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Temple Lushington Moore | |
---|---|
Born | Tullamore, Ireland | 7 June 1856
Died | 30 June 1920 64) Hampstead, London, England | (aged
Nationality | English |
Occupation | Architect |
Buildings | St Wilfrid's Church, Harrogate All Saints Church, Stroud |
Temple Lushington Moore (7 June 1856 – 30 June 1920) was an English architect who practised in London but whose work can be seen across England, particularly in the North. He is famous for a series of fine Gothic Revival churches built between about 1890 and 1917 and also restored many churches and designed church fittings. He did some work on domestic properties, and also designed memorial crosses.
Temple Moore was born in Tullamore, County Offaly, Ireland, and was the son of an army officer. He was educated at Glasgow High School, then from 1872 privately by the Revd Richard Wilton in Londesborough in the East Riding of Yorkshire. In 1875, he moved to London and was articled to architect George Gilbert Scott, Jr. [1] Although Moore set up his own practice in 1878, he continued to work closely with Scott, helping to complete his works when Scott's health deteriorated. From the early 1880s he travelled widely studying buildings on the continent, chiefly in Germany, France and Belgium. He was particularly impressed by the great medieval brick churches of north Germany, echoes of which can be found in some of his own impressively austere designs.
In 1884 he married Emma Storrs Wilton, the eldest daughter of the Revd Wilton and thus was related to Canon Horace Newton for whom he undertook church restoration work and a large house, Holmwood, Redditch, Worcestershire. Moore's pupils included Giles Gilbert Scott, son of George Gilbert Scott, Jr. [2]
In 1905 he was elected a Fellow of the Royal Institute of British Architects. [1] Moore's only son, Richard (1891-1918), was articled to his father and it was expected that he would continue the practice. However he pre-deceased his father, being killed in 1918 when RMS Leinster was torpedoed and sunk off Dublin. Temple Moore's son-in-law, Leslie Thomas Moore, joined the practice during the following year.
Temple Moore lived his later life in Hampstead, in Downshire Hill and then at 46 Well Walk, where he died in 1920. He was buried in the churchyard of St John's Church, Hampstead, which he had altered in 1912. His estate amounted to a little over £5,635 (equivalent to £290,000in 2023). [3] Leslie Moore continued the practice, completing some of Temple Moore's commissions. [2]
Moore's main contributions to architecture were his churches; he designed about 40 new churches, and the cathedral in Nairobi. He also restored older churches, and made alterations and additions to others. In addition he designed fittings and items of furniture for the interiors of churches. In other fields, he designed and altered country houses, and other buildings including schools, vicarages, parish halls, a court house, and memorial and churchyard crosses. [2] He was also a contributor to English Domestic Architecture of the XVII & XVIII Centuries by Horace Field and Michael Bunney (1905).
In 1908, Moore made the organ case, choir stalls, reredos and communion rail for St Michael and All Angels Church, Badminton. [4]
Moore's career spanned the closing years of the Gothic Revival, but he developed the style rather than merely continuing it. In his entry in the Oxford Dictionary of National Biography the author states that his "artistic destiny was not to preserve an attenuating tradition but to bring to maturity a development which otherwise would have remained incomplete", and also expresses the opinion that he was "England's leading ecclesiastical architect from the mid-Edwardian years". [2] Of his work, the architectural historian Nikolaus Pevsner said that he "is always sensitive in his designs and often interesting". [5] Moore was an Anglican in the Anglo-Catholic tradition, which prefers its churches to have beautiful surroundings and fine fittings to enhance worship; Moore's designs reflect this. [2]
The National Heritage List for England shows that at least 34 of Moore's new churches are designated as listed buildings. Two of these, St Wilfrid, Harrogate, and All Saints, Stroud, are listed at Grade I, and at least 16 of the others are at Grade II*. [a] For his secular works, Moore received praise from his contemporaries for remodelling South Hill Park in Berkshire, and for restoring the Treasurer's House and St William's College in York. [2]
Sir Giles Gilbert Scott was a British architect known for his work on the New Bodleian Library, Cambridge University Library, Lady Margaret Hall, Oxford, Battersea Power Station, Liverpool Cathedral, and designing the iconic red telephone box.
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Sharpe, Paley and Austin are the surnames of architects who practised in Lancaster, Lancashire, England, between 1835 and 1946, working either alone or in partnership. The full names of the principals in their practice, which went under various names during its life, are Edmund Sharpe (1809–77); Edward Graham Paley (1823–95), who practised as E. G. Paley; Hubert James Austin (1841–1915); Henry Anderson Paley (1859–1946), son of Edward, usually known as Harry Paley; and, for a very brief period, Geoffrey Langshaw Austin (1884–1971), son of Hubert. The firm's commissions were mainly for buildings in Lancashire and what is now Cumbria, but also in Yorkshire, Cheshire, the West Midlands, North Wales, and Hertfordshire.
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St Paul's Church is in Scotforth, a suburb of Lancaster, Lancashire, England. It is recorded in the National Heritage List for England as a designated Grade II listed building. It is an active Anglican parish church in the deanery of Lancaster, the archdeaconry of Lancaster and Morecambe, and the diocese of Blackburn. The architectural historian Nikolaus Pevsner described it as a "strange building" and "an anachronism, almost beyond belief".
The former St Margaret of Antioch's Church building is situated on Cardigan Road, Headingley, West Yorkshire, England, near Burley Park railway station. It is an example of Late Gothic Revival church architecture, and it was built in the first few years of the twentieth century, being consecrated in 1909. It was built in the Parish of Burley to serve the population of the newly built red-brick terrace houses in the area, part of the late Victorian expansion of Leeds. Whilst a functioning Anglican Church, it had an Anglo-Catholic flavour. It is a Grade II* listed building, and was designed by Temple Moore. It was rescued from dereliction by a group of local Christians who turned it into an arts and creative space called Left Bank Leeds.
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