The Bell Jar | |
---|---|
Directed by | Larry Peerce |
Screenplay by | Marjorie Kellogg |
Based on | The Bell Jar by Sylvia Plath |
Produced by | Jarrold T. Brandt Jr. Mike Todd Jr. |
Starring | Marilyn Hassett Julie Harris Anne Jackson Barbara Barrie Robert Klein |
Cinematography | Gerald Hirschfeld |
Edited by | Marvin Walowitz |
Music by | Gerald Fried |
Distributed by | AVCO Embassy Pictures |
Release date |
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Running time | 107 minutes |
Country | United States |
Language | English |
Budget | $2 million [1] |
The Bell Jar is a 1979 American drama film based on Sylvia Plath's 1963 book The Bell Jar . It was directed by Larry Peerce and stars Marilyn Hassett and Julie Harris. [2] The story follows a young woman's summer in New York working for a women's magazine, her return home to New England and her psychological breakdown within the context of the difficulties of the 1950s, including the Rosenbergs' execution, the disturbing aspects of pop culture, and the distraction of predatory college boys.
The story depicts a young woman's summer in New York working for a Mademoiselle-like magazine, returning home to New England, and having a mental breakdown amid the 1950s.
Mia Farrow had been approached for the lead role at one point. [1]
Filmmakers had been trying to adapt the novel for the screen since the early 1970s. [1]
The film was shot in June and July 1978 at Rutgers University in New Jersey, Four Winds Hospital in Katonah, New York and at various locations in New York City. [1] The fashion-show scenes were shot on the seventh-floor terrace of the International Building in New York City. [1]
Janet Maslin of The New York Times was unimpressed, stating that the film's portrayal of Esther was "disastrous...because it is the character's imaginative life that leads her to a collapse, and the movie barely even goes skin-deep. The audience isn't given the slightest clue about Esther's quirks, her fears, her peculiarly distorted notion of herself." The film has a "way of spelling things out ad nauseam and still not making them clear." Even where it should have flourished, like in descriptions of Esther's life in New York, "there's no satirical edge to any of this, and no dramatic edge either. It all simply plods along, en route to a nervous collapse that manages to seem perfectly unwarranted by the time it finally occurs." [3]
Variety wrote: "Despite some decent performances, 'The Bell Jar,' based on the late poet Sylvia Plath's autobiographical novel, evokes neither understanding or sympathy for the plight of its heroine...As played by Marilyn Hassett, who has a cool, Seventeen magazine kind of prettiness, Esther emerges as a selfish, morbid little prig." [4]
Gene Siskel of the Chicago Tribune gave the film one star out of four and called it "downright laughable, a stormy TV soap opera without that genre's sense of humor. The Bell Jar is more than just a bad movie. It's a bad movie based on a book that has meant much to many, and they will be bitterly disappointed." [5]
Kevin Thomas of the Los Angeles Times wrote that the film "would be ideal material for Ingmar Bergman, or more appropriately, since it is an American work, for the Woody Allen of Interiors . It cries for imagery and stylization—some kind of visual expression of Esther's perceptions and torments, but Peerce's approach is resolutely literal...Luckily, Marilyn Hassett's Esther is involving and thoroughly convincing—if you're prepared to share her frequent pain at merely being alive." [6]
Judith Martin of The Washington Post wrote the film seemed "especially cruel" to kill Sylvia Plath again "by reputation," by making the heroine of her story "an elitist hysteric." [7]
Jack Kroll of Newsweek wrote that "Marjorie Kellogg's screenplay is reasonably faithful to Plath's novel on the surface, but the movie totally lacks the mythic rhythm and force underneath the book's easy, colloquial style...Marilyn Hassett looks like Plath with her fine-drawn Puritan beauty, but her clean, strong acting can't overcome the film's stifling conventionality of style." [8]
Penelope Gilliatt of The New Yorker wrote: "A lot that is serious and troubled about insanity has been written in world literature, painted, and also dealt with on film. This picture is merely hysterical." [9]
The Bell Jar holds a 0% rating on Rotten Tomatoes, based on eight reviews. [10]
After the film's release, Boston psychiatrist Dr. Jane V. Anderson claimed that she was portrayed as the Joan character and filed a lawsuit. In the film, Joan attempts to convince Esther to agree to a suicide pact, an incident that is not in the book. Joan is implied to be a lesbian in Plath's novel, but it never is explicitly stated. Anderson's lawyer said that the film portrayal "has grossly damaged her reputation as a practicing psychiatrist and a member of the Harvard Medical School faculty." [11] The lawsuit was settled in 1987 for $150,000. [1]
The British Library holds the archive of poetry, diary entries, correspondence and copies of legal documents relating to the lawsuit, information that sheds light on the publication of The Bell Jar in the U.S. and the difficulties surrounding the film adaptation. [12]
Sylvia Plath was an American poet, novelist, and short story writer. She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar, a semi-autobiographical novel published shortly before her suicide in 1963. The Collected Poems was published in 1981, which included previously unpublished works. For this collection Plath was awarded a Pulitzer Prize in Poetry in 1982, making her the fourth to receive this honor posthumously.
The Bell Jar is the only novel written by the American writer and poet Sylvia Plath. Originally published under the pseudonym "Victoria Lucas" in 1963, the novel is supposedly semi-autobiographical with the names of places and people changed. The book is often regarded as a roman à clef because the protagonist's descent into mental illness parallels Plath's experiences with what may have been clinical depression or bipolar II disorder. Plath died by suicide a month after its first United Kingdom publication.
Starting Over is a 1979 American comedy-drama film based on Dan Wakefield's 1973 novel, written and produced by James L. Brooks, and directed by Alan J. Pakula. Starring Burt Reynolds, Jill Clayburgh, and Candice Bergen, it follows a recently divorced man who is torn between his new girlfriend and his ex-wife.
Sylvia is a 2003 British biographical drama film directed by Christine Jeffs and starring Gwyneth Paltrow, Daniel Craig, Jared Harris, and Michael Gambon. It tells a story based on the real-life romance between prominent poets Sylvia Plath and Ted Hughes. The film begins with their meeting at Cambridge in 1956 and ends with Sylvia Plath's suicide in 1963.
The Big Sleep is a 1978 neo-noir film, the second film version of Raymond Chandler's 1939 novel of the same name. The picture was directed by Michael Winner and stars Robert Mitchum in his second film portrayal of the detective Philip Marlowe. The cast includes Sarah Miles, Candy Clark, Joan Collins and Oliver Reed, and features James Stewart as General Sternwood.
Surfacing is a novel by Canadian author Margaret Atwood. Published by McClelland and Stewart in 1972, it was her second novel. Surfacing has been described by commentators as a companion novel to Atwood's collection of poems, Power Politics, which was written the previous year and deals with complementary issues.
Diane Johnson is an American novelist and essayist whose satirical novels often feature American heroines living in contemporary France. She was a finalist for the Pulitzer Prize for her novel Persian Nights in 1988.
Aurelia Frances Plath was an American associate professor of medical secretarial skills at Boston University, the wife of Otto Plath, and the mother of author Sylvia Plath and Warren Plath.
Marjorie Kellogg was an American author.
Lost and Found is a 1979 British romantic comedy film co-written and directed by Melvin Frank and starring George Segal and Glenda Jackson.
Sunburn is a 1979 British-American comedy detective film directed by Richard C. Sarafian and written by James Booth, John Daly and Stephen Oliver. It is based on the novel The Bind by Stanley Ellin. The film stars Farrah Fawcett, Charles Grodin, Art Carney, Joan Collins, William Daniels and John Hillerman. The film was released on August 10, 1979, by Paramount Pictures.
The Other Side of the Mountain is a 1975 American drama romance film based on the true story of ski racing champion Jill Kinmont. The film was titled A Window to the Sky in the United Kingdom.
Olive Higgins Prouty was an American novelist and poet, best known for her 1923 novel Stella Dallas and her pioneering consideration of psychotherapy in her 1941 novel Now, Voyager.
Two-Minute Warning is a 1976 action thriller film directed by Larry Peerce and starring Charlton Heston, John Cassavetes, Martin Balsam, Beau Bridges, Jack Klugman, Gena Rowlands, and David Janssen. It was based on the novel of the same name written by George LaFountaine. The film was nominated for an Academy Award for Best Film Editing.
Love and Bullets is a 1979 action crime film directed by Stuart Rosenberg. and starring Charles Bronson, it is based on a screenplay by Wendell Mayes and John Melson.
Lawrence "Larry" Peerce is an American film and TV director whose work includes the theatrical feature Goodbye, Columbus (1969), the early rock and roll concert film The Big T.N.T. Show (1965), One Potato, Two Potato (1964), The Other Side of the Mountain (1975) and Two-Minute Warning (1976).
Marilyn Hassett is an American actress. She is best known for playing the role of Jill Kinmont in the romance drama film The Other Side of the Mountain (1975) for which she received Golden Globe Awards and its sequel The Other Side of the Mountain Part 2 (1978). Hassett also starred in films Shadow of the Hawk (1976) and The Bell Jar (1979).
Sylvia Plath (1932–1963) was an American author and poet. Plath is primarily known for her poetry, but earned her greatest reputation for her semi-autobiographical novel The Bell Jar, published pseudonymously weeks before her death.
The Other Side of the Mountain Part 2 is a 1978 film directed by Larry Peerce. It stars Marilyn Hassett and Timothy Bottoms. It is a sequel to The Other Side of the Mountain.
Ruth Tiffany Barnhouse, also known by her married name Ruth Beuscher, was an American psychiatrist, theologian, and Episcopal priest. Best known for being the psychiatrist of Sylvia Plath, she corresponded with her since they met at McLean Hospital in Belmont, Massachusetts following Plath's breakdown in 1953. Though Plath destroyed most of their letters, fourteen from Plath to Barnhouse remain.