwerk in Canada. Recording for the album took place in Montreal and Vancouver and production was handled by Pierre Marchand, with whom McLachlan has frequently collaborated in the past.