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Montezuma or Moctezuma may refer to:
Wolfgang Amadeus Mozart was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture".
Die Entführung aus dem Serail is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's Belmont und Constanze, oder Die Entführung aus dem Serail. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting.
Jean-Georges Noverre was a French dancer and ballet master, and is generally considered the creator of ballet d'action, a precursor of the narrative ballets of the 19th century. His birthday is now observed as International Dance Day.
Johann Peter Salomon was a German violinist, composer, conductor and musical impresario. Although he was an accomplished violinist, he is best known for bringing Joseph Haydn to London and for conducting the symphonies that Haydn wrote during his stay in England. He also knew and worked with Wolfgang Amadeus Mozart and Ludwig van Beethoven.
Josef Mysliveček was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant compositional models in the genres of symphony, Italian serious opera, and violin concerto; both Wolfgang and his father Leopold Mozart considered him an intimate friend from the time of their first meetings in Bologna in 1770 until he betrayed their trust over the promise of an operatic commission for Wolfgang to be arranged with the management of the Teatro San Carlo in Naples. His closeness to the Mozart family resulted in frequent references to him in the Mozart correspondence.
Idomeneo, re di Creta ossia Ilia e Idamante is an Italian-language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.
John O'Keeffe was an Irish actor and dramatist. He wrote a number of farces, amusing dramatic pieces and librettos for pasticcio operas, many of which had great success. Among these are Tony Lumpkin in Town (1778), Love in a Camp (1786), and Omai (1785), an account of the voyages of the Tahitian explorer Omai, and Wild Oats (1791).
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier comédie en vaudeville and the later Singspiel, its distinguishing characteristic is the use of tunes in a popular style with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported opera seria. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song."
Belmont und Constanze, oder Die Entführung aus dem Serail by Christoph Friedrich Bretzner is a libretto, published in 1781, telling the story of the hero Belmonte, assisted by his servant Pedrillo, attempting to rescue his beloved Konstanze from the seraglio of the Pasha Selim. First set to music by Johann André and performed as a singspiel in Berlin in 1781, it became famous as the story on which Wolfgang Amadeus Mozart based his opera Die Entführung aus dem Serail .
Francesca Lebrun was a noted 18th-century German singer and composer. She was renowned for her vocal dexterity and highly sought after by notable contemporaries, such as Anton Schweitzer, Ignaz Holzbauer, and Antonio Salieri, for the lead roles in their most challenging operas. Her talent extended beyond the stage to music composition and keyboard performance: as a composer, her twelve sonatas, six each in opus 1 and opus 2, for piano or harpsichord with violin accompaniment, were first published in London, England, in 1779–1781, with further editions in London, Paris, and several German centers. The opus 1 sonatas are available in commercial recording.
Anastasio Martín Ignacio Vicente Tadeo Francisco Pellegrin Martín y Soler was a Spanish composer of opera and ballet. Although relatively obscure now, in his own day he was compared favorably with his contemporary and admirer, Wolfgang Amadeus Mozart, as a composer of opera buffa. In his time he was called "Martini lo spagnuolo" ; in modern times, he has been called "the Valencian Mozart". He was known primarily for his melodious Italian comic operas and his work with Lorenzo Da Ponte in the late 18th century, as well as the melody from Una cosa rara quoted in the dining scene of Mozart's Don Giovanni.
The Cuvilliés Theatre or Old Residence Theatre is the former court theatre of the Residenz in Munich, Bavaria, Germany.
Der Rauchfangkehrer, oder Die Unentbehrlichen Verräther ihrer Herrschaften aus Eigennutz is an opera in three acts by Antonio Salieri to a German libretto by Leopold Auenbrugger. Originally designated as a Musikalisches Lustspiel, the work has the characteristics of both a German Singspiel and an Italian opera buffa.
Events from the year 1691 in England.
Miles Peter Andrews was an 18th-century English playwright, gunpowder manufacturer and politician who sat in the House of Commons from 1796 to 1814.
The Théâtre de la Porte Saint-Martin is a venerable theatre and opera house at 18, Boulevard Saint-Martin in the 10th arrondissement of Paris.
The Teatro Regio Ducale was the opera house in Milan from 26 December 1717 until 25 February 1776, when it was burned down following a carnival gala. Many famous composers and their operas are associated with it, including the premieres of Mozart's Mitridate, re di Ponto, Ascanio in Alba, and Lucio Silla. The opera house also saw the premiere of Maria Teresa Agnesi Pinottini's Ciro in Armenia in 1753; one of the earliest successfully received operas by a female composer. The variant form Regio Ducal Teatro is also seen.
The Leipzig Gewandhaus Orchestra is a German symphony orchestra based in Leipzig, Germany. The orchestra is named after the concert hall in which it is based, the Gewandhaus. In addition to its concert duties, the orchestra also performs frequently in the Thomaskirche and as the official opera orchestra of the Leipzig Opera.
Giunio Bruto is a two-act opera seria in two acts by Domenico Cimarosa to a libretto by Eschilo Acanzio, composed in 1781.
