The Big Street | |
---|---|
Directed by | Irving Reis |
Screenplay by | Leonard Spigelgass |
Based on | Little Pinks Collier's Weekly (1940) by Damon Runyon |
Produced by | Damon Runyon |
Starring | Henry Fonda Lucille Ball |
Cinematography | Russell Metty |
Edited by | William Hamilton |
Music by | Roy Webb |
Production company | |
Distributed by | RKO Radio Pictures (US) |
Release dates |
|
Running time | 88 minutes |
Country | United States |
Language | English |
The Big Street is a 1942 American drama film starring Henry Fonda and Lucille Ball, based on the 1940 short story "Little Pinks" by Damon Runyon, who also produced it. It was directed by Irving Reis [2] [3] from a screenplay by Leonard Spigelgass.
The Big Street was a nickname for Broadway, [4] where this movie's plot starts, and where all of Runyon's stories take place.
The film focuses on busboy Augustus Pinkerton II, known as Little Pinks, and his relationship with a pretty but cold-hearted singer, Gloria Lyons, who is crippled in a fall after her boyfriend, New York City nightclub owner Case Ables, knocks her down a flight of stairs in a fit of jealousy. Left penniless by the expenses she incurs during a long convalescence, Gloria is forced to rely on the kindness of Pinks, who invites her to stay with him in his apartment.
When Pinks' friend Violette Shumberg marries Nicely Nicely Johnson and the couple moves to Florida, Gloria orders Pinks to take her there to recuperate, and he pushes her to Miami in her wheelchair. There she reunites with an old lover, Decatur, who loses interest in her when he discovers she is an invalid. Angry, she lashes out at Pinks, who leaves her and finds work as a busboy in a club owned by Case, only to return when Violette tells him Gloria is ill.
Despondent, Gloria confesses she longs to spend one last night in a gown bedecked with jewels. When Pinks sees socialite Mimi Venus wearing one, he breaks into her home, where he overhears her being blackmailed by one of Case's thugs, who is threatening to publicize her infidelity unless she gives him her jewelry. Pinks disguises himself and retrieves the gems from the thief, then tells Case he will report him to the police unless he agrees to host a party with Gloria as the guest of honor.
On the night of the party, the police arrest Pinks, whose Social Security card was found in Mimi's closet. When her husband Samuel learns why the busboy had broken into their home, he takes pity on him and drops the charges. Gloria finally realizes the sacrifices Pinks made for her, and he lifts her in his arms so they can dance. Gloria tells Pinks she wants to see the ocean, then dies. Undaunted, he carries her up the stairs to fulfill her final request.
Damon Runyon originally wanted to cast Charles Laughton and Carole Lombard in the lead roles, but neither one was interested in the project. Lombard suggested the producer consider her friend Lucille Ball and, despite pressure from RKO executives to hire a better-known actress, such as Barbara Stanwyck or Jean Arthur, Runyon offered her the role. Ball later recalled that at the time she was cast, "nothing much seemed to be happening for me at the studio. My $1000 weekly paycheck came regularly, but I was still a regular among the Bs." [5]
Filming did not go smoothly for the actress. Director Irving Reis was a novice, and co-star Henry Fonda, a former boyfriend on loan from 20th Century Fox, did not offer her much guidance. Fearing his wife might rekindle her relationship with Fonda, Desi Arnaz frequently lingered on the set. Despite these obstacles, Ball considered the film her favorite. [5]
The vocals for "Who Knows?" by Harry Revel and Mort Greene, performed by Gloria in Case's Manhattan club, were provided by Martha Mears. The character later reprises the song with Ozzie Nelson and his orchestra in the Miami nightspot.
The character of Nicely Nicely Johnson appears in the Broadway musical Guys and Dolls , as well as the film starring Marlon Brando as Sky Masterson, in which Stubby Kaye portrays Nicely Nicely. Sam Levene provides comic relief in the role of Horsethief in The Big Street, an erudite gambler, a precursor to Levene's legendary stage performance as the "craps-shooter extraordinaire" Nathan Detroit in the 1950 original Broadway production of Guys and Dolls (1950), which ran for 1,200 performances on Broadway (Frank Sinatra played the part in the subsequent 1955 film version).
Twenty-six years later, Henry Fonda and Lucille Ball made one more movie together, Yours, Mine and Ours (1968), this time with Ball receiving top billing above Fonda in the wake of her triumphantly successful 1950s I Love Lucy comedic television series.
The film critic for The New York Times called the film "smartly paced and colorful" and "crisply directed" but thought "in deviating occasionally from the plot's general comedy lines, the film over-dramatizes some none too plausible situations with an effect which is sometimes maudlin." He noted that Henry Fonda made "an acutely sympathetic hero opposite Miss Ball's able portrayal of the singer." [6]
Variety wrote that screenwriter Spigelgass did "a neat job of transferring the spirit of the piece to the screen, studding it with typical Runyon humor," and felt that Ball "[came] through with high laurels" and Henry Fonda was "at his best." [7]
Time Out London wrote that it "captures much of [Runyon's] low-life spirit and colorful vernacular, but occasionally spoils it all by wallowing in unnecessary sentimentality," and added, "Ball, in a rare straight role, is stunning." [8]
Turner Home Entertainment released the film on Region 1 DVD on June 19, 2007. It has an audio track in English with subtitles in English and French. Bonus features included the animated short The Hep Cat and the musical short Calling All Girls.
Alfred Damon Runyon was an American journalist and short-story writer.
Henry Jaynes Fonda was an American actor whose career spanned five decades on Broadway and in Hollywood. On screen and stage, he often portrayed characters that embodied an everyman image.
Peter Henry Fonda was an American actor, film director, and screenwriter. He was a two-time Academy Award nominee, both for acting and screenwriting, and a two-time Golden Globe Award winner for his acting. He was a member of the Fonda acting family, as the son of actor Henry Fonda, the brother of actress and activist Jane Fonda, and the father of actress Bridget Fonda.
Guys and Dolls is a musical with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows. It is based on "The Idyll of Miss Sarah Brown" (1933) and "Blood Pressure", which are two short stories by Damon Runyon, and also borrows characters and plot elements from other Runyon stories, such as "Pick the Winner".
John Hodiak was an American actor who worked in radio, stage and film.
One Touch of Venus is a 1943 musical with music written by Kurt Weill, lyrics by Ogden Nash, and book by S. J. Perelman and Nash, based on the 1885 novella The Tinted Venus by Thomas Anstey Guthrie, and very loosely spoofing the Pygmalion myth. The show satirizes contemporary American suburban values, artistic fads and romantic and sexual mores. Weill had been in America for eight years by the time he wrote this musical, and his music, though retaining his early haunting power, had evolved into a very different Broadway style.
Yours, Mine and Ours is a 1968 American family comedy drama film directed by Melville Shavelson. The film stars Lucille Ball, Henry Fonda and Van Johnson.
Sam Levene was an American Broadway, films, radio, and television actor and director. In a career spanning over five decades, he appeared in over 50 comedy and drama theatrical stage productions. He also acted in over 50 films across the United States and abroad.
I Dream Too Much is a 1935 American romantic comedy film directed by John Cromwell. It stars Henry Fonda and Lily Pons, as well as Lucille Ball in an early supporting role. It has been described as a "somewhat wispy operetta." Songs are by Jerome Kern and Dorothy Fields. The film was nominated for an Academy Award in the category Sound Recording.
Leonard Spigelgass was an American playwright, film producer and screenwriter. During his career, Spigelgass wrote the scripts for 11 Academy Award-winning films. He himself was nominated in 1950 for the story for Mystery Street and garnered three Writers Guild of America nominations over the course of his career. Spigelgass was also a friend of Gore Vidal who used Spigelgass as the model for Vidal's semi fictionary "wise hack" character in the latter's series of essays about Hollywood.
Daisy Kenyon is a 1947 American romantic-drama film by 20th Century Fox starring Joan Crawford, Henry Fonda, and Dana Andrews in a story about a post-World War II romantic triangle. The screenplay by David Hertz was based upon a 1945 novel of the same name by Elizabeth Janeway. The film was directed and produced by Otto Preminger. Having opened to restrained reception, Daisy Kenyon has seen reappraisal, and now enjoys a minor cult following for its realistic treatment of a typically melodramatic plot.
Marion Suplee, known professionally as Marion Martin, was an American film and stage actress.
Guys and Dolls is a 1955 American musical film starring Marlon Brando, Jean Simmons, Frank Sinatra, and Vivian Blaine. The picture was made by Samuel Goldwyn Productions and distributed by Metro-Goldwyn-Mayer (MGM). It was directed by Joseph L. Mankiewicz, who also wrote the screenplay. The film is based on the 1950 Broadway musical by composer and lyricist Frank Loesser, with a book by Jo Swerling and Abe Burrows, which, in turn, was loosely based on "The Idyll of Miss Sarah Brown" (1933) and "Blood Pressure", two short stories by Damon Runyon. Dances were choreographed by Michael Kidd, who had staged the dances for the Broadway production.
Best Foot Forward is a 1943 American musical film adapted from the 1941 Broadway musical comedy of the same title. The film was released by Metro-Goldwyn-Mayer, directed by Edward Buzzell, and starred Lucille Ball, William Gaxton, Virginia Weidler, Chill Wills, June Allyson, Gloria DeHaven, and Nancy Walker.
Sorrowful Jones, also known as Damon Runyon's Sorrowful Jones, is a 1949 American comedy-drama film directed by Sidney Lanfield. The film stars Lucille Ball and Bob Hope.
Mame is a 1974 Technicolor musical film in Panavision based on the 1966 Broadway musical of the same name and the 1955 novel Auntie Mame by Patrick Dennis.
The Mad Miss Manton is a 1938 American screwball comedy-mystery film directed by Leigh Jason and starring Barbara Stanwyck as fun-loving socialite Melsa Manton and Henry Fonda as newspaper editor Peter Ames. Melsa and her debutante friends hunt for a murderer while eating bonbons, flirting with Ames, and otherwise behaving like irresponsible socialites. Ames is also after the murderer, as well as Melsa's hand in marriage.
On Our Merry Way is a 1948 American comedy film produced by Benedict Bogeaus and Burgess Meredith and released by United Artists. At the time of its release, King Vidor and Leslie Fenton were credited with its direction, although the DVD lists John Huston and George Stevens, who assisted with one of the segments, as well. The screenplay by Laurence Stallings and Lou Breslow, based on an original story by Arch Oboler, is similar in style to that of Tales of Manhattan (1942), another anthology film made up of several vignettes linked by a single theme. The picture stars Paulette Goddard, Burgess Meredith, James Stewart, Henry Fonda, Harry James, Dorothy Lamour, Victor Moore and Fred MacMurray. It marks the first joint movie appearance of Stewart and Fonda, who play a pair of musicians in their section of the film.
Lucille Désirée Ball was an American actress, comedian, producer, and studio executive. She was recognized by Time in 2020 as one of the most influential women of the 20th century for her work in all four of these areas. She was nominated for 13 Primetime Emmy Awards, winning 5, and was the recipient of several other accolades, such as the Golden Globe Cecil B. DeMille Award and two stars on the Hollywood Walk of Fame. She earned many honors, including the Women in Film Crystal Award, an induction into the Television Hall of Fame, a Kennedy Center Honor, and the Governors Award from the Academy of Television Arts & Sciences.
Broadway Through a Keyhole, also billed as Broadway Thru a Keyhole, is a 1933 American pre-Code musical film produced by Twentieth Century Pictures and released by United Artists.