Wired (film)

Last updated
Wired FilmPoster.jpeg
Video release poster
Directed by Larry Peerce
Written by Earl Mac Rauch
Based on Wired
by Bob Woodward
Produced byCharles R. Meeker
Edward S. Feldman
Cinematography Tony Imi
Edited byEric A. Sears
Music by Basil Poledouris [1]
FM Entertainment
Lion Screen Entertainment Ltd.
Distributed by Taurus Entertainment
Release date
August 25, 1989
Running time
112 minutes
CountryUnited States
Budget$13 million [2] [3]
Box office$1,089,000

Wired is a 1989 biographical film of comedian and actor John Belushi, [4] directed by Larry Peerce. It was based on the 1984 book of the same name by Washington Post journalist Bob Woodward, and adapted for the screen by Buckaroo Banzai creator Earl Mac Rauch. [5] It stars Michael Chiklis in his film debut as Belushi. Wired was both a critical and a commercial failure. The film has yet to be released on DVD or Blu-ray, and the videocassette originally released by International Video Entertainment is out of print.



John Belushi sings "I'm the King Bee" with the Killer Bees on Saturday Night Live in 1976. In March 1982, John Belushi is found dead via overdose and sent to the coroner's office. As night passes, a mysterious force wakes John up from the dead. Figuring out where he is, he screams out of the hospital, and is picked up by a taxi. The driver, Angel Velasquez, notices John and names a character he played; the character, a man who is a coke addict, is actually about him, and reveals himself to be John's guardian angel. He takes him to Chateau Marmont where he sees that he died the previous night. With Angel, John goes through his life and the mistakes he made when drugs got in the way.

In flashbacks, John meets Judy Jacklin before he forms the band The Ravens in the 1960s. In 1972, John is trained at The Second City to "make them laugh until it hurts." On the night before the airing of the first episode of Saturday Night Live, John gets Arnie Fromson to manage him, signing a contract. John becomes one of the biggest stars on the show, and meets Cathy Smith to experiment on drugs to improve his comedy. His popularity is what gets him a feature film role in National Lampoon's Animal House. Playing on the beach, John accidentally asks Judy to marry him, to which she accepts. John goes into deep sleep after taking a shot, which leads his wife Judy, and friend and actor Dan Aykroyd, to wake him up and discuss how much money he is spending on cocaine. John and Dan’s friendship is what sparks the success of their singing duo, The Blues Brothers, leading to the feature film adaptation, where John takes large amounts of cocaine to get through the filming; despite Judy trying to help him control his usage, it leads into fights with director John Landis. The drug use gets him into arguments with Dan and Arnie, and ultimately Judy, so he decides to lay it off and get better during the filming of Continental Divide. However the urge is too much for him and gets him back becoming a user. In March 1982, with the help of Cathy Smith, John decides to try a different drug by injection: a speedball.

Intercut within all of this, Judy talks to Bob Woodward about making a book all about John Belushi's life. At first he isn't sure about doing it, but then decides to go ahead. He interviews Judy, Arnie, and Cathy about their experiences with John, but Bob begins to focus more on why John wanted to go on drugs. Seen by John and Angel, John tries to get himself to talk to Bob. After talking with Dan, Bob heads to John's room at the Chateau Marmont where he tries to piece together the mindset of John's final night alive was like. John and Angel make a bet: if John wins a pinball game of the Blues Brothers, he'll live. Sadly he loses, but gets to talk to Bob before he ultimately passes on. Bob and John argue over the latter's drug usage, with Bob pointing out Judy being hurt by his actions, while John tries to victimized himself. When the time passes, John tells Bob to "breathe for him," just as he passes on in Bob's mind, leaving him speechless. The movie ends with John Belushi as Joe Cocker singing You Are So Beautiful on SNL as the title "Wired" forms over the scene.




Belushi's widow, Judith, and his manager, Bernie Brillstein, asked Bob Woodward to write a factual book about the actor to counter the speculation and rumours that had arisen after his death. Woodward, like Belushi, was from Wheaton, Illinois and had friends in common with him; Belushi had also been a fan of Woodward's investigative journalism. Although Woodward secured interviews with Belushi's family, friends and associates, he neither requested nor received approval from Judith before submitting his manuscript for publication. Those close to Belushi claimed that the book was exploitative and not representative of the man they knew. Nevertheless, Wired became a bestseller, albeit one that was publicly criticized by Belushi's family and friends for sensationalism, and for what they perceived to be a negative and one-sided portrait of the actor. Tanner Colby, who co-wrote a biography of Belushi in 2004, later claimed that while many of the anecdotes in Woodward's book were true, Woodward missed, or did not seek out, their meaning or context. [6]

Woodward sought to sell the book's film rights as early as 1984—the year it was published—but he found little interest in Hollywood for the project. Woodward later claimed, "A large portion of Hollywood didn't want this movie made because there's too much truth in it." [7] Producers Edward S. Feldman and Charles R. Meeker eventually bought the film rights for the relatively modest sum of $300,000, and, lacking major studio funding, put up $1 million of the film's $13 million budget themselves. The rest of the film's funding came from the New Zealand conglomerate Lion Nathan.

Woodward served as an uncredited technical adviser on the film; the screenplay was written by Earl Mac Rauch, whose previous writing credits included Martin Scorsese's New York, New York (1977) and the cult science-fiction comedy The Adventures of Buckaroo Banzai Across the 8th Dimension (1984). Hired to direct the film was Larry Peerce, a film and television veteran who had directed his wife Marilyn Hassett in the films The Other Side of the Mountain (1975), Two-Minute Warning (1976), The Other Side of the Mountain Part 2 (1978), and The Bell Jar (1979).

Chiklis claimed it took the producers three years to cast the role of Belushi. Then aged 25, Chiklis heard about auditions for the part when he was weeks away from picking up his theatre arts degree at Boston University: "I rushed down to try out... In the first 24 hours, I was called back 57 times to see different people. It was the first movie I ever read for. I was called back three times at first, then six to eight months would go by and I'd be called again, asked to perform two to three times, then nothing for maybe 10 months. I'd just about given up hope, then I'd get another call for more auditions." [8] Chiklis finally won the role after being chosen over 200 other actors, and he put on 30 pounds for the part. [9] The blue-eyed actor also wore brown contact lenses to more closely resemble Belushi.


The film adaptation of Wired did little to separate itself from the book's dubious reputation (promotional material described Wired as "the film Hollywood didn't want made"). Like the book, the film was boycotted by several of Belushi's friends and family, including Judith Belushi, Dan Aykroyd and Jim Belushi. [10] However, in many ways, Wired diverged from its source material. The film was criticized due to the addition of several fictional elements that were not present in the book, such as the guardian angel character, and the addition of Woodward himself as a character. Other difficulties for the filmmakers during production included their inability to obtain the rights to Belushi's original Saturday Night Live skits, and so they were forced to write imitations, e.g. "Samurai Baseball." However, the screenwriters did manage to work allusions and in-jokes to Belushi's routines into scenes and dialogue in the film. The film also alludes to the fact that Belushi's fictional guardian angel may not be sending him to Heaven but possibly Hell in the film's ending, when Belushi agrees to a pivotal pinball game—a parody of the chess game between the Knight and Death in the Ingmar Bergman film The Seventh Seal (1957).

The characters of Wired are a mixture of real-life people and obvious facsimiles. Judith Belushi, Dan Aykroyd, Bob Woodward and Cathy Smith, in addition to Belushi himself, appear by name in the film. Belushi's Saturday Night Live co-stars Chevy Chase, Gilda Radner and Laraine Newman are referred to but not seen. Other real-life associates of Belushi's are depicted onscreen, but assigned fictional names; for example, Brillstein is represented in the film by Alex Rocco's character "Arnie Fromson", and Belushi's minder Smokey Wendell is represented by Blake Clark's character "Dusty Jenkins." Many real-life celebrities who figured prominently in Belushi's life and in Woodward's book (including Robert De Niro, Robin Williams, Ed Begley Jr., Treat Williams, Carrie Fisher and Steven Spielberg) are not depicted in the film at all.

An obvious portrait is made of SNL producer Lorne Michaels, played by actor Joe Urla, although the role is listed as "Stage Manager".

One scene in Wired features Joe Strummer's song "Love Kills", from the soundtrack to Sid and Nancy (1986), another biopic about a celebrity drug casualty, and which features a taxicab as a metaphor for the afterlife. In another scene in Wired, Billy Preston appears as himself, playing a piano accompaniment to Chiklis as Belushi singing the song "You Are So Beautiful" (co-written by Preston) in the style of Joe Cocker.


Principal photography of Wired commenced in May 1988 and finished in the autumn of that year. The film was completed by the end of 1988; however, it did not receive a theatrical release until August 1989. The producers of Wired had problems finding a distributor for the film, as many of the major studios refused to distribute it. Several independent studios such as New Visions (then headed by Taylor Hackford) backed away from it. Atlantic Entertainment was about to distribute Wired, but financial problems prevented that from happening, so Taurus Entertainment agreed to distribute the film. [9]

In his book Tell Me How You Love The Picture: A Hollywood Life (2005), Feldman recalled the film's difficulties securing a distributor. He accused Hollywood powerbroker Michael Ovitz—whose Creative Artists Agency had represented Belushi, as well as Aykroyd and Bill Murray—of using his influence to sabotage the production and distribution of Wired. Ovitz himself claimed that "The film will rise or fall based on its own merits... We have nothing to do with the movie." Some studio executives claimed that their reluctance to distribute Wired was due to the film's dubious quality, rather than its subject matter. Brillstein accused the filmmakers of generating the controversy around the film themselves, in an attempt to improve its commercial prospects: "The only thing that the producers have to hang on to is the image of Wired as "the movie that Hollywood tried to stop"... I think this is a very good plan to get some excitement for the movie." [7] In April 1989, the Los Angeles Times published the article "Another Chapter in the Strange Odyssey of Wired," chronicling in detail the obstacles the film faced throughout its production. [11]

Wired screened at the 1989 Cannes Film Festival in May, three months before the film's general release. [12] Jack Mathews of the Times wrote that while Wired was "one of the most anticipated films in the festival", by the end a "smattering of applause was drowned out by whistles and jeers." Afterwards, Woodward faced a hostile press conference in which he was bombarded with questions about his inclusion as a character in the film. [13] Rita Kempley of the Post also reported that the Cannes reception "recalled a hive of John Belushi's killer bees." [14]


Critical reception

The critical response to Wired was almost uniformly hostile. Wired has an overall approval rating of 4% on Rotten Tomatoes based on 27 reviews, with an average rating of 2.9/10. The site's critics' consensus states: "A tasteless unintentional parody of the life it attempts to dramatize, Wired butchers John Belushi's memory with a misguided screenplay and unnecessary recreations of classic performances." [15]

Leonard Maltin condemned Wired as "the film fiasco of its year" and "mind-numbingly wrongheaded." Maltin noted that Michael Chiklis "looks a little like Belushi but conveys none of his comic genius in some clumsy Saturday Night Live recreations" and that J. T. Walsh, "as Woodward, is an unintentional howl with the decade's most constipated performance." [16]

Writing for The Washington Post , Rita Kempley dismissed the film as "the silliest celebrity bio since Mommie Dearest " and "a biography without an ounce of soul or a shred of dignity. Billed as a fantasy-comedy-drama, it manages to be none of these. The drama is laughable, the comedy lame, the fantasy without wings." Kempley described the film's direction as "ludicrous", the script as "preposterous", and also criticised Michael Chiklis' portrayal of Belushi: "Sam Kinison might have played the part -- like Belushi, he's obscene, overweight, abusive and mad as hell. Chiklis, who does look and sound like Belushi, is rather cherubic in his movie debut. There's a Bambi-ish quality to his portrait of debauchery, a strangely cute requiem for a funny man." [17]

Also writing for The Washington Post, Desson Howe wondered if the film is "what the real Belushi's family, friends and fans really need. Certainly Belushi deserves as much scrutiny as the next public figure who died after heavy drug use, but this autopsy seems unnecessary." Howe had no praise for Michael Chiklis' performance as Belushi: "Despite a histrionic outpouring of growls, snorts, yells and re-creations of familiar Belushi shticks, from Jake Elmore to Joe Cocker, Chiklis seems to miss every opportunity to redeem himself. He's loud where he should have been soft, flat where he should have been funny and dead where he should have been alive." Howe also noted that the film version of Woodward "seems to have stumbled out of a Dragnet episode." [17]

Vincent Canby for The New York Times described the film as "a bit fuzzy and off-center." Canby also noted that Chiklis "seems to be doing the role a few years too soon. It's not only that he seems too young, but also that he simply hasn't any idea of what it's like to scrape the bottom of life's barrel." Canby did praise Patti D'Arbanville, "who is exceptionally good as the addict who fatally ministers to Belushi in his last hours. She's a lost, sad character, more vivid than anyone else in the movie." [18]

Roger Hurlburt of the Sun-Sentinel also gave Wired a 1½-star rating, writing that "we have director Larry Peerce thinking he's Frank Capra doing It's a Wonderful Life , or worse, Charles Dickens reworking A Christmas Carol ... As a film that relies on mystical scenes to join together fact, plus appearing and disappearing characters scattered among confusing time sequences, Wired is a movie of overkill. The fact is, Belushi becomes more unlikable, more idiotic and more pathetically self-destructive as the film progresses." [19]

Caryn James for The New York Times began her Wired review with the words, "There is almost no excuse for Wired, a film so devastatingly dull that it seems longer than John Belushi's whole career", before adding "audiences do not like their pop icons tampered with, and in biographical films such tampering is inevitable. Audiences bring to such films vivid images of people they feel they know, and they have consistently rejected films that fail to reflect that image... Any weeknight, viewers can turn on television reruns of the Saturday Night Live shows that made Belushi famous. And no matter how much Michael Chiklis, the star of Wired, resembles Belushi, his Killer Bee and his Joe Cocker imitation are no match for the highly visible, memorable, syndicated originals." [18]

Rolling Stone labeled the film "a howling dog...Whether by design or by forced compromise, Wired is even more of a gloss than the candy-assed view of Jerry Lee Lewis in Great Balls of Fire! . Far from pointing any fingers, Wired the movie hardly names names...it appears that nearly everyone Belushi encountered in big, bad Hollywood tried to warn him off demon drugs. Wired packs all the investigative wallop of a Care Bears flick." The review also criticizes Michael Chiklis for capturing "none of Belushi's charm, warmth or genius. It's excruciating to watch Chiklis drain the wit from such classic Belushi routines as the Samurai, the Bees and the Blues Brothers." [9]

In 2008, writer Nathan Rabin posted a retrospective on Wired for his series "My Year of Flops" on The A.V. Club. Rabin wrote, "To call Wired an unconscionable act of grave robbery/defilement would be an insult to the good name of grave-robbers everywhere. There are snuff films with more integrity... Watching Wired, the two questions that pop up constantly are 'What the hell were they thinking?' followed by 'What the hell were they smoking, and where can I get some?'... I will give Rauch's screenplay this much: it sure is audacious... Rauch apparently set out to write a biopic as irreverent, wild, and unconventional as Belushi himself. The stakes were high. Had the filmmakers succeeded, they would have reinvented the biopic by injecting it with vast ocean of gallows humor, magic realism, and postmodern mindfuckery. The filmmakers took enormous chances, none of which paid off. They shot for the moon and fell flat on their asses." [20]

Richard Corliss, in his review of the film for Time Magazine , singled out Michael Chiklis's "boldly percussive performance", but described the film itself as a "turkey, overstuffed as it is with mad ambitions and bad karma." [21]

In his review of Wired for the Houston Chronicle , Jeff Millar noted that Michael Chiklis "looks reasonably enough like Belushi, and he impersonates him well enough to make us frustratingly aware that he is not John Belushi... In the sequences when he is asked to imitate Belushi the entertainer, he is desperately overmatched – any actor would be – against the close memory of a hugely idiosyncratic comic actor." [22]

Michael Wilmington for the Los Angeles Times praised the performances of Chiklis, D'Arbanville and Gary Groomes, but had mixed feelings about the film overall, noting that "the crippling flaw in the film lies in its mix of surface daring and inner funk. Inside, it keeps flinching." [23]

Roger Ebert for the Chicago Sun-Times wrote that "Maybe there was no way to make a good movie out of this material, not yet, when everyone remembers Belushi and any actor who attempts to play him is sure to suffer by comparison." Awarding Wired 1½ stars out of 4, Ebert noted that Wired "is in some ways a sincere attempt to deal with the material, but it is such an ungainly and hapless movie, so stupidly written, so awkwardly directed and acted, that it never gets off the ground." [24] In his syndicated movie review show Siskel & Ebert, Ebert did concede that Chiklis "did what he could" with his performance, while his partner Gene Siskel said that Chiklis and Groomes were very good and that the film could have been pulled off with better direction and a better script. [25]

Family and friends' reactions

Belushi's friend John Landis, who directed the actor in the films National Lampoon's Animal House (1978) and The Blues Brothers (1980), refused to have his name incorporated into Wired and threatened to sue for invasion of privacy, causing the producers to label a generic name on the film director who appears in the film. As played by Jon Snyder, the director is an obvious lookalike of Landis during the Blues Brothers sequence, and in the scene where he is walking across the movie set, a helicopter can be heard in the background (a reference to the fatal helicopter accident that occurred when Landis filmed Twilight Zone: The Movie ). The film also depicts the director punching a coked-out Belushi in the face during the filming of The Blues Brothers. This event, recounted directly from the opening of Woodward's book, was dismissed by Landis as "not true". [26]

Dan Aykroyd was openly averse to Wired. During an interview for MTV's The Big Picture, he said, "I have witches working now to jinx the thing... I hope it never gets seen and I am going to hurl all the negative energy I can and muster all my hell energies [against them]. My thunderbolts are out on this one, quite truthfully." Walsh, who played Woodward in Wired, was cast in a supporting role in the comedy Loose Cannons (1990) with Aykroyd, but Aykroyd had him removed from the film because of his participation in Wired. Walsh reportedly worked for two days on Loose Cannons before he was fired and replaced with Paul Koslo, causing the film a $125,000 production delay. [27]

Two years after the release of Wired, Judith Belushi wrote her book Samurai Widow (1991) to counter the image of her late husband portrayed in Woodward's work. She also co-wrote the 2005 oral history book, Belushi: A Biography , with Tanner Colby. Judith told Entertainment Weekly in 2013, "Like Michael Chiklis said, when he was a young man and was offered that role in [Wired], he thought it was a great opportunity and it was. He was just unfortunate not to have a better script because he himself was fine." [28]

Impact on Chiklis' career

Prior to the release of Wired, Patricia O'Haire of the New York Daily News suggested that Chiklis might be "priced out of reach" (i.e. by the film's success). [8] Instead, Chiklis' participation in Wired derailed the actor's career for 18 months: "After Wired, everyone was afraid to touch me for fear of reprisal... It was a bittersweet situation. All of a sudden, I was starring in a major motion picture and the next thing you know, I'm being asked by reporters, 'Do you think you'll be blackballed?'" Chiklis later told James Belushi that he took on the lead role in Wired out of "love, respect and homage" for his brother, and apologised for any hurt he had caused Belushi's family. [29] After numerous guest roles in episodic television (including Miami Vice , L.A. Law , Murphy Brown , and Seinfeld ), Chiklis gained fame for portraying the lead roles of Commissioner Tony Scali on the ABC police drama The Commish (1991–1996), and LAPD Detective Vic Mackey on the FX police drama The Shield (2002–2008). His film career resurged when he played Marvel superhero Ben "The Thing" Grimm in the films Fantastic Four (2005) and Fantastic Four: Rise of the Silver Surfer (2007).

Related Research Articles

John Belushi American actor, comedian, and musician

John Adam Belushi was an American comedian, actor and musician of Albanian descent, and one of the seven original cast members of the NBC sketch comedy show Saturday Night Live (SNL). Throughout his career, Belushi had a personal and artistic partnership with his fellow SNL star Dan Aykroyd, whom he met while they were both working at Chicago's The Second City comedy club.

Dan Aykroyd Canadian actor

Daniel Edward Aykroyd is a Canadian-American stage, film, and television actor, comedian, writer, producer, and musician who was an original member of the "Not Ready for Prime Time Players" on Saturday Night Live (1975–1979). He performed with his friend John Belushi in a musical sketch on SNL, the Blues Brothers, which they turned into an actual performing band and then featured in the 1980 film The Blues Brothers.

<i>Animal House</i> 1978 comedy film by John Landis

National Lampoon's Animal House is a 1978 American comedy film directed by John Landis and written by Harold Ramis, Douglas Kenney and Chris Miller. It stars John Belushi, Peter Riegert, Tim Matheson, John Vernon, Verna Bloom, Thomas Hulce, Stephen Furst, and Donald Sutherland. The film is about a trouble-making fraternity whose members challenge the authority of the dean of the fictional Faber College.

The Blues Brothers American blues and soul band

The Blues Brothers are an American blues and soul revivalist band founded in 1978 by comedians Dan Aykroyd and John Belushi as part of a musical sketch on Saturday Night Live. Belushi and Aykroyd fronted the band, in character, respectively, as lead vocalist 'Joliet' Jake Blues and harmonica player/vocalist Elwood Blues. The band was composed of well-known musicians, and debuted as the musical guest in a 1978 episode of Saturday Night Live, opening the show performing "Hey Bartender", and later "Soul Man".

<i>Blues Brothers 2000</i> 1998 film by John Landis

Blues Brothers 2000 is a 1998 American musical comedy film that is a sequel to the 1980 film The Blues Brothers, written and produced by John Landis and Dan Aykroyd. Directed by Landis, the film stars Aykroyd and John Goodman, with cameo appearances by various musicians. The film is dedicated to John Belushi, Cab Calloway, and John Candy, cast members from the original film who had died prior to the sequel's production, as well as Junior Wells, who died one month before it was released. Unlike the first film, Blues Brothers 2000 received generally mixed reviews, and was a box-office bomb, grossing around $14 million on a budget of $30 million.

Bob Woodward American investigative journalist and associate editor

Robert Upshur Woodward is an American investigative journalist. He started working for The Washington Post as a reporter in 1971 and currently holds the title of associate editor.

Jim Belushi American actor and comedian

James Adam Belushi is an American actor and comedian. He is best known for the role of Jim on the sitcom According to Jim (2001–2009). His other television roles include Saturday Night Live (1983–1985), Wild Palms (1993), Aaahh!!! Real Monsters (1994–1997), Show Me a Hero (2015), and Twin Peaks (2017).

<i>Trading Places</i> 1983 comedy film directed by John Landis

Trading Places is a 1983 American comedy film directed by John Landis and written by Timothy Harris and Herschel Weingrod. It stars Dan Aykroyd, Eddie Murphy, Ralph Bellamy, Don Ameche, Denholm Elliott, and Jamie Lee Curtis. The film tells the story of an upper-class commodities broker (Aykroyd) and a poor street hustler (Murphy) whose lives cross when they are unwittingly made the subject of an elaborate bet to test how each man will perform when their life circumstances are swapped.

John Landis American film director

John David Landis is an American film director, screenwriter, producer, and actor. He is best known for the comedy films that he has directed, such as The Kentucky Fried Movie (1977), National Lampoon's Animal House (1978), The Blues Brothers (1980), An American Werewolf in London (1981), Trading Places (1983), Three Amigos (1986), Coming to America (1988) and Beverly Hills Cop III (1994), and for directing Michael Jackson's music videos for "Thriller" (1983) and "Black or White" (1991).

Michael Chiklis American actor

Michael Charles Chiklis is an American actor, television director and television producer. For his role as Los Angeles Police Department (LAPD) Detective Vic Mackey on the FX police drama The Shield, he won the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series in 2002, and was nominated in 2003. He also played Commissioner Tony Scali on the American Broadcasting Company (ABC) police drama The Commish, The Thing in two Fantastic Four films, and Jim Powell on the ABC science-fiction comedy-drama No Ordinary Family. Additionally, he co-starred as Vincent Savino in the CBS crime drama Vegas. He also portrayed Curly Howard in the biopic film The Three Stooges. In 2014 Chiklis joined the cast of American Horror Story for its fourth season, American Horror Story: Freak Show. The following year he was cast as Nathaniel Barnes, in the second season of Gotham, as a series regular.

<i>Three Amigos</i> 1986 film by John Landis

Three Amigos is a 1986 American Western comedy film directed by John Landis and written by Lorne Michaels, Steve Martin, and Randy Newman, who wrote the songs for the film. Steve Martin, Chevy Chase, and Martin Short star as the title characters, three silent film stars who are mistaken for real heroes by the suffering people of a small Mexican village. They must find a way to live up to their reputation and stop a malevolent bandit.

<i>K-9</i> (film) 1989 film by Rod Daniel

K-9 is a 1989 American buddy cop comedy film starring Jim Belushi and Mel Harris. It was directed by Rod Daniel, written by Steven Siegel and Scott Myers, produced by Lawrence Gordon and Charles Gordon, and released by Universal Pictures.

<i>Into the Night</i> (1985 film) 1985 film by John Landis

Into the Night is a 1985 American black comedy thriller film directed by John Landis, starring Jeff Goldblum and Michelle Pfeiffer. The film has many cameo appearances made by various filmmakers and directors, including Landis himself. The soundtrack features the songs "Into the Night", "In the Midnight Hour" and "Lucille", performed by B.B. King.

<i>Doctor Detroit</i> 1983 film by Michael Pressman

Doctor Detroit is a 1983 American comedy film directed by Michael Pressman with writing by Bruce Jay Friedman, Carl Gottlieb, and Robert Boris. The film stars Dan Aykroyd, Howard Hesseman, Lynn Whitfield, Fran Drescher, and Donna Dixon, with a special appearance by James Brown. It was the first movie Aykroyd made after the death of John Belushi and the first one in which he’s not sharing top bill with other actors. Aykroyd and his co-star Dixon married soon after the film's release.

<i>Wired</i> (book) Book by Bob Woodward

Wired: The Short Life and Fast Times of John Belushi is a 1984 non-fiction book by American journalist Bob Woodward about the American actor and comedian John Belushi. The hardcover edition includes 16 pages of black-and-white photos, front and back.

<i>The Blues Brothers</i> (film) 1980 American musical comedy film by John Landis

The Blues Brothers is a 1980 American musical comedy film directed by John Landis. It stars John Belushi as "Joliet" Jake Blues and Dan Aykroyd as his brother Elwood, characters developed from the recurring musical sketch "The Blues Brothers" on NBC variety series Saturday Night Live. The film is set in and around Chicago, Illinois, where it was filmed, and the screenplay was written by Aykroyd and Landis. It features musical numbers by rhythm and blues (R&B), soul, and blues singers James Brown, Cab Calloway, Aretha Franklin, Ray Charles, Chaka Khan, and John Lee Hooker. It features non-musical supporting performances by Carrie Fisher, Henry Gibson, Charles Napier and John Candy.

<i>Neighbors</i> (1981 film) 1981 film by John G. Avildsen

Neighbors is a 1981 American black comedy film based on the novel of the same name by Thomas Berger. It was released through Columbia Pictures, was directed by John G. Avildsen, and starred John Belushi, Dan Aykroyd, Cathy Moriarty, and Kathryn Walker. The film takes liberties with Berger's story and features a more upbeat ending. The screenplay of the film is officially credited to Larry Gelbart, although it was extensively rewritten to Gelbart's public disapproval. Released two and a half months before John Belushi's death, the film marks his last film performance.

<i>Loose Cannons</i> (1990 film) 1990 film by Bob Clark

Loose Cannons is a 1990 American action comedy film, written by Richard Matheson, Richard Christian Matheson and Bob Clark, who also directed the film. The film is about a hard-nosed cop who is teamed up with a detective with multiple-personality disorder to uncover a long-lost Nazi sex tape, featuring Adolf Hitler, which would jeopardize the political future of the German chancellor-elect.

Catherine Evelyn Smith was a Canadian occasional backup singer, rock groupie, drug dealer, and legal secretary, who served 15 months in the California state prison system for injecting original Saturday Night Live cast member John Belushi with a fatal dose of heroin and cocaine in 1982.

The Last Voyage of the Starship <i>Enterprise</i> 22nd episode of the first season of Saturday Night Live

"The Last Voyage of the Starship Enterprise" is a comedy sketch that first aired on May 29, 1976, during episode 22 of the first season of the NBC variety show, Saturday Night Live. The twelve-minute sketch was written by Michael O'Donoghue during a month-long process consulting with actor John Belushi. The sketch is a satire of the 1969 cancellation of Star Trek. The set design featured an effective replica of the bridge of the USS Enterprise. Dress rehearsal was difficult, with the writer doubting whether Belushi was able to pull off an effective parody of William Shatner's performance as Captain James Kirk. However, the result was a success, and O'Donoghue immediately congratulated Belushi after his performance and reflected that he had perfectly parodied Shatner as Kirk.


  1. Wired: Basil Poledouris-Internet Archive
  2. Harmetz, Aljean (1989-04-15). "Movie on Belushi Finds a Distributor". The New York Times.
  3. JACK MATHEWS (Aug 29, 1989). "Box-Office Short Circuit for 'Wired'". Los Angeles Times. p. E1.
  4. Wired (John Belushi Biopic) - TV Spot (1989) - Video Disorder on YouTube
  5. The Controversy Over Belushi Bio 'Wired'-Rolling Stone
  6. Colby, Tanner (March 12, 2013). "Regrettable". Slate . Retrieved March 13, 2013.
  7. 1 2 Zoglin. "Finally, The Belushi Story"
  8. 1 2 O'Haire, Patricia (1989-08-26). "Actor Wired Over Role In Film About Belushi". New York Daily News.
  9. 1 2 3 Rolling Stone review
  10. Evening Magazine Show Copy : WJZ-TV (Television Station: Baltimore, MD.) - Internet Archive
  11. Easton, Nina J.; Mathews, Jack (1989-04-13). """Another Chapter in the Strange Odyssey of 'Wired'." The Los Angeles Times, April 13, 1989". Los Angeles Times . Retrieved 2012-05-25.
  12. "Festival de Cannes: Wired". festival-cannes.com. Retrieved 2009-08-03.
  13. Mathews, Jack (1989-05-20). "Unveiled 'Wired' Shorts Out With Cannes Festival Audience". Los Angeles Times.
  14. Kempley, Rita (1989-05-19). "'Wired' Up, Let Down; At Cannes, Belushi Bio Braves Critics". The Washington Post. Archived from the original on 2012-11-13.
  15. "Wired (1989)". Rotten Tomatoes . Fandango . Retrieved April 29, 2019.
  16. Leonard Maltin's movie guide Maltin, Leonard-Internet Archive (pg.1539)
  17. 1 2 "'Wired' (R)". The Washington Post. 1989-08-25.
  18. 1 2 Canby, Vincent (1989-08-25). "Reviews/Film; 'Wired,' in Which Belushi Hails a Cabbie From Heaven". The New York Times.
  19. Hurlburt, Roger (1989-08-28). "Mishmash Saga About Life And Times Of Belushi Short-circuits". Sun-Sentinel.
  20. ""My Year Of Flops Extra Innings, Case File #110: Wired". The A.V. Club, May 28, 2008". www.avclub.com. Retrieved 2012-05-25.
  21. Corliss, Richard (1989-08-28). "Cinema: Saturday Night Dead". Time. Archived from the original on October 26, 2012.
  22. Millar, Jeff (1989-08-28). "At the movies/'Wired' suffers from loose ends".
  23. Wilmington, Michael (1989-08-25). "MOVIE REVIEW : Belushi's 'Wired' Ride". Los Angeles Times.
  24. Ebert, Roger. "Wired". RogerEbert.com .
  25. The Package, Wired, Cookie, Little Monsters, The Little Thief, 1989 Siskel and Ebert Movie Reviews
  26. Easton, Nina J.; Mathews, Jack (1989-04-13). "Another Chapter in the Strange Odyssey of 'Wired'". Los Angeles Times.
  27. Lebrecque, Jeff (2013-10-30). "John Belushi's widow on the new biopic: It's a 'beautiful bromance' between Belushi and Aykroyd". Entertainment Weekly.
  28. "Hollywood Survivor". Archived from the original on 2006-05-14. Retrieved 2006-04-17.