"The Black Adder" | |
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Blackadder episode | |
Directed by | Geoff Posner |
Written by | |
Running time | 32 minutes |
"The Black Adder" is the pilot episode of the BBC television series Blackadder . Taped on 20 June 1982, [1] it features the original incarnation of the character Edmund Blackadder, played by Rowan Atkinson. Following this pilot, The Black Adder eventually went into production and the first six-part series was broadcast in 1983, but with a number of changes to the casting, characterisation and plot; while the transmitted series was set in 1485 and the years following the Battle of Bosworth Field, this untransmitted pilot was set in 16th century, apparently during the Elizabethan Era. [2]
A close adaptation of the script of the pilot episode was used for the second episode of the first series, "Born to Be King", which contains many similar characters, situations and lines to the pilot.
The pilot episode was broadcast for the first time on UKTV's Gold channel, on 15 June 2023 to celebrate the fortieth anniversary of the show. [3]
Like the first series, The Black Adder, it was written by Richard Curtis and Rowan Atkinson. However, the episode features a number of major differences to the aired first series.
The pilot episode is introduced with on-screen scrolling text which announces that the setting is "Europe, 400 years ago" which, based on the date of production, places the episode during the reign of Queen Elizabeth I. In this respect, and in the design of the sets and costumes, the pilot bears much resemblance to the second series, Blackadder II (1986), which is also set during the Elizabethan era. [2] However, the historical connections are vague in the pilot episode; while the costume, jewellery and hairstyle of the Queen bear a strong resemblance to that of Elizabeth I, the reigning monarchs are cast anonymously as "the Queen" and "the King" and no reference is made to their actual identities. Even if the character of the Queen is intended to be Elizabeth I, the King and their two sons, Princes Henry and Edmund, would be entirely fictitious characters, as Elizabeth I neither married nor bore offspring. (It is also worth noting that the episode states that Prince Harry was born in 1526 – seven years before the real Elizabeth I – which would imply the episode is set in around 1550 and that the line "400 years ago" is only very approximate.)
In the version of The Black Adder which was eventually televised in 1983, the setting is shifted back some 100 years to 1485, and the King is clearly identified as King Richard IV, a fictional successor to Richard III who rules England with his Queen, the fictional Gertrude of Flanders, during a rewritten period of history. [2] The character of Queen Elizabeth I was later revisited in Blackadder II, when Miranda Richardson played the role of Queenie, a skittish caricature of the Virgin Queen.
Another major difference to the first series is the cast – most notably, comic actor Philip Fox plays the character Baldrick, rather than Tony Robinson, who was to play the role in all subsequent series. John Savident plays the role of the King, who was replaced by Brian Blessed for the first series. Prince Harry is played by Robert Bathurst instead of Robert East. The rest of the cast (Atkinson, Tim McInnerny as Percy and Elspet Gray as the Queen) were reunited for the commissioned series. [4]
The pilot was directed by Geoff Posner, who was the director of the last series of Not the Nine O'Clock News . The producer was the then head of Comedy Department, John Howard Davies; but this was a temporary measure because John Lloyd, who had co-produced Not The Nine O'Clock News, was working on a special with Pamela Stephenson. [1] When the series was commissioned, Lloyd took over the producer's role. A unique instrumental version of the "Blackadder" theme by Howard Goodall was used, performed by an orchestra and harpsichord. A revised arrangement, featuring mock-heroic lyrics, was used for the first series.
The episode opens with a rendition of the now-familiar Blackadder theme, followed by an on-screen narrative text:
It is Europe, 400 years ago. In Spain, war rages, as Christians from every land fight off the threatening terror of Turkish invasion. The French... are in uneasy peace. But in England, under the tutelage of a powerful king, the Ship of State ploughs a steady course, as the court awaits the Queen's birthday and the return of a Scottish hero from the war...
The action opens with Prince Harry, the King, and the Queen discussing the war with the Spanish. They hope it will soon be over so they can fight the French. The Queen is in high spirits, as it is her birthday and she has been given the county of Shropshire as a present.
Prince Edmund, Duke of York is in his chambers with his servants Percy and Baldrick. He is clearly unhappy about the task he has been given, which is to arrange the festivities for both the Queen's birthday and the return of the Scottish hero Dougal McAngus to the court. He refers to his brother Henry as "the bastard". Baldrick points out that if Henry actually was a bastard, Edmund would one day be King. When he finds out that the eunuchs scheduled to appear have cancelled, Edmund decides to have them executed. ("This is a Royal command performance – there are only two options. Either you do it, or you don't do it. If you do it, you don't get paid. If you don't do it, you get beheaded.")
Later, at a presentation in the great hall, the King gives McAngus all Edmund's lands in Scotland. Edmund is furious, and he, Percy and Baldrick plot to kill McAngus. Percy warns that the King will disinherit Edmund if he thinks he has deliberately killed McAngus, so they agree to make it look like an accident. Baldrick suggests putting McAngus's head in the mouth of a cannon and firing it, but Edmund dismisses this as feeble.
Looking for the Scot, Edmund overhears him telling the Queen that his father sends her his regards. Edmund invites McAngus to act as the Scotsman in the play "The Death of the Scotsman", to be performed for the Queen's birthday.
Later, as Edmund is about to start the play, he discovers that McAngus is drunk. Percy and Baldrick begin the play, and are later joined by Edmund and McAngus. In the play, McAngus insults the Queen, then stabs Edmund with a fake telescopic sword. He is sentenced to be hanged from the gallows. Leaving the stage, Edmund instructs Percy and Baldrick to remove the safety hook from the gallows, and warns them that whatever happens, if the Scotsman lives, they will die.
Off-stage, McAngus tells Edmund about hidden love letters from the Queen to McAngus' father, casting doubts on the lineage of Prince Henry. McAngus is back on stage about to be hanged, before Edmund realises he needs him alive to show him the letters. He tries to stop the hanging from off-stage by cutting the noose with a spear, but it fails, so in a last-ditch attempt, he throws a sheet over his head, and enters the stage as the ghost of the Prince. He pleads mercy for the Scotsman, but Percy and Baldrick, mindful of his previous threat, are determined to carry out the execution. A comic fight sequence ensues, which ends with Edmund inadvertently hanging McAngus himself, but then holding him up to stop him choking.
A gleeful Edmund is shown the love letters that his mother wrote. He instructs Baldrick to have the court assembled in the morning, where he reveals the content of the letters which are dated November and December 1526. He begins to falter as he realises that this was nine months after Henry's birth, but nine months before his own; it is he who is illegitimate, not Henry. Edmund tries to pretend that McAngus has forged the letters, and challenges him to a duel to the death. Edmund instructs Baldrick to get the fake telescopic sword for McAngus, but Percy gives Edmund the fake instead. There is a big fight, which culminates in Edmund stabbing McAngus with the fake sword. On finding out that Edmund tried to set him up with the fake sword, McAngus is furious and is about to kill Edmund. When the King begs him for clemency, McAngus agrees, but only if Edmund begs for mercy.
Later, the King, Queen and Henry discuss the letters, which apparently turned out to be French forgeries. Edmund and McAngus are now supposed to be the best of friends. However, up on the tower, McAngus is peering down the barrel of a large cannon, at Edmund's request. Back in the King's chambers, a loud bang is heard. Edmund rushes in to announce that there has been a ‘terrible accident’.
The final shot is of the family coat of arms, inscribed with the motto: Veni Vidi Castratavi Illegitimos ("I came, I saw, I castrated the bastards").
Character | Pilot | TV series |
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Edmund, Duke of York | Rowan Atkinson | |
King of England | John Savident | Brian Blessed |
Queen of England | Elspet Gray | |
Henry, Prince of Wales | Robert Bathurst | Robert East |
Percy, Duke of Northumberland | Tim McInnerny | |
Baldrick, Son of Robin the Dung Gatherer | Philip Fox | Tony Robinson |
Dougal McAngus | Alex Norton | |
Rudkin | Simon Gipps-Kent | N/A* |
Jumping Jesuit** | Oengus MacNamara | Angus Deayton |
* The role of Rudkin in the series is replaced by that of Lord Chiswick, played by Stephen Tate. However, Chiswick does not appear in "Born to be King."
**The entertainers were "Jumping Jesuits" in the pilot, "Jumping Jews of Jerusalem" in the series.
One of the most notable things about the pilot is Rowan Atkinson's performance as Edmund Blackadder, which is more akin to the character from the second series than the weaselly plotter from the first series. Richard Curtis is said to have thought the character should be more complex for the initial series, than the swaggering lead as seen in the pilot (and future episodes). Due to the limited budget of the episode, it lacks the location filming of the first series, being instead all shot on interior sets, again in a similar fashion to the second series onwards of Blackadder.
In 2010, The Guardian reflected on this, noting that it was "an interesting example of getting it right first time": [5]
The 1982 pilot to Blackadder – or The Black Adder as it was then – is almost exactly what the second series turned out to be. It's set in Elizabethan times, Rowan Atkinson is shrewd and scheming and Baldrick is an idiot. But when the first series came to air, it was set in the Middle Ages, Rowan Atkinson played an idiot and Baldrick was the brains of the operation. It's notable that the show only really started to pick up traction when it reverted to the format of the pilot.
The pilot episode is not available on DVD nor had it, until June 2023, been broadcast on television, although some scenes were featured in the 25th anniversary special Blackadder Rides Again. However, various bootleg copies exist and footage is often seen online. It was shown for the first time on UK television on 15 June 2023 for the 40th Anniversary of the series on Gold.
Blackadder is a series of four period British sitcoms, plus several one-off instalments, which originally aired on BBC1 from 1983 to 1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett, Lord Percy Percy / Captain Darling and George.
Edmund Blackadder is the single name given to a collection of fictional characters who appear in the BBC mock-historical comedy series Blackadder, each played by Rowan Atkinson. Although each series is set within a different period of British history, all the Edmund Blackadders in the franchise are part of the same familial line. Each character also shares notable personality traits and characteristics throughout each incarnation. In a 2001 poll conducted by Channel 4, Edmund Blackadder was ranked third on their list of the 100 Greatest TV Characters.
The Black Adder is the first series of the BBC sitcom Blackadder, written by Richard Curtis and Rowan Atkinson, directed by Martin Shardlow and produced by John Lloyd. The series was originally aired on BBC 1 from 15 June 1983 to 20 July 1983, and was a joint production with the Australian Seven Network. Set in 1485 at the end of the British Middle Ages, the series is written as a secret history which contends that King Richard III won the Battle of Bosworth Field, only to be unintentionally assassinated by his nephew's son Edmund and succeeded by said nephew, Richard IV, one of the Princes in the Tower. The series follows the exploits of Richard IV's unfavoured second son Edmund in his various attempts to increase his standing with his father and, in the final episode, his quest to overthrow him.
Blackadder II is the second series of the BBC sitcom Blackadder, written by Richard Curtis and Ben Elton, which aired from 9 January 1986 to 20 February 1986. The series is set in England during the reign of Queen Elizabeth I (1558–1603), and sees the principal character, Edmund, Lord Blackadder, as a Tudor courtier attempting to win the favour of the Queen while avoiding execution by decapitation, a fate that befell many of her suitors.
Blackadder the Third is the third series of the BBC sitcom Blackadder, written by Richard Curtis and Ben Elton, which aired from 17 September to 22 October 1987. The series is set during the Georgian Era, and sees the principal character, Mr. E. Blackadder, serve as butler to the Prince Regent and have to contend with, or cash in on, the fads of the age embraced by his master.
Blackadder's Christmas Carol, a one-off episode of Blackadder, is a parody of Charles Dickens' 1843 novella A Christmas Carol. It is set between Blackadder the Third (1987) and Blackadder Goes Forth (1989), and is narrated by Hugh Laurie. Produced by the BBC, it was first broadcast on BBC1 on 23 December 1988.
Blackadder: Back & Forth is a 1999 British science fiction comedy short film based on the BBC period sitcom Blackadder that marks the end of the Blackadder saga. It was commissioned for showing in the specially built SkyScape cinema erected southeast of the Millennium Dome on the Greenwich peninsula in South London. The film follows Lord Edmund Blackadder and his idiotic servant, Baldrick, on a time travel adventure that brings the characters into contact with several figures significant to British history.
"Bells" is the first episode of the BBC sitcom Blackadder II, the second series of Blackadder, which was set in Elizabethan England from 1558 to 1603. Although "Bells" was the first to be broadcast on BBC1, it was originally destined to be the second episode.
"Chains" is the final episode of the BBC sitcom Blackadder II, the second series of Blackadder, which was set in Elizabethan England from 1558 to 1603. Power-mad and self-professed "master of disguise", Prince Ludwig the Indestructible kidnaps Lord Blackadder and Lord Melchett. They escape his clutches but Prince Ludwig infiltrates the palace during a fancy dress ball. The episode was recorded 14 July 1985.
"Beer" is the fifth episode of the BBC sitcom Blackadder II, the second series of Blackadder, which was set in Elizabethan England from 1558 to 1603. In the episode, an embarrassing incident with a turnip, an ostrich feather and a fanatically Puritan aunt leads to a right royal to-do in the Blackadder household. The episode marks Miriam Margolyes's second and Hugh Laurie's first ever Blackadder appearance with Laurie going on to appear in every subsequent episode of the show.
"Money" is the fourth episode of the BBC sitcom Blackadder II, the second series of Blackadder, which was set in Elizabethan England from 1558 to 1603.
"Potato" is the third episode of the BBC sitcom Blackadder II, the second series of Blackadder, which was set in Elizabethan England from 1558 to 1603.
"The Foretelling" is the first episode of the BBC sitcom The Black Adder, the first series of the long-running comedy programme Blackadder. It marks Rowan Atkinson's debut as the character Edmund Blackadder, and is the first appearance of the recurring characters Baldrick and Percy. The comedy actor Peter Cook guest stars as King Richard III.
"Born to Be King" is the second episode of The Black Adder, the first series of the BBC sitcom Blackadder. Set in late 15th-century England, the episode takes a humorous look at rivalries with the Kingdom of Scotland and centres the dramatic tension on the doubts cast over parentage of the lead character, Prince Edmund, Duke of Edinburgh.
"The Archbishop" is the third episode of the first series of the BBC sitcom Blackadder. It is set in England in the late 15th century, and follows the exploits of the fictitious Prince Edmund as he is invested as Archbishop of Canterbury amid a Machiavellian plot by the King to acquire lands from the Catholic Church. Most of the humour in the episode relies on religious satire.
"The Queen of Spain's Beard" is the fourth episode of season one in The Black Adder, a BBC's historical comedy franchise. Set in England, during a fictional historical era of the late 15th-century, the episode parodies the practice of intermarriage between the royal houses of European powers - which was a genuine and significant characteristic of European politics at that time. Its bawdy humour also deals with taboos surrounding premarital sex, gay stereotypes and the practice of child marriage.
"Witchsmeller Pursuivant" is the fifth episode of the first series of the BBC sitcom Blackadder. It is set in England in the late 15th century and centres on the fictitious Prince Edmund, who finds himself falsely accused of witchcraft by a travelling witch-hunter known as the Witchsmeller Pursuivant. The story satirises mediaeval superstition and religious belief.
"The Black Seal" is the sixth and final episode of The Black Adder, the first serial in the BBC Television Blackadder series. Set in late 15th-century England, the episode concludes the alternate history of the last years of the House of York with the final adventure of Prince Edmund, Duke of Edinburgh, son of the fictional King Richard IV. The story follows a conspiracy by Edmund to overthrow the King and seize the Throne of England for himself, assisted by a band of violent mercenaries.
Baldrick is the name of several fictional characters featured in the long-running BBC historic comedy television series Blackadder. Each one serves as Edmund Blackadder's servant and sidekick and acts as a foil and arguably the best friend of the lead character. Each series of Blackadder is set in a different period in British history, and each Baldrick character is a descendant of the Baldrick from the preceding series. Just as Blackadder exists in many incarnations throughout the ages, so does Baldrick; whenever there is a Blackadder there is a Baldrick serving him. They are all portrayed by Sir Tony Robinson.