"The Foretelling" | |
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Blackadder episode | |
Episode no. | Series 1 Episode 1 |
Written by |
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Original air date | 15 June 1983 |
Guest appearances | |
Peter Cook, Peter Benson | |
"The Foretelling" is the first episode of the BBC sitcom The Black Adder , the first series of the long-running comedy programme Blackadder . It marks Rowan Atkinson's debut as the character Edmund Blackadder, and is the first appearance of the recurring characters Baldrick (Tony Robinson) and Percy (Tim McInnerny). The comedy actor Peter Cook guest stars as King Richard III.
The Black Adder is a historical comedy set in late Medieval England on the cusp of the Tudor Period, and centres on the eponymous "Black Adder", the pseudonym adopted from this episode onwards by Edmund Plantagenet, Duke of Edinburgh. The premise is that Henry Tudor did not become king in 1485, but instead rewrote history to portray himself as the man who killed Richard III. The show sets out to rectify the situation by telling the "real story" and presents the alternate history of King Richard IV.
The script of this episode contains many lines and situations which borrow from or parody William Shakespeare's plays Richard III and Macbeth . [1] [2]
A prologue introduces the episode with a narrative describing the Tudor King Henry VII as one of history's greatest liars - along with Nicolaus Copernicus, instigator of the heliocentrism cosmology theory - and establishes the show's premise that he rewrote history to suit his own ends. [3] The narrator dispels the popular depiction of King Richard III of England as a scheming murderer; he appears as a villainous hunchback, hobbling towards his young nephews with a dagger, but the dagger is revealed to be a toy and the hunchback is a sack of presents. A close-up of one of the children fades to a shot of the bearded Richard, Duke of York (Brian Blessed) roaring with laughter, as the narrator declares that he grew up to be "a big, strong boy", and that it was he who was crowned king after winning the Battle of Bosworth Field, not Henry. [4]
The story opens in England in the year 1485 on the eve of the Battle of Bosworth. A feast is held at the castle of King Richard III of England as his court prepares for the next day's battle with the forces led by Henry Tudor. The King (Peter Cook) gives a speech parodying the opening of Shakespeare's play. [1] A young lord's overzealous cheering raises the King's attention, who asks Richard, Duke of York, about the cheerer's identity. Richard doesn't recognise him but his eldest son, Harry, informs him that it is his second son, Edmund – though Richard never calls him that. instand he calls Edmund other names such as "Edna", starting a running gag lasting throughout the series. He asks Edmund if he will be participating in the battle; Edmund's buffoonish answer makes the King uneasy, but Richard promises that he will place Edmund far away from the King.
Edmund and his friend, Lord Percy Percy, Duke of Northumberland, are joined by a servant Baldrick, who with a bit of flattery manages to win enough favour with Edmund to be chosen as his squire for the morning battle. The next day, both Edmund and Baldrick oversleep. Once woken by Edmund's mother, Gertrude of Flanders, they rush to the battlefield, Edmund by horse and Baldrick by mule. Edmund is initially eager to fight but, observing the combatants from afar, he comes to the realisation that fighting could lead to death. He decides at that moment to remain a spectator and then hides behind a bush to relieve himself.
Meanwhile, the King has won the battle but lost his horse. Telling the Duke of York that he will meet him back at the castle, he wanders off to search for another horse, stumbling across Edmund's steed. Noticing an attempt to steal his horse, Edmund draws his sword and decapitates the apparent thief, only recognising him as King Richard III afterwards. With Baldrick's help, Edmund hides the body in a cottage but forgets the head, which Percy brings, claiming it to be his triumph until realising whose head it is. Before they can escape, a wounded knight begs to be sheltered in exchange for his land and money, but Edmund and Baldrick shake him off. Returning to the castle, Edmund reveals that King Richard is dead, startling his mother and also his father, who has freshly returned from battle. Any doubts are dispelled by Harry, who brings the King's corpse back to the castle from the cottage. Edmund fears retribution for his crime but as everyone assumes Henry Tudor to be the murderer, Edmund escapes punishment, while his father is hailed as the new king, Richard IV.
Edmund, now a royal prince, resolves to become more assertive, hoping to gain his father's respect and approval, and gives himself the title "The Black Adder" (at Baldrick's suggestion who dissuaded him from his first idea, "The Black Vegetable"). To his dismay, Edmund finds out that Percy brought the wounded knight from the cottage back to the castle, but after hearing of his wealth, Edmund lets him stay without asking any further questions.
"Fine! Somebody cut my head off at one point, but otherwise everything went swimmingly!"
—The ghost of Richard III, reflecting on the Battle of Bosworth
Later, Edmund finds himself haunted by the headless ghost of his great-uncle, who openly accuses him of beheading him and even calling him "Edna" in order to taunt him. During the celebratory banquet in honour of the new king, a portrait of Henry Tudor is presented for ridicule, and Edmund is horrified to learn that the wounded man he is sheltering is actually the enemy. Edmund rushes back to his room only to find Henry Tudor gone. Edmund pursues him but the ghost of Richard III chases Edmund into a foggy meadow, where he meets three witches who address the Black Adder as "Ruler of men, Ravisher of women, Slayer of kings" and predict that he shall one day become king. Edmund thus proclaims "History, here I come!" When he leaves the meadow, the witches remark among themselves that they had expected Henry Tudor to look different, before realising that they had prophesied to the wrong person again.
The closing credits of this episode list the cast members "in order of precedence". [4] [5]
"The Foretelling" featured a guest star appearance by veteran comedian Peter Cook as Richard III. Cook had previously worked with Rowan Atkinson, having appeared together in The Secret Policeman's Ball (1979) and Peter Cook & Co (1980). [6] Cook's appearance in this episode as Richard III caused him some alarm; both producer John Lloyd and co-star Brian Blessed have recalled that Cook was very nervous about playing the part. Cook was also not fond of adhering to a script and his lines contained many improvisations. [7] In the end, parts of Cook's performance took the form of a mock-heroic parody of Laurence Olivier's portrayal of the king in the 1955 film version of Shakespeare's play. [1] [8]
This first episode of The Black Adder contains many references to the works of Shakespeare and, as with subsequent episodes in this series, the end credits include an acknowledgement of "additional dialogue by William Shakespeare". [4] Most obviously, the script of "The Foretelling" draws on material from Richard III but a number of other aspects of the episode also parody Shakespeare's other works: [1] [2]
The Battle of Bosworth or Bosworth Field was the last significant battle of the Wars of the Roses, the civil war between the houses of Lancaster and York that extended across England in the latter half of the 15th century. Fought on 22 August 1485, the battle was won by an alliance of Lancastrians and disaffected Yorkists. Their leader Henry Tudor, Earl of Richmond, became the first English monarch of the Tudor dynasty by his victory and subsequent marriage to a Yorkist princess. His opponent Richard III, the last king of the House of York, was killed during the battle, the last English monarch to fall in battle. Historians consider Bosworth Field to mark the end of the Plantagenet dynasty, making it one of the defining moments of English history.
Blackadder is a series of four period British sitcoms, plus several one-off instalments, which originally aired on BBC1 from 1983 to 1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett, Lord Percy Percy / Captain Darling and George.
Edmund Blackadder is the single name given to a collection of fictional characters who appear in the BBC mock-historical comedy series Blackadder, each played by Rowan Atkinson. Although each series is set within a different period of British history, all the Edmund Blackadders in the franchise are part of the same familial line. Each character also shares notable personality traits and characteristics throughout each incarnation. In a 2001 poll conducted by Channel 4, Edmund Blackadder was ranked third on their list of the 100 Greatest TV Characters.
Cecily Neville was an English noblewoman, the wife of Richard, Duke of York (1411–1460), and the mother of two kings of England—Edward IV and Richard III. Cecily Neville was known as "the Rose of Raby", because she was born at Raby Castle in Durham, and "Proud Cis", because of her pride and a temper that went with it, although she was also known for her piety. She herself signed her name "Cecylle".
The Tragedy of Richard the Third, often shortened to Richard III, is a play by William Shakespeare. It was probably written c. 1592–1594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. Richard III concludes Shakespeare's first tetralogy and depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England.
In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies. The histories—along with those of contemporary Renaissance playwrights—help define the genre of history plays. The Shakespearean histories are biographies of English kings of the previous four centuries and include the standalones King John, Edward III and Henry VIII as well as a continuous sequence of eight plays. These last are considered to have been composed in two cycles. The so-called first tetralogy, apparently written in the early 1590s, covers the Wars of the Roses saga and includes Henry VI, Parts I, II & III and Richard III. The second tetralogy, finished in 1599 and including Richard II, Henry IV, Parts I & II and Henry V, is frequently called the Henriad after its protagonist Prince Hal, the future Henry V.
The Black Adder is the first series of the BBC sitcom Blackadder, written by Richard Curtis and Rowan Atkinson, directed by Martin Shardlow and produced by John Lloyd. The series was originally aired on BBC 1 from 15 June 1983 to 20 July 1983, and was a joint production with the Australian Seven Network. Set in 1485 at the end of the British Middle Ages, the series is written as a secret history which contends that King Richard III won the Battle of Bosworth Field, only to be unintentionally assassinated by his nephew's son Edmund and succeeded by said nephew, Richard IV, one of the Princes in the Tower. The series follows the exploits of Richard IV's unfavoured second son Edmund in his various attempts to increase his standing with his father and, in the final episode, his quest to overthrow him.
Blackadder II is the second series of the BBC sitcom Blackadder, written by Richard Curtis and Ben Elton, which aired from 9 January 1986 to 20 February 1986. The series is set in England during the reign of Queen Elizabeth I (1558–1603), and sees the principal character, Edmund, Lord Blackadder, as a Tudor courtier attempting to win the favour of the Queen while avoiding execution by decapitation, a fate that befell many of her suitors.
"The Black Adder" is the pilot episode of the BBC television series Blackadder. Taped on 20 June 1982, it features the original incarnation of the character Edmund Blackadder, played by Rowan Atkinson. Following this pilot, The Black Adder eventually went into production and the first six-part series was broadcast in 1983, but with a number of changes to the casting, characterisation and plot; while the transmitted series was set in 1485 and the years following the Battle of Bosworth Field, this untransmitted pilot was set in 16th century, apparently during the Elizabethan Era.
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"The Queen of Spain's Beard" is the fourth episode of season one in The Black Adder, a BBC's historical comedy franchise. Set in England, during a fictional historical era of the late 15th-century, the episode parodies the practice of intermarriage between the royal houses of European powers - which was a genuine and significant characteristic of European politics at that time. Its bawdy humour also deals with taboos surrounding premarital sex, gay stereotypes and the practice of child marriage.
"Witchsmeller Pursuivant" is the fifth episode of the first series of the BBC sitcom Blackadder. It is set in England in the late 15th century and centres on the fictitious Prince Edmund, who finds himself falsely accused of witchcraft by a travelling witch-hunter known as the Witchsmeller Pursuivant. The story satirises mediaeval superstition and religious belief.
"The Black Seal" is the sixth and final episode of The Black Adder, the first serial in the BBC Television Blackadder series. Set in late 15th-century England, the episode concludes the alternate history of the last years of the House of York with the final adventure of Prince Edmund, Duke of Edinburgh, son of the fictional King Richard IV. The story follows a conspiracy by Edmund to overthrow the King and seize the Throne of England for himself, assisted by a band of violent mercenaries.
Richard III of England has been depicted in literature and popular culture many times. In the Tudor period he was invariably portrayed as a villain, most famously in Shakespeare's play Richard III, but also in other literature of the period. Richard's life was not much depicted again until the 20th century when the "Ricardian" movement sought to restore his reputation. Much of more recent creative literature has portrayed him in a positive light. However his reputation as a hunchbacked villain has remained a familiar historical cliché within popular culture.
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